著者

鈴木 万里 Mari SUZUKI 東京工芸大学女子短期大学部 Women's Junior College TOKYO INSTITUTE OF POLYTECHNICS

雑誌

飯山論叢 = Iiyama memoirs (ISSN:02893762)

巻号頁・発行日

vol.18, no.2, pp.14-28, 2001

著者

鈴木 万里

出版者

JAPAN SOCIETY FOR GENDER STUDIES

雑誌

日本ジェンダー研究 (ISSN:18841619)

巻号頁・発行日

vol.2007, no.10, pp.17-26, 2007-09-22 (Released:2010-08-04)

参考文献数

21

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The image of women in English literature changed dramatically in mid 18th century England. Christian tradition had long regarded women as ‘Eve's daughters’, which meant that women were invariably evil and harmful. By the end of the 18th century, however, women described in novels generally became good, modest, innocent, and vulnerable. The new trend in this image of the woman was initiated by Samuel Richardson's Pamela; or, Virtue Rewarded (1740), often described as ‘the first novel’ in English literature. Its morality and didacticism established the respectability of the form. Its popularity transcended the boundaries of class, gender, and educational differences. It had such a great an impact on society that it brought about a shift in the dominant expectations for female characters in subsequent novels throughout the century; young, beautiful, good, chaste, submissive, and vulnerable. It also represented gender positions and politics in modern indUstrialized patriarchal society; men provided with wealth, being superior, and women deprived and dependent, being inferior. It highly appraised woman's chastity of the kind which enabled a servant girl to become a lady, opening the way for heroines to engage in hypergamy. Consequently, the novel inspired considerable controversy over femininity and inter-class marriage. Two major novelists separately expressed an antagonistic view in the form of fiction. One is Henry Fielding, who published An Apology for the Life of Mrs. Shamela Andrews (1741); the other is Eliza Haywood, who wrote Anti-Pamela; or, Feign'd Innocence Detected (1741). Both of them criticized Pamela and her ‘virtue’, although they focused on comparatively different aspects of the novel. The former held a conservative point of view, in which Pamela was thought of as a potential threat to the stability of society. The latter held a feminist point of view; her heroine tries to undermine the male-dominant society in which the relationship between man and woman is based on exchange. It delineates the material realities of women's lives as well as their difficulties in pursuing financial security. The dispute caused by Pamela tells us that a new ideology of femininity was being constructed in the middle of the century. This article will shed light on this process as well as its social background and the changing values it epitomised.

著者

橘野 実子 大久保 真道 陶山 恵 松中 義大 大島 武 鈴木 万里

出版者

東京工芸大学

雑誌

基盤研究(C)

巻号頁・発行日

2019-04-01

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大学の英語教育においては、コミュニケーション能力を伸ばすためプレゼンテーション演習など多様な活動が取り入れられる傾向にある。しかしメディア芸術作品の英語によるプレゼンテーションについては、指導方法が確立されていない。本研究では、望ましいプレゼンテーションの要素に関するデータを収集分析し、メディア芸術分野のプレゼンテーション技術向上のための指導方法の開発を目指す。研究方法としては、メディア芸術各分野で求められる語彙・言語表現の調査、発表スタイル調査、海外での実態調査を実施し、指導プログラムを作成する。その案に基づきプレゼンテーション技能向上指導を実施し、その効果を測定し、さらに改善を図る。

著者

鈴木 万里 Mari SUZUKI 東京工芸大学女子短期大学部 Women's Junior College TOKYO INSTITUTE OF POLYTECHNICS

出版者

東京工芸大学女子短期大学部

雑誌

飯山論叢 (ISSN:02893762)

巻号頁・発行日

vol.19, no.1, pp.30-58, 2002

著者

鈴木 万里子

出版者

一般社団法人 日本体育学会

雑誌

日本体育学会大会号

巻号頁・発行日

vol.52, 2001

著者

鈴木 万里 Mari SUZUKI 東京工芸大学芸術学部基礎教育課程 Division of Liberal Arts and Science Faculty of Arts Tokyo Polytechnic University

出版者

東京工芸大学芸術学部

雑誌

芸術世界 (ISSN:13493450)

巻号頁・発行日

no.13, pp.87-96, 2007

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The relationship of women and literature changed radically by the mid eighteenth century in England. Samuel Richardson's Pamela, which has been often called 'the first novel', focuses the inner experience of a woman. It gave such a great impact upon the society that it determined the heroine type of the following novels throughout the century ; young, beautiful, modest, and vulnerable. It also represented gender positions and politics ; man provided with wealth, being superior, and woman deprived and dependent, inferior. Women had been disadvