著者
星野 祐子
出版者
お茶の水女子大学大学院人間文化研究科
雑誌
人間文化論叢 (ISSN:13448013)
巻号頁・発行日
vol.9, pp.245-254, 2006

This paper aims to describe the discourse structure of a radio advice program called "Telephone JINSEI SODAN" and the role its emcee plays in the program. Each episode of this long-running call-in show involves an adviser, an advisee and an emcee and centers on the advisee's problem. The 20-minute program can be divided into 5 phases. I. Opening remarks ; the emcee and the advisee exchange greetings and the advisee acknowledges the opportunity to gain useful information ; II. Unfolding the problem ; utilizing a Q-A format, the emcee induces the advisee to describe his/her problem. The emcee then makes the gist of the issue and introduces the adviser over the phone ; III. Advising ; the adviser counsels the advisee on what to do ; IV. Summarizing ; the emcee intervenes and wraps up the previous advice-giving ; V. Closing remarks: the emcee and the adviser greet each other and the advisee expresses his/her gratitude again. The emcee takes part in Phases I, II, IV and V but not in Phase III. As a program host, the emcee uses discourse markers that facilitate a shift from one phase to the next. Such discourse markers\include "ja", "de", and "hai".
著者
松下 真記 MATSUSHITA Maki マツシタ マキ
出版者
お茶の水女子大学大学院人間文化研究科
雑誌
人間文化論叢 (ISSN:13448013)
巻号頁・発行日
vol.9, pp.161-173, 2006

The subject of this article is a type of capital initial letter represented as if it were a three-dimensional object carved in metal. Its central ridge forms the spine of the letter which then seems to be hollowed on either side. It appears in manuscripts illuminated in Padua or Venice in the late 1450's. Outstanding examples are found in the well-known copy of Strabo's Geography in the Latin translation of Guarino, which was sent as a present by the Venetian condottiere Jacopo Marcello to Rene of Anjou in 1459. Millard Meiss once ascribed its invention to the Paduan painter Andrea Mantegna and named it "Littera Mantiniana" (Mantegna's letter) because he believed that the illuminator of Strabo's work was certainly Mantegna, while other scholars nowadays insist that it was invented by Veronese copyist Felice Feliciano. In this article, I observe its first examples in Geography of Strabo in the terms of the characteristic of its three-dimentionality, and analyze again the possibility of Mantegna or Feliciano as its inventor.
著者
蔡 美京
出版者
お茶の水女子大学大学院人間文化研究科
雑誌
人間文化論叢 (ISSN:13448013)
巻号頁・発行日
vol.8, pp.41-52, 2005
被引用文献数
1

The purpose of this study is describing the character of Choyongmu by focusing on the upper limbs movement. The method of analysis is Benesh Movement Notation. The result goes as follows ; there are 25 kinds of upper limbs movement that are divided into 3 categories. (1) Snap touch on waist (pattern I) is supposed to be the first movement of Choyongmu and is also a basic movement. (2) Within maneuvering of extra long sleeves (pattern II), there are two patterns that should be characteristic of the movement which could be shown in only Choyongmu. II-4: sticking arms forward to the head with taking extra long sleeves. II-7: stretching arms from the shoulder at a stroke with the palms of the hands put together. (3) Passing by the abdomen (pattern V) is shown by uniting two movements many times.