著者

萩原 史朗 HAGIHARA Shiro

出版者

秋田大学教育文化学部

雑誌

秋田大学教育文化学部研究紀要 人文科学・社会科学 = MEMOIRS OF FACULTY OF EDUCATION AND HUMAN STUDIES AKITA UNIVERSITY HUMANITIES & SOCIAL SCIENCES (ISSN:24334979)

巻号頁・発行日

vol.74, pp.61-70, 2019-03-01

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This paper examines the economic ripple effect and the cost-effectiveness ratio on soccer stadium newly established in Akita, using input-output analysis. First, I estimate the cost-effectiveness ratio when a domed stadium is built for 11 billion yen. I show that it is very low both when the construction costs are financed by only Akita prefecture and when the partial amount of it are granted by the subsidies of the Sports Promotion Lottery toto.Next, I estimate the cost-effectiveness ratio when a non-domed stadium is constructed for 8 billion yen. As a benchmark, I firstly show that it is inadequate to construct a new stadium by only public funds of Akita prefecture, since the cost-effectiveness ratio is very low. I secondly show that the cost-effectiveness ratio measured by the production-induced effect is 0.74 and it measured by the added-value-induced effect is 0.37, when the earmarked grant for the social infrastructures is used. Hence, it is required to raise private funds of 0.75 billion yen for the cost-effectiveness ratio measured by the production-induced effect to be over 1 and to collect it of 2.7 billion yen for the cost-effectiveness ratio measured by the added-value-induced effect to be over 1. I thirdly show that the cost-effectiveness ratio measured by the production-induced effect is 0.58 and it measured by the added-valueinduced effect is 0.29, when the subsidy of the Sports Promotion Lottery toto is utilized. Therefore, it is necessary to raise additional private funds of 1.64 billion yen for the cost-effectiveness ratio measured by the productioninduced effect to be over 1 and to collect it of 3.31 billion yen for the cost-effectiveness ratio measured by the added-value-induced effect to be over 1.

著者

佐藤 猛 SATO Takeshi

出版者

秋田大学教育文化学部

雑誌

秋田大学教育文化学部研究紀要 人文科学・社会科学 = MEMOIRS OF FACULTY OF EDUCATION AND HUMAN STUDIES AKITA UNIVERSITY HUMANITIES & SOCIAL SCIENCES (ISSN:24334979)

巻号頁・発行日

no.74, pp.45-54, 2019-03-01

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À la fin du Moyen Âge en France, l'État angevin a été d'une grande étendue. Il comprenait l'Anjou et le Maine en France du Nord, la Lorraine et le Bar en l'Est, la Provence et la Naples au bord de la Méditerranée sous le règne du duc René d'Anjou (1434-1480). Comment il a gouverné ses sujets qui disposaient de traditions politiques et culturelles fort différentes. Ses vastes territoires le forçaient à s'appuyer des « serviteurs » dans toutes les terres. Depuis une trentaine d'années, les historiens les définissent comme des hommes qui ont participé directement ou indirectement à l'exercice du prince. La famille de Beauvau est un des « serviteurs » puissants qui ont bien servi et travaillé pour René. À la fin du 14e siècle, elle a été une petite noblesse dans le duché d'Anjou où elle a eu une terre patrimoniale. Mais son membre est devenu un des plus importants entourages au règne de René. Le seigneur de Beauvau Louis, avec son frère Jean, fut nominé à un des membres d'une commission pour réformer les coutumes d'Anjou le 6 octobre 1458. Ils ont rempli successivement un office de sénéchal d'Anjou et de Provence au milieu du 15e siècle.

著者

山﨑 義光 YAMAZAKI Yoshimitsu

出版者

秋田大学教育文化学部

雑誌

秋田大学教育文化学部研究紀要 人文科学・社会科学 = MEMOIRS OF FACULTY OF EDUCATION AND HUMAN STUDIES AKITA UNIVERSITY HUMANITIES & SOCIAL SCIENCES (ISSN:24334979)

巻号頁・発行日

no.72, pp.51-60, 2017-03-01

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About 1930, two literary schools, Proletarian School and New Art School (Shinkogeijutsu-ha), attracted attention in the Japanese literary world. In the studies of Japanese modern literature, these two have been argued separately as the opposing schools of the political and the artistic avant-garde. However, there is commonality that the contemporaneity around 1930 and the impact of economy on society are the themes of the novels. In this paper, from the viewpoint of such commonality, we will take up the following two works that show the sprouting of economic novel. They are "Kyoukou" (Panic, 1929) written by Einosuke Ito and "Jinsei Tokkyu (Life Express, 1932) by Toyohiko Kuno. The theme of "Kyoukou" was the current state of the Japanese society that represented the Showa financial crisis in 1927 as a model. "Jinsei Tokkyu" depicted the Japanese society in 1932 that was influenced by the financial capitalism from a critical viewpoint of Marxism. Both Proletarian School and New Art School tried "co-writing" (Kyoudouseisaku) novels in 1930. This is because they tried to draw out the current society diversely from a broad perspective. However, that caused the loss of the role as avant-garde for the two literary schools.

