著者
高井 昌吏
出版者
桃山学院大学
雑誌
桃山学院大学社会学論集 = ST.ANDREW'S UNIVERSITY SOCIOLOGICAL REVIEW (ISSN:02876647)
巻号頁・発行日
vol.51, no.1, pp.31-71, 2017-10-20

In the late 1960 s, Hiroshi Kawaguchi, the former movie actor and TVpersonality, felt challenged by the documentary film “A Dog’s Life” (originaltitle: Mondo Cane) produced by Italian film director Gualtiero Jacopetti.While pursuing the ‘authenticity’ of documentary, Kawaguchi alsoperformed as an actor and was involved in the production of a televisionprogram. The program of Hiroshi Kawaguchi was different from JunichiUshiyama’s television documentary ”Wonderful World Travel”, as theformer tried to represent the ‘authenticity’ of documentary whileemphasizing the impact of the image, whereas the latter pursued‘education’ and academics through his program. This is, in a sense, a resultof focusing on creating a program from the perspective of the ‘masses’instead of from the perspective of ‘modern citizens’. Their directions weredifferent, yet their educational background, parents’ occupations andcultural capital were related to each other. In the mid-1980 s, however,“Kawaguchi Hiroshi Adventurer Series” directed by the former actor whoplaced great emphasis on ‘authenticity’ became viewed as a parody ofadventure and exploration by the audience amid a rumor that the programwas ‘staged’. In other words, although Hiroshi Kawaguchi’s documentaryprogram began as a pursuit of ‘authenticity’, it was ironically criticized interms of its ‘authenticity’ and ridiculed. This was due to changes in theattitudes of TV viewers, especially of the audience of documentary shows.In the meanwhile, Junichi Ushiyama also entered the academic world, suchas the “Visual anthropology”, and as a result, his television documentarybecame accepted as an ‘educational program’.

言及状況

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https://t.co/sNL0UmCnfO これは素晴らしい研究論文。 いままでピン大って呼んでごめんなさい。 旅や冒険を表象するテレビ番組と 「真正性」「教養」
@sunflower2691 こんばんは。こんな論文もあります(PDFで閲覧可能)  https://t.co/gC04q6yNPr
高井昌吏「旅や冒険を表象するテレビ番組と「真正性」「教養」:『川口浩探検シリーズ』と『すばらしい世界旅行』の比較研究」(桃山学院大学社会学論集第51巻第1号) https://t.co/YxG8Dy113y
前に聞いて読むの忘れてたヤツ。感謝 「川口浩の番組が嘲笑されるようになったのは、1980年代以降のこと/。それまで川口浩は、とくに1969年/スタート/『ショック!!』(日本テレビ系)では,明らかに「真正なドキュメンタリー」というものを想定し、目指していた。」高井昌吏2017 https://t.co/YfqGEDqcQq https://t.co/4eYbBYcGB2

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