著者

加藤 麻衣子

出版者

東京女子大学

雑誌

東京女子大学紀要論集 (ISSN:04934350)

巻号頁・発行日

vol.44, no.2, pp.p133-153, 1994-03

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Anais Nin's works have often been discussed relating to musical aspects. As her parents were musicians, Nin had listened to various kinds of music, by which she was greatly inspired as a writer. Nin's longing for music derives from the longing for her father, which has much to do with the beginning of her diary. In spite of the fact that he had been almont absent in Nin's childhood, her father plays an important role in her diary, which is the source of her existence as a writer, and which relates her experience with music. First I explain her experience with music, what her attitude toward music was, and what she aimed at for musical writing. Next, I'll discuss how she applied her experience with music in her writing. Two of her novels, Winter of Artifice and A Spy in the House of Love are treated as examples of her musical works. Winter has musical effects in the story itself; structure, prose-style, and expresions. On the other hand, in Spy, musical compositions such as "He Joyeus" by Debussy and "The Firebird" by Stravinsky are used in order to describe the heroine Sabina's mood and her state of mind. I also describe the similarity in character between Nin and Debussy (who was one of Nin's most favorite composers), and her repeated efforts to give her words and phrases a musical character.

著者

牧野内 猛 加藤 麻衣 大石 康雄 塚本 将康 武邑 圭司 大島 武 杉浦 武

出版者

一般社団法人 日本地質学会

雑誌

地質学雑誌 (ISSN:00167630)

巻号頁・発行日

vol.117, no.2, pp.79-94, 2011 (Released:2011-06-02)

参考文献数

19

被引用文献数

1

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安城市の地形は,碧海層からなる碧海台地と,その東側の矢作川低地,南西側の油ヶ淵低地に分けられる.市域の地下は,沖積層,碧海層,挙母層,東海層群などによって構成される.沖積層の海成粘土を堆積させた縄文海進は,台地に刻まれた細長い谷の中流部にまで達している.碧海層は,上半部が砂層,下半部は海成粘土層からなり,層厚16~36m,北東部で薄く南西部で厚い.下半部の海成粘土層は三角州の底置層,上半部の砂層は前置層で,海成粘土層を堆積させた海進は,南西の衣浦湾から浸入し,市域の西半部に広がった.碧海層の年代は,下半部の海成粘土層が120~95ka,上半部が95~70kaと推定される.挙母層は,その上部が砂礫層をはさむ砂泥互層からなり,固結度は碧海層よりかなり高い.挙母層の基底は,市域南西縁で標高-100m付近にあり,北東に向かって浅くなり,北東端部では-25m付近にある.東海層群は主として固結した砂泥互層である.西三河平野における地下地質の枠組みを,現時点における試案として提示した.