著者

西垣 安比古

出版者

一般社団法人日本建築学会

雑誌

日本建築学会計画系論文報告集 (ISSN:09108017)

巻号頁・発行日

no.420, pp.83-93, 1991-02-28

被引用文献数

1

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In this report we discuss about the meaning of dwelling topo-logically through Yi T' oegye's "陶山十二曲 (twelve poems on Dosan)". In the first half of these poems, T' oegye's calm life in his hermitage is described. His house was set between a mountain and a river, and his life in this place was united with nature. The last poem of the first half includes two inportant phrase of "鳶飛魚躍 (A kite is flying in the sky and fishes are jumping in the river)" and "雲影天光 (Shadow of clouds and the light of the sky are wandering together)". From the former phrase we can understand that T' oegye's way of life was united with Heaven, and everything was able to take place in its own way of being at the place where he lived. In the latter phrase of "雲影天光", T'oegye talked about the importance of thinking to dwell between a mountain and a river in its true meaning. That thinking to dwell must be a search for the origin of all phenomena. And T'oegye showed that thinking will be realized by "観書 (Reading books)" in the way of "俟 (wait)". To dwell between a mountain and a river is completely subjective conduct, but at the same time it was regarded as the conduct without intention. In the last hall of "陶山十二曲", Yi T'oegye shows that man must intend to act without intention to dwell between a mountain and a river. A mountain exists and a river flows without intention, so man must follow those natural things to dwell. We understand the following facts from "陶山十二曲". By dwelling between a mountain and a river, man can realize himself and open the stage of "道(Tao)". This stage of "道" is absolute and transcendental but immanent.

著者

西垣 安比古

出版者

建築史学会

雑誌

建築史学 (ISSN:02892839)

巻号頁・発行日

vol.36, pp.83-85, 2001 (Released:2018-08-17)

著者

花輪 由樹 西垣 安比古

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.79, no.705, pp.2497-2505, 2014-11-30 (Released:2014-11-30)

参考文献数

26

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This paper attempts to elucidate about a transition on volume changes of “home province” and “region” in course of study and a meaning of remaining “home province” in the showa 40s that was times changed from “home province” to “region”. First, in elementary school and junior high school, it was only in “social studies” that changed from “home province” to “region”. Secondly, for education about sense of dwelling, “home province” in the showa 40s was not sufficient.

著者

宮﨑 涼子 徐 東帝 西垣 安比古 水野 直樹

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.80, no.707, pp.193-201, 2015

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The focus of this paper is the Keijō toshi kōsōzu (Illustrated Plan for Keijō City), which includes drawings of planned Government-General facilities within Gyeongbokgung Palace. These illustrations offer rich clues about the Government-General's plans to renovate Gyeongbokgung during the period of Japanese colonial rule over Korea. This paper will highlight aspects of the Keijō toshi kōsōzu that show the due consideration had not been given, and suggest that the designs reflect the ideas of their creator.