3 0 0 0 OA イメージの領域 : シュルレアリスムにおけるイヴ・タンギーの特殊性
- 著者
- 長尾 天
- 出版者
- 美学会
- 雑誌
- 美學 (ISSN:05200962)
- 巻号頁・発行日
- vol.56, no.3, pp.29-42, 2005-12-31
Yves Tanguy (1900-1955) is one of the most important painters of surrealism. His unique image, however, has never been concretely discussed. The purpose of this paper is to show the characteristic of Tanguy's image in surrealist contexts and to add a new aspect to the discussions about optical images of surrealism. According to Roger Caillois, surrealist image is "an image without assured, perceptible or unitary signification," and has an "infinite" structure which makes viewer's interpretations infinitely. This paper calls this kind of image an "obscure image." Most surrealist images are constructed by signs that have a defined and perceptible signifie, and these signs make gaps of meaning among each other to become an "obscure image" (the principle of "depaysement"). However, in Tanguy's image, signs that form his image do not have a defined and perceptible signifie. Moreover, that image is the perfect representation with three-dimensional illusion. For this reason, the viewer's interpretations caused by "infinite" structure are all nullified. The image of Tanguy is an image that could be resolved into nothing except for image itself. That is an extreme form of the surrealist image.
1 0 0 0 IR 未知の物体--イヴ・タンギーとエクトプラズム
- 著者
- 長尾 天
- 出版者
- 早稲田大学大学院文学研究科
- 雑誌
- 早稲田大学大学院文学研究科紀要. 第3分冊 (ISSN:13417533)
- 巻号頁・発行日
- vol.53, pp.145-161, 2007
1 0 0 0 OA 没落する人間 ジョルジョ・デ・キリコ《子どもの脳》の派生作品について
- 著者
- 長尾 天
- 出版者
- 美学会
- 雑誌
- 美学 (ISSN:05200962)
- 巻号頁・発行日
- vol.69, no.1, pp.151, 2018 (Released:2019-06-01)
1 0 0 0 OA イメージの領域 : シュルレアリスムにおけるイヴ・タンギーの特殊性
- 著者
- 長尾 天
- 出版者
- 美学会
- 雑誌
- 美学 (ISSN:05200962)
- 巻号頁・発行日
- vol.56, no.3, pp.29-42, 2005-12-31 (Released:2017-05-22)
Yves Tanguy (1900-1955) is one of the most important painters of surrealism. His unique image, however, has never been concretely discussed. The purpose of this paper is to show the characteristic of Tanguy's image in surrealist contexts and to add a new aspect to the discussions about optical images of surrealism. According to Roger Caillois, surrealist image is "an image without assured, perceptible or unitary signification," and has an "infinite" structure which makes viewer's interpretations infinitely. This paper calls this kind of image an "obscure image." Most surrealist images are constructed by signs that have a defined and perceptible signifie, and these signs make gaps of meaning among each other to become an "obscure image" (the principle of "depaysement"). However, in Tanguy's image, signs that form his image do not have a defined and perceptible signifie. Moreover, that image is the perfect representation with three-dimensional illusion. For this reason, the viewer's interpretations caused by "infinite" structure are all nullified. The image of Tanguy is an image that could be resolved into nothing except for image itself. That is an extreme form of the surrealist image.
1 0 0 0 OA 西洋近代美術における「神の死」とシュルレアリスム試論
- 著者
- 長尾 天
- 出版者
- 成城大学文芸学部
- 雑誌
- 成城文藝 = The Seijo Bungei : the Seijo University arts and literature quarterly (ISSN:02865718)
- 巻号頁・発行日
- no.242, pp.1-17, 2017-12
1 0 0 0 OA 未知の物体 -イヴ・タンギーとエクトプラズム-
- 著者
- 長尾 天
- 出版者
- 早稲田大学大学院文学研究科
- 雑誌
- 早稲田大学大学院文学研究科紀要 第3分冊 日本語日本文学 演劇映像学 美術史学 日本語日本文化 (ISSN:13417533)
- 巻号頁・発行日
- vol.53, pp.145-161, 2008-02-28