著者
上田 香
出版者
意匠学会
雑誌
デザイン理論 (ISSN:09101578)
巻号頁・発行日
vol.73, pp.74-75, 2019-01-21

大会研究発表要旨第60回大会 2018年8月8日~9日 同志社大学
著者
盧 ユニア Roh Junia
出版者
意匠学会
雑誌
デザイン理論 (ISSN:09101578)
巻号頁・発行日
no.79, pp.29-43, 2022-01-31

学術論文This paper will focus on Japanese art ceramics displayed at the Japan-British Exhibition in 1910. By noting the prevalence of Kyo-ware (Kyo-yaki) works among the exhibits, this study aims to clarify its relationship with the design reform movement that took place in Kyoto in the early 20th century. The ceramics for export during the Meiji era, which are generally characterized by splendor and excessive decorations, were the dominant prior to 1910. However, new styles of Kyo-ware, such as Art Nouveau and experimenting with glaze techniques, gained prominence during this year and became representative of Japan. This is closely related to the design reforms that Iwata Nakazawa and Chū Asai brought about in the Kyoto craft world. After the decline of Japonism, the Japanese ceramic industry turned its back on international business and focused on the domestic market instead. For this reason, there are very few studies on international pieces in this period. The study of ceramics displayed at the Japan-British Exhibition will therefore provide an important clue as to how the Japanese pottery industry presented itself to the world at the time.
著者
前﨑 信也 Maezaki Shinya
出版者
意匠学会
雑誌
デザイン理論 (ISSN:09101578)
巻号頁・発行日
no.79, pp.15-28, 2022-01-31

学術論文
著者
並木 誠士
出版者
意匠学会
雑誌
デザイン理論 (ISSN:09101578)
巻号頁・発行日
no.75, pp.62-63, 2020-02-15

大会研究発表要旨第61回大会 2019年8月8日~9日 滋賀県立大学
著者
並木 誠士
出版者
意匠学会
雑誌
デザイン理論 (ISSN:09101578)
巻号頁・発行日
no.78, pp.46-47, 2021-07-31

書評株式会社思文閣出版 2021年2月18日発行 総345 頁
著者
芦髙 郁子 Ashitaka Ikuko アシタカ イクコ
出版者
意匠学会
雑誌
デザイン理論 = Journal of the Japan Society of Design (ISSN:09101578)
巻号頁・発行日
no.74, pp.81-95, 2019

学術論文This paper is aimed at clarifying the concepts of "design" and "rhythm of light" as described in Japanese magazines and books in the 1920s. In 1921, Minoru Minami (1887–1948) advocated the concept of "design" in his work "Research of Artistic Photography." It was defined as abstract composition and musical expression. In the following year, 1922, Minami published the photographic work "Design" in the magazine "Artistic Photography Study." It was abstract still life photography composed with soft focus, the expression in which was defined by Minami as "rhythmic." Kenkichi Nakajima (1888–1972), who was influenced by Minami's concept of "design," advocated "expressionism of the photograph." Nakajima inherited a compilation entitled "Artistic Photography Study" from Minami, and he positioned "rhythm of light" as an important element within the "expressionism of the photograph." The articles published in "Artistic Photography Study" (from Nakajima's compilation period) were influenced by the social transformations resulting from urban modernization, and many photographs of the urban landscape were printed in these articles. They were geometrically abstracted. "Rhythm of light" showed a change in the subject of photography in that the subject had spread to the urban landscape, while simultaneously being affected by "design." Thus, the concepts of "design" and "rhythm of light" had a great influence on photographers of the 1920s, enabling them to create a plethora of abstract and musical photographic images.