著者

大内田 史郎

出版者

一般社団法人 電気設備学会

雑誌

電気設備学会誌 (ISSN:09100350)

巻号頁・発行日

vol.31, no.1, pp.63-70, 2011-01-10 (Released:2014-09-01)

著者

大内田 史郎

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.70, no.595, pp.205-211, 2005

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The interior of the dome on the original form of Tokyo Station, which was finished with various decorations, was one of the most distinctive features in its design. Despite the fact, there exist a number of unknown facts on the dome design. For example, it has not been clarified yet how the relation between the design, technique, architect, or Kingo Tatsuno, craftsmen, and so on, worked together on the formation of the dome. This paper is to clarify the design of original Tokyo Station and the position of the building among the works by Tatsuno and other architects in those days.

著者

大内田 史郎 豊島 麻由佳 本橋 仁 渡邉 舞 中川 武

出版者

一般社団法人 日本建築学会

雑誌

日本建築学会技術報告集 (ISSN:13419463)

巻号頁・発行日

vol.23, no.54, pp.711-714, 2017 (Released:2017-06-20)

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The purpose of the study is to reveal the full picture of the relocation and reconstruction of the Former Imperial Hotel (1923-1968) designed by Frank Lloyd Wright (1867-1959) and to investigate the “preservation of the architectural style” proposed by Yoshiro Taniguchi (1904-1979), the first director of the Museum Meiji-Mura. This paper considers the documentary materials concerning the pre-dismantling survey conducted by Shindo Akashi laboratory of Waseda University and the “preservation of the architectural style” as seen in the dismantling and reconstruction materials from the relocation of the Former Imperial Hotel’s entrance lobby.

著者

深石 圭子 木下 庸子 大内田 史郎

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.84, no.763, pp.2005-2015, 2019 (Released:2019-09-30)

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Nobuko Nakahara is one of the prominent architects who led the postwar housing design and established Hayashi-Yamada-Nakahara, Architects and Preservation in 1958. In this paper, it is aimed at comprehensively clarifying the design process and the background of “Chogakuin temple (1962)” with the HP shell roof which was completed just 4 years after her office was founded. She entered the Ikebe Laboratory of the Institute of Industrial Science, The University of Tokyo as a technical research student, and in the midst of the Controversies on Japanese tradition that involved Kiyoshi Ikebe, she was in charge of designing works “Number 20” and “Number 28.” In addition, the Ikebe Laboratory was actively working on a shell structure which was a new technology at that time. And, Nakahara closely related herself to “Numazu City Public Hall(1953)” designed by Ikebe Laboratory, and became close to Hoji Nukushina who was indirectly involved in structural design and Takumi Orimoto, a structural designer of “Number 38 (1958)”. Buildings adopting HP shell in Japan were built from around 1952. The number of shingles of the HP shell accounts for mostly one which constitutes one unit by one sheet and one which constitutes one unit by four sheets. As a new construction of reinforced concrete construction, “Chogakuin temple” is a work that Nobuko Nakahara first worked on after the establishment of the office and was published in a magazine titled “Integration of HP Shell and Tradition.” Chief priest and Parishioners wanted a warm and soft atmosphere. Therefore, Nakahara responded to the demand by adopting "Disconnected HP shell, " for example, by curving the edge beam of the shell. At the time, there were no roofs of exactly the same shape as this. The roof of the main “Chogakuin temple” is a combination of 4 HP shells, and its roof is supported by 4 pillars. The beams and pillars have an equilateral triangular cross-sectional shape, and they handle rainwater with grooves in them. Works that used “Disconnected HP shell” in times when structural expressionism is popular, “Chogakuin temple” is the only example, other than the saddle shell. The reason why Nobuko Nakahara was able to complete the design of “Chogakuin temple” to integrate HP shell and the Japanese tradition in 1962, the following could be noted. 1. She learned about modern architectural thinking from Kiyoshi Ikebe so she could understand Japanese traditional design and structural expressionism. 2. She experienced the Controversies on Japanese tradition in Ikebe Laboratory and others, and established a basic way of thinking against this problem. She accepted positively the desire of Chief priest and Parishioners while designing this temple. 3. In the Ikebe Laboratory which was motivated to apply the new technology, she learned about HP shell, gained network with structural designer Hoji Nukushina and others, and completed the “Chogakuin temple” design under the support of them. The way of thinking of Kiyoshi Ikebe about tradition simply did not adopt the Japanese element as it was. On the Contrary, it was going beyond tradition using new materials, construction methods, and techniques. As a disciple of Kiyoshi Ikebe, Nobuko Nakahara followed his idea with the cooperation of others and applied them to “Chogakuin temple” in its realization.

著者

大内田 史郎

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.70, no.595, pp.205-211, 2005-09-30 (Released:2017-02-11)

参考文献数

59

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The interior of the dome on the original form of Tokyo Station, which was finished with various decorations, was one of the most distinctive features in its design. Despite the fact, there exist a number of unknown facts on the dome design. For example, it has not been clarified yet how the relation between the design, technique, architect, or Kingo Tatsuno, craftsmen, and so on, worked together on the formation of the dome. This paper is to clarify the design of original Tokyo Station and the position of the building among the works by Tatsuno and other architects in those days.