著者

毛 久燕

出版者

新潟大学大学院現代社会文化研究科

雑誌

現代社会文化研究 = 現代社会文化研究 (ISSN:13458485)

巻号頁・発行日

vol.59, pp.19-36, 2014-12

---

This work, an investigation of Dongsheng Puppet Play Troupe in the Zhoushan Archipelago, had an insight into the history of Chinese Puppet Plays during the Great Cultural Revolution period. In terms of the national trends, it was not only Puppet Plays, one kind of folk performing arts, that was targeted for criticism as one of the four olds (old thought, culture, customs, habits) in those days. The presentation of the traditions drama that is a main component of Puppet Plays was prohibited, but also the stage, doll heads and tools were almost all burnt and suffered devastating damage. The influence lasts to the present. However, there are few concrete documents and records about the damage, and until now there was hardly a study about it. In this work, we examined the Dongsheng Puppet Play Troupe in the Zhoushan Archipelago as an example to concretely analyze and investigate the influence of the Great Cultural Revolution on Puppet Plays, from the perspective of replacing the do away with the‵four olds‵ movement and traditional dramas with the revolution model dramas in modern times, as well as the influence on the living of those old performers in the Zhoushan Archipelago.

著者

橋谷 英子 瀬田 充子 楊 思好 毛 久燕 林 小旻

出版者

新潟大学

雑誌

基盤研究(C)

巻号頁・発行日

2011

---

中国浙江省舟山では一人遣い指人形芝居『月唐演義』を3日、以前と合わせて約20日分、全編のほぼ半分を録画し、また『粉粧楼』「胡奎売人頭」の段も2日で上演してもらい録画した。一方、伴奏もすべて一人で行う、より古い形式で上演される温州地区蒼南県の一人遣い指人形で、『粉粧楼』を4日20時間、『月唐演義』「李白出考」を2日10時間、泰順県でも『月唐演義』を1日上演してもらい、録画した。これらの録画記録を比較検討した結果、伴奏が別に加わる舟山では、人形は動きが細やかで上演の重要要素であるが、蒼南や泰順では棒に挿した人形を並べるだけの場面も多く、人形は補助で語りが主で、講史との関係がよりはっきりと窺えた。