著者

竹内 有子 タケウチ ユウコ Takeuchi Yuko

出版者

意匠学会

雑誌

デザイン理論 (ISSN:09101578)

巻号頁・発行日

vol.52, pp.79-92, 2008-05-31

著者

竹内 有子

出版者

美学会

雑誌

美学 (ISSN:05200962)

巻号頁・発行日

vol.71, no.1, pp.13-24, 2020 (Released:2022-02-16)

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Britain has a unique art education history, which is very different from that of the Continent. Major European nations established their art academies as state-funded schools focusing on fine art. In contrast, the British Parliament authorized the formal establishment of the Government School of Design (renamed as the National Art Training School in 1863, now the Royal College of Art) in 1837. It aimed to uplift the artistic quality of manufactures and to provide “design” education for British workers. The school elaborated the pioneering educational system, called the “South Kensington system”, in the latter half of the 19 th century. However, the school had been considered ill-managed and failed among Victorians. Also, former studies have negatively evaluated the school which did not envisage creativity for students. Casting a light on the autonomy of design as a new genre, this article shows the new clue to reconsider the problems, by focusing on the transformation made on the word “design”. The author examines how the school differentiated its education from the Royal Academy. Finally, this paper re-examines the significance of design education in the Government School of Design through the criticisms by Christopher Dresser (1834-1904) who improved the instructional method.

著者

竹内 有子

出版者

美学会

雑誌

美学 (ISSN:05200962)

巻号頁・発行日

vol.69, no.2, pp.82, 2018 (Released:2020-03-23)

著者

竹内 有子

出版者

美学会

雑誌

美学 (ISSN:05200962)

巻号頁・発行日

vol.69, no.1, pp.109, 2018 (Released:2019-06-01)

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Christopher Dresser (1834-1904) was one of the first industrial designers in Victorian Britain. Significantly, he became one of ardent promoters of Japonisme at the early stage in Europe. In 1876-77, he took the chance to visit Japan. His book “Japan: Its Architecture, Art and Art Manufactures” (1882) let the Westerners acknowledged the facts about Japanese architecture which had been unfamiliar with them. In fact, he put stress on his profession as an architect in his book “Japan” although he was not. However, there is a little focused on Dresser’s architectural perspective. Former studies have described how Dresser had influenced Japanese art and design advocates through details about their cultural exchanges. Furthermore, Dresser’s later designs have been included in Japonisme. Here, leading historians imply that his Modernist-like design has been influenced by Japonisme. The purpose of this paper is to explore the impact of Japanese design and the meanings of architecture in the formation of his design principles. Eventually, he endeavored to utilize the Japanese exemplars in interior designing. Because of these claims, an author re-examines the validity of the relationship between his Japonisme and Modernism.

著者

竹内 有子

出版者

美学会

雑誌

美学 (ISSN:05200962)

巻号頁・発行日

vol.57, no.3, pp.72, 2006-12-31 (Released:2017-05-22)

著者

竹内 有子 Takeuchi Yuko タケウチ ユウコ

出版者

大阪大学大学院文学研究科

雑誌

大阪大学大学院文学研究科紀要 (ISSN:13453548)

巻号頁・発行日

vol.56, pp.99-122, 2016-03

著者

上田 雅道 竹内 有子 落合 淳 馬渕 千之 丹羽 淳一

出版者

日本神経学会

雑誌

臨床神経学 (ISSN:0009918X)

巻号頁・発行日

vol.55, no.9, pp.651-653, 2015 (Released:2015-09-11)

参考文献数

4

被引用文献数

3 3

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症例は25歳女性である.右側腹部から背部にかけてのしびれを主訴に受診した.タイ,ラオスへの旅行歴があり右第6胸髄から第12胸髄のデルマトームにかけてしびれと温痛覚低下,振動覚低下を認めた.髄液検査で好酸球増多と脊髄MRI T2強調画像(T2WI)では第8胸髄から第12胸髄にかけて高信号域を認め好酸球性脊髄炎と診断しステロイドパルス療法を行い臨床症状は軽快した.抗寄生虫特異抗体は陰性であったが,アレルギー疾患,自己免疫性疾患の所見を認めず,病歴,臨床症状と検査所見から寄生虫感染症,特に広東住血線虫による脊髄炎が疑われた.