著者

赤木 文男 横川 京次 上田 文人 豊福 泰子

出版者

日本情報経営学会

雑誌

オフィス・オートメーション (ISSN:0389570X)

巻号頁・発行日

vol.14, no.3, pp.74-76, 1993-10-25

---

An ideal management & production informationAutomating the office gave the technological change on the nature of office jobs and the composition of the clerical work force. The computer is totally changing the way humans collect and manipulate data in the offices. In 1978,Japanese word processor developed and introduced into the office. A word dictionary and a grammatical analysis program in Japanese word processor translated kanas into kanji. Kana-kanji conversion is now the standard method used to input Japanese sentences. The method has also been used for portable or personal Japanese word processors,which have become extremely popular as home typewriter. Typewriting Japanese sentences becomes one of the most important clerical works. So this study aims to evaluate and estimate the works of inputting Japanese from the keyboard. At first,the keystroke data collection system for a personal computer has been developed. Then two different input methods, that is, romanized form and Japanese phonetic symbols form are analyzed in terms of keystroke data measured by our method.

著者

上田 文

出版者

美学会

雑誌

美学 (ISSN:05200962)

巻号頁・発行日

vol.59, no.2, pp.100-113, 2008-12-31 (Released:2017-05-22)

---

TSUCHIDA Bakusen (土田麥僊 1887-1936) was a modern Japanese painter in Kyoto. The purpose of this thesis is to consider his two works in his later years, Flat Bed (「平牀」) and House of Courtesan (「妓生の家」). Flat Bed is recently discussed in colonial studies and gender theories. Bakusen is an artist who treats the model as an object and therefore the kisaeng in his works is not treated as sexual object. The kisaeng's white folk dress line suggests "relief' in this work, which expresses the painter's artistic sense. House of Courtesan was sketched during his second visit to Korea and he could not finish this work because of his death. Here he depicted an old man, an old woman and a kisaeng; the theme differed from his former works. Therefore, I think this change was due to his visits to Korea where he was influenced by Portrait of Li Qixian, a famous scholar in Koryo Dynasty, and Portrait of Gonso Sojo, a Japanese religious picture. In his new portrait painting he tries to unite a portrait and a religious picture. By comparing his two works in this thesis, it can be stated that Bakusen is a modern Japanese painter who developed a new style of arts from the inspiration of Korean works.

著者

上田 文

出版者

美学会

雑誌

美学 (ISSN:05200962)

巻号頁・発行日

vol.58, no.3, pp.137, 2007-12-31 (Released:2017-05-22)

著者

上田 文

出版者

京都工芸繊維大学

雑誌

基盤研究(C)

巻号頁・発行日

2011

---

近代京都で活躍した日本画家、土田麥僊の人物画についての研究である。麥僊は人物画の中でも特に舞妓図を得意としたが、「美人画家」には分類されてこなかった。それはなぜか。本研究では肖像性と象徴性という観点から作品の分析を行った。写生を重視した麥僊の人物画からは、明らかにモデルの特徴が読み取れる一方、麥僊の残した記述からは麥僊が平安時代の仏画に注目し、信仰と優美の一致を目指していたことが明らかになった。舞妓と仏画という隔たりの大きい画題を融合させようとしたところに麥僊の特異性があったと結論づけた。これは京都画壇においても特異な位置を占めている。