著者

内藤 郁夫 長谷川 由美子 芝木 儀夫

出版者

社団法人 日本印刷学会

雑誌

日本印刷学会誌 (ISSN:09143319)

巻号頁・発行日

vol.52, no.5, pp.405-422, 2015 (Released:2015-11-15)

参考文献数

15

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Developments in music printing by letterpresses were studied using several historical scores, i.e., score I printed by Gardano in Venice in 1575, score II printed by Gardano in Venice in 1679, score III printed by Ch. Ballard in Paris in 1679, score IV printed by Endter in Nuremberg in 1682, score V printed by F. Heptinstall in London in 1697, and score VI printed by Breitkopf & H ä rtel in Leipzig in 1799. Score I was printed using fonts similar to those invented by Ottaviano dei Petrucci in 1525. About 100 years after score I was printed, there were many differences in the scores in different cities (score II to V). The differences were studied to develop the next font, a mosaic-type font. Finally, the characteristics and typesetting of the mosaic-type font were clarified using score VI.