著者

香西 克彦

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.61, no.480, pp.195-204, 1996-02-28 (Released:2017-01-28)

参考文献数

64

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This paper starts with a conviction that "Manyoh-Syu" poem no.52. is a text for us, for the structure of scenery. In this poem, the human act of "seeing"- a kind of experience - is translated into words. In this paper, I tried to melt the frozen meaning behind words. Under grasping the phenomenon at the boundary as of scenery, I make clear that it didn't happen at the border-line but at the dot-like place as "Gate". In conclusion, I suggest that the ancient Japanese capital, "Fujiwara-Kyo" was not a walled city, but bounded with "Yamato-Sanzan".

著者

香西 克彦

出版者

西田哲学会

雑誌

西田哲学会年報 (ISSN:21881995)

巻号頁・発行日

vol.6, pp.41-58, 2009 (Released:2020-03-23)

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Under the theme of “Philosophy and Art”, my task is to consider the relationship between philosophy and the logic of architecture. From the viewpoint of philosophers, Aristotle and Plato, regarded architecture in Greek as representing technology which could control all types of technologies, and architect as a man with both theory and practice. In Idealism in Germany, architecture as art and architectural space became subject of philosophy. In phenomenology, especially by M. Heidegger, architecture became considered from human and living. As to architectural theory, Keiichi Morita (1895-1983)is the pioneer, introducing Vitruvius, who established the logic of architecture in B.C. 30, insisting that architect should learn all of the studies. Morita achieved his original logic of architecture based on studies of Vitruvius and other Western aesthetics. He also referred to architectural space. In his theory, architecture Should represent architecture itself, and should be considered in total. His followers developed various theories referring to aesthetics, space, They seem to trend opposite to Morita’s theory, but the principle of their architectural theory has been the same as that of Morita’s based on something occurring among human and architecture. Reviewing the logic of architecture and comparing it with Nishida’s theory, they seem to resemble each other, particularly considering the original point of these theories.

著者

香西 克彦

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.68, no.570, pp.141-146, 2003-08-30 (Released:2017-02-09)

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In this paper, the universal definition of Mado is tried to be fixed regardless of any climatic differences. Universal definition cannot be fixed in the way of functionalism nor formalism, but it should be in the course of existentialism and ontology. The problem is the meanings which human beings living with Mado in reality experience phenomenally. Japanese short poems (Haiku) depicting experienced Mado are studied in comparison with some reviewers on Mado. In conclusion, regardless of practical differences by reviewers, the definition of Mado should be fixed in the topos. Mado is the very human topos experienced as the boundary of inside and outside.

著者

畠中 秀幸 香西 克彦

出版者

一般社団法人日本建築学会

雑誌

学術講演梗概集. F-2, 建築歴史・意匠 (ISSN:13414542)

巻号頁・発行日

vol.1995, pp.309-310, 1995-07-20