著者
小田 佳子 近藤 良享
出版者
日本体育・スポーツ哲学会
雑誌
体育・スポーツ哲学研究 (ISSN:09155104)
巻号頁・発行日
vol.34, no.2, pp.125-140, 2012 (Released:2013-07-31)
参考文献数
64
被引用文献数
1 2

In this study we would like to focus on Korean KUMDO which has represented a significant rise in the international KENDO world since 1990.The purpose of this study is to indicate the direction of the international expansion of Japanese KENDO through the following two points of view, while clarifying the conflict and the course between Japanese KENDO and Korean KUMDO. One point is an approach toward cultural universalism, which means that Japanese KENDO should be transmitted to the world and root in other countries as itself, and the other is an approach to cultural relativism, which means that not only Japanese KENDO but also other KENDO from other countries should be admitted with mutual approval of cultural properties. This discussion consists of the following3 parts:1. Conflict between Korean KUMDO and Japanese KENDO2. Trend in the international KENDO world3. Challenges for the international expansion of Japanese KENDOOn the basis of the course and the conflict between Korean KUMDO and Japanese KENDO, KENDO takes the position of cultural universalism, on the other hand KUMDO has the position of cultural relativism and it tries to find a way to internationalize KUMDO for their competition.For the international expansion of KENDO, it is inevitable to construct the Modern KENDO by reconstructing Japanese KENDO with reviewing the tradition of KENDO thoughts and its principle, objectify and verbalization of KENDO skills and referees, while taking consideration of the different cultures, not just a KENDO spread abroad by ambiguous domestic recognition.
著者
巽 申直 野村 知弘 村山 勤治 小田 佳子 富樫 泰一 服部 恒明
出版者
日本武道学会
雑誌
武道学研究 (ISSN:02879700)
巻号頁・発行日
vol.33, no.2, pp.16-23, 2001-01-31 (Released:2012-11-27)
参考文献数
30

The purpose of this study was to clarify the unique kendo moves used by the All Japan Kendo Champion Masahiro Miyazaki, six-time winner of the all Japan Kendo Championship.Using a direct linear transformation method, traces of the locomotion movement of the kendo players were measured. These measures permitted analysis of the spatial distances between the two competitors (i. e., ma-ai) during their matches. Distribution curves revealed two main types of ma-ai, one which had a higher peak position of sword-guard tangle (i. e., tuba-zeriai), and the other (i. e., issoku-itto-no-maai), which is the distance which enables players to either strike the opponent by taking one step forward and to evade the opponent's striking one step backward. Longitudinal data of 47 matches over 10 years (1990-1999) revealed that:1) The percentage occurrence of Miyazaki's issoku-itto-no-maai was lower relative to tsuba-zeriai, which is typical of all such players.2) The number of Miyazaki's offensive and defensive movements from issoku-itto-no-maai was higher than that of all such players.3) The total times of confrontation in Miyazaki's issoku-itto-no-maai were significantly lower than that of all other players. Namely, his initial offensive movement is much earlier than that of all other players.4) Miyazaki's percentage occurrence of issoku-itto-no-maai tended to increase year by year, coupled with a decrease in the number of offensive and defensive movement from ma-ai.