著者
的場 いづみ
出版者
広島大学総合科学部
雑誌
地域文化研究 (ISSN:03851451)
巻号頁・発行日
vol.26, pp.161-183, 2000

The Korean War had been neglected in American literature, until the oral history of the Vietnam War boomed in the 80s and many of the veterans published their memory of the war. Encouraged by this oral history boom, Korean War veterans have published their own oral histories for the last two decades. William Styron's two fictions, The Long March (1956) and "Marriott, the Marine"(1971), are considered as earlier works concerned with the Korean War in American literature. Though Styron served in the Marines twice, first during the Second World War and second during the Korean War, he spent most of his time in camps and was not sent to the battlefields. Based on his own military experience, the settings of the two fictions were both military camps in North Carolina, not battlefields in Korea. Although the actual battlefields in Korea were not represented in the fictions, it is possible to see his viewpoint on the Korean War in them.In The Long March antagonism between individuals and the inhumane military system is represented through a captain's rebellion to a colonel. The theme, the inhumane military system suppressing the individuals, frequently appears in war stories and films of the time, such as Norman Mailer's The Naked and the Dead (1948), James Jones's From Here to Eternity (1951), and David Lean's The Bridge on the River Kwai (1957). As Styron, stimulated by the success of The Naked and the Dead and From Here to Eternity, decided to fictionalize his own camp experience as The Long March, it is considered that he was strongly influenced by the conflicts frequently seen in the Second World War stories in the 40 s and early 50s."Marriott, the Marine" is a part of his uncompleted novel The Way of the Warrior in which Styron planned to demonstrate that a regular officer, who embodies the esprit of corps of the Marines, has become suspicious of the justification of his service, realizing the inhumanity of military system. Although the conflicts between the individuals and the military system, repeatedly seen in the Second World War stories, succeeded in the novel, influences of the Vietnam War were also scattered in it. For example, the officer's suspicion of his service and the government, which Styron planned to clarify, suggests the anti-war movement even in the military, which was public knowledge in 1966.Besides, in "Marriott, the Marine" brutality in a certain U.S. soldier is portrayed: prejudice against communists and Asian people, and desire for murder. In 1971, when "Marriott, the Marine" was published, he also published an essay, "Calley," a kind of review on several books about First Lieutenant William Calley and the massacre in My Lai which, revealed in 1969, shocked the people in the U.S.A., and helped many of them regard U.S. soldiers as baby killers and rapists. Styron portrays the same kind of brutality in soldiers who served in the Korean War.Prejudice against communists and Asian people is amplified in "Love Day," a Second World War story published in 1985. The story suggests that the prejudice for ideology and races, not only in military but also in U.S. society, contributes to the brutality and inhumanity in the soldiers. Comparing The Long March with "Marriott, the Marine" and "Love Day," it is clear that Styron has reconstructed his memory of military service in the Second World War and in the Korean War with insight gained from the Vietnam War.
著者
田原 光広
出版者
広島大学総合科学部
雑誌
地域文化研究 (ISSN:03851451)
巻号頁・発行日
vol.29, pp.125-166, 2003

Although he had pursued a liberalist career as a Whig politician, Edmund Burke became the first modern conservative when he published Reflections on the Revolution in France to argue against the French Revolution and defend the British constitution. In this work, Burke significantly tried to seek British national identity in order to refute the political theory behind the French Revolution. The purpose of this paper is to examine Burke's political arguments and elucidate concretely the characteristics of his interpretation of British national identity. After making a survey of the main arguments between Burke and Richard Price, who passionately endorsed the French Revolution in his preaching Discourse on the Love of Our Country, I employ five viewpoints to understand Burke's insistence: 'abstract' and 'metaphysical' principles supported by Price, the British constitution built on 'the pattern of nature', British society as an 'organic' system, two opposing symbolic images of 'oak tree' and 'poplar tree' which represent the British constitution and French revolutionary system, and the contrasting aethetic and political sense between British landscape gardening and French formal or 'geometrical' gardening. These viewpoints are reinforced and generalized by referring to Mary Shelley's Frankenstein, William Godwin's Caleb Williams, Samuel Taylor Coleridge's Shakespearean Criticism, and James Gillray's caricatures. In the age of the French Revolution, Burke was given the opportunity to play a historical role of incorporating into his political arguments aesthetic, cultural, and literary arguments about 'nature' and 'art' which were inextraicably connected with British and French national identity.
著者
友田 卓爾
出版者
広島大学総合科学部
雑誌
地域文化研究 (ISSN:03851451)
巻号頁・発行日
vol.31, pp.45-74, 2005

In November 1640 the Long Parliament met, and soon a commercially produced weekly manuscript of parliamentary proceedings was available in London. Nehemiah Wallington (1598-1658), the puritan artisan (turner) who lived in Little Eastcheap, read the serious newsbooks of the early 1640s. He compiled materials into the journal "Historical Notoces of Events occurring chiefly in the reign of Charles 1". He stood at his shop-door to watch the passing by of some political procession, or to look out for his book with keen anxiety. The aim of this article is to prove that the parliamentary news between November 1640 and May 1641 described in "Historical Notices of Events" is extracted or cited from the following two volumes which preceded the newsbooks : "The Diurnall Occurrences, or Dayly Proceedings of Both Houses, in this Great and Happy Parliament, From the third of November 1640, to the third of November 1641. With A Continuation of all the Speeches, from June last, to the third of November, 1641." and "Speeches and Passages of This Great and Happy parliament: From the third of November, 1640 to this instant June, 1641. Collected into One Volume, and according to the most perfect Originalls, exactly published." Commercial production of printed news undermined old norms of secrecy that precluded popular discussion of political matters. Wallington cried "Oh the damage and misery that we were in by paying of ship-money; and the wrong and impoverishing of very many thousands in paying monies for the Corporations which was against all law and conscience!" News publications incorporated a greater number of people into the arena of political debate.
著者
金田 晋
出版者
広島大学総合科学部
雑誌
地域文化研究 (ISSN:03851451)
巻号頁・発行日
no.10, pp.p183-199, 1984

Das Tasten war bisher in den Theorien über die ästhetischen Erfahrungen relativ nachgelässigt. Aber die hfeister der modernen Kunstwissenschaft, A. Riegl, H. Wolfflin, B. Berenson, H. Focillon, usw., halten den taktuellen Wert der bildenden Kunsten für wichtig. Andererseits haben auch die modernen Philosophen, H. Bergson, E. Husserl, M. hlerleau-Ponty usw., den Leib, insbesondere die Tastempfindungen als die elementalen Funktion des Leibes, als Ausgangspunkt der Welterfahrung betrachtet. Der Verfasser sucht das Tasten als fundamentales und wesentliches Moment der ästhetischen Erfahmng zu betrachten, wie folgendes: I. Die Zeugnisse modernen Kuustwissenschaftler und Künstler, II. Die philosophischen Überlegungen des Leibes und der Tastempfindungen (H. Bergson U. M. Merleau-Ponty), und III. Empfindung-Empfindnis (E. Husserl).