著者

和泉 浩 IZUMI Hiroshi

出版者

秋田大学教育文化学部

雑誌

秋田大学教育文化学部研究紀要 人文科学・社会科学 = MEMOIRS OF FACULTY OF EDUCATION AND HUMAN STUDIES AKITA UNIVERSITY HUMANITIES & SOCIAL SCIENCES (ISSN:24334979)

巻号頁・発行日

vol.74, pp.13-25, 2019-03-01

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This article reconsiders relatively recent critical arguments about Raymond Murray Schafer's concept of 'soundscape', especially the arguments of two articles: Ari Y. Kelman (2010) 'Rethinking the Soundscape: A Critical Genealogy of a Key Term in Sound Studies' and Stefan Helmreich (2010) 'Listening against Soundscapes', in order to re-explore 'rich vein of scholarship of sound' (Kelman) in the concept of soundscape.Attending 'to the invention of Schafer's idea in order to wrestle with its redefinition', Kelman criticizes Schafer's bias against noise and his confusion of sound and listening, but Kelman does not consider deeply the definition of soundscape. This article reconsiders the definition of soundscape through rethinking Schafer's explanation in The Tuning the World, Helmreich's discussions of 'soundscape', 'immersion' and 'transduction', Steven Feld's 'acoustemology', Tim Ingold's 'against soundscape', and Paul Rodaway's 'aural geography', in that it situates the concept of soundscape in developments of studies on sound. This article also makes clear the concept of soundscape is not in conflicts with 'transduction', 'acoustemology' and 'immersion', and it needs to be connected with a central and traditional problem of social theories: the relationships between the individual and the social, and depending on how to make this connection, there are possibilities to develop various conceptions of soundscapes.

著者

立花 希一 TACHIBANA Kiichi

出版者

秋田大学教育文化学部

雑誌

秋田大学教育文化学部研究紀要 人文科学・社会科学 = MEMOIRS OF FACULTY OF EDUCATION AND HUMAN STUDIES AKITA UNIVERSITY HUMANITIES & SOCIAL SCIENCES (ISSN:24334979)

巻号頁・発行日

no.72, pp.31-35, 2017-03-01

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There are at least two views on what relativism is. One is a view that relativism is a position that claims any positions are equally wrong or equally false as well as equally right or equally true. Another is a view that relativism is not the position that claims any positions are equally wrong or equally false but a position that claims any positions are equally right or equally true. This paper critically examines the two views and concludes the latter is a more proper concept of relativism according to critical rationalism, and the position that claims any positions are equally wrong or equally false is not relativism but relativizationism, which is compatible with criticism in Popper's sense.

著者

和泉 浩 IZUMI Hiroshi

出版者

秋田大学教育文化学部

雑誌

秋田大学教育文化学部研究紀要 人文科学・社会科学 = MEMOIRS OF FACULTY OF EDUCATION AND HUMAN STUDIES AKITA UNIVERSITY HUMANITIES & SOCIAL SCIENCES (ISSN:24334979)

巻号頁・発行日

no.74, pp.13-25, 2019-03-01

---

This article reconsiders relatively recent critical arguments about Raymond Murray Schafer's concept of 'soundscape', especially the arguments of two articles: Ari Y. Kelman (2010) 'Rethinking the Soundscape: A Critical Genealogy of a Key Term in Sound Studies' and Stefan Helmreich (2010) 'Listening against Soundscapes', in order to re-explore 'rich vein of scholarship of sound' (Kelman) in the concept of soundscape.Attending 'to the invention of Schafer's idea in order to wrestle with its redefinition', Kelman criticizes Schafer's bias against noise and his confusion of sound and listening, but Kelman does not consider deeply the definition of soundscape. This article reconsiders the definition of soundscape through rethinking Schafer's explanation in The Tuning the World, Helmreich's discussions of 'soundscape', 'immersion' and 'transduction', Steven Feld's 'acoustemology', Tim Ingold's 'against soundscape', and Paul Rodaway's 'aural geography', in that it situates the concept of soundscape in developments of studies on sound. This article also makes clear the concept of soundscape is not in conflicts with 'transduction', 'acoustemology' and 'immersion', and it needs to be connected with a central and traditional problem of social theories: the relationships between the individual and the social, and depending on how to make this connection, there are possibilities to develop various conceptions of soundscapes.