著者

松澤 俊二

出版者

桃山学院大学総合研究所

雑誌

人間文化研究 = Journal of humanities research, St. Andrew's University (ISSN:21889031)

巻号頁・発行日

no.13, pp.35-57, 2020-10

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Sakai City, Osaka Prefecture is the birthplace of Akiko Yosano. Akiko isnow considered to be a symbol of the local identity, and many commemorative events are held. However, before the war, Akiko was also recognized asa "bad girl" and was not always welcomed by the people of Sakai.The focus of this paper is on how Akiko was remembered by the local people after the war. In particular, this point will be made clear by variousawards activities held in Sakai, such as making monuments and memorials,and examining their performances. Then, the transformation and variety ofAkiko's image are also shown. It also discusses the important significanceof the region remembering Akiko.

著者

松澤 俊二

出版者

桃山学院大学

雑誌

桃山学院大学社会学論集 (ISSN:02876647)

巻号頁・発行日

vol.49, no.2, pp.69-86, 2016-02-25

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This paper is intended to study the proletarian tanka which rose during about 5 years from 1928 and declined immediately. Evaluation of proletarian tanka is not high so far. There are two reasons of low evaluation. First, because the tanka have been considered as politics, not Literary work. Second, the representation of tanka is a roar and vilification against the government and the capitalists, and this is because it is not individual, and mannerism and critics thought. However, it must be noted that such evaluation having been made from modern tanka's sense of values which considers that expression of individuality is the most important. Therefore, it is impossible from the sense of values to discuss the proletarian tanka which appeared as an antithesis of a modern tanka from the start. In the light of this fact, It is necessary to reconsider old research of a proletarian tanka and tanka work itself. In this paper, I gave priority to that I took up the expectations of the proletarian poet at that time. For this purpose, I chose "Proletarian Tanka poetics" as a research material. And it was clarified why the rut expression was repeated Tanka work, social circumstances surrounding its Tanka movement, and how was thought to increase the fan proletarian Tanka. In addition the existence of the proletarian tanka confirmed that it becomes a ruler to measure the political character of the modern tanka that attention had not been applied to until now.

著者

松澤 俊二

出版者

桃山学院大学

雑誌

桃山学院大学社会学論集 = ST.ANDREW'S UNIVERSITY SOCIOLOGICAL REVIEW (ISSN:02876647)

巻号頁・発行日

vol.49, no.2, pp.69-86, 2016-02-25

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This paper is intended to study the proletarian tanka which rose during about 5 years from 1928 and declined immediately. Evaluation of proletarian tanka is not high so far. There are two reasons of low evaluation. First, because the tanka have been considered as politics, not Literary work. Second, the representation of tanka is a roar and vilification against the government and the capitalists, and this is because it is not individual, and mannerism and critics thought. However, it must be noted that such evaluation having been made from modern tanka's sense of values which considers that expression of individuality is the most important. Therefore, it is impossible from the sense of values to discuss the proletarian tanka which appeared as an antithesis of a modern tanka from the start. In the light of this fact, It is necessary to reconsider old research of a proletarian tanka and tanka work itself. In this paper, I gave priority to that I took up the expectations of the proletarian poet at that time. For this purpose, I chose "Proletarian Tanka poetics" as a research material. And it was clarified why the rut expression was repeated Tanka work, social circumstances surrounding its Tanka movement, and how was thought to increase the fan proletarian Tanka. In addition the existence of the proletarian tanka confirmed that it becomes a ruler to measure the political character of the modern tanka that attention had not been applied to until now.

著者

松澤 俊二

出版者

日本文学協会 ; 1952-

雑誌

日本文学 (ISSN:03869903)

巻号頁・発行日

vol.65, no.5, pp.73-86, 2016-05

著者

松澤 俊二

出版者

日本文学協会

雑誌

日本文学 (ISSN:03869903)

巻号頁・発行日

vol.65, no.5, pp.73-86, 2016

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<p>一九〇〇年前後の「和歌革新」以降を「近代短歌」=「新派」和歌の時代とする見方は、近年の研究により補正されつつある。すなわち「革新」以降も「旧派」は勢力を温存して、二派が〈両立〉していたというのである。本論は、以上の観点を引き継いで「新」・「旧」〈両立〉の具体的な姿を大正期に即して考察した。特に当時の入門書を資料とすることで先鋭的な歌人の言説ばかりでなく、同時代の初学者のニーズまでを視野に入れて多面的な把握を試みている。</p>

著者

松澤 俊二

出版者

桃山学院大学

雑誌

桃山学院大学社会学論集 (ISSN:02876647)

巻号頁・発行日

vol.45, no.2, pp.39-59, 2012-03-14

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Traditional Japanese poetry (waka) faced extreme difficulties due to the massive inflow of western thought at the emergence of Imperial Japan in the late nineteenth century. Masakaze Takasaki, a waka poet, who served Emperor Meiji in a governmental capacity, played a crucial role for the continuation of waka during the time of Japan's westernization. How did Japanese traditional literature survive in a time of extraordinary socio-cultural and political transformation? This paper explores the history of Japanese poetry culture and the role of Takasaki in its struggle, renewal, and stabilization since1868. Historical analyses provide an alternative view of the history of poetry in Japan. Takasaki, as a government bureaucrat and social activist, established the ideal waka poetry typology and played an important role in the diffusion process of the renewed traditional culture. His poetry work attempted to turn the attention of Emperor Meiji and political elites in the Imperial Government toward the minds of the people. As a result, waka poetry became an important spiritual and political binding between Emperor Meiji and people of Japan. Thus, by bringing the cultural status of poetry into the political arena, Takasaki contributed to the renewal and continuation of a cultural tradition and literature. In the emergence of Imperial Japan, Masakaze Takasaki gave new value to traditional Japanese poetry, which once thought to be unnecessary in a rapidly modernizing and westernizing society.

著者

松澤 俊二

出版者

桃山学院大学総合研究所

雑誌

人間文化研究 = Journal of Humanities Research,St.Andrew's University (ISSN:21889031)

巻号頁・発行日

no.13, pp.35-57, 2020-10-08

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Sakai City, Osaka Prefecture is the birthplace of Akiko Yosano. Akiko isnow considered to be a symbol of the local identity, and many commemorative events are held. However, before the war, Akiko was also recognized asa “bad girl” and was not always welcomed by the people of Sakai.The focus of this paper is on how Akiko was remembered by the local people after the war. In particular, this point will be made clear by variousawards activities held in Sakai, such as making monuments and memorials,and examining their performances. Then, the transformation and variety ofAkiko’s image are also shown. It also discusses the important significanceof the region remembering Akiko.

著者

松澤 俊二

出版者

日本文学協会

雑誌

日本文学 (ISSN:03869903)

巻号頁・発行日

vol.65, no.5, pp.73-86, 2016-05-10 (Released:2021-05-31)

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一九〇〇年前後の「和歌革新」以降を「近代短歌」=「新派」和歌の時代とする見方は、近年の研究により補正されつつある。すなわち「革新」以降も「旧派」は勢力を温存して、二派が〈両立〉していたというのである。本論は、以上の観点を引き継いで「新」・「旧」〈両立〉の具体的な姿を大正期に即して考察した。特に当時の入門書を資料とすることで先鋭的な歌人の言説ばかりでなく、同時代の初学者のニーズまでを視野に入れて多面的な把握を試みている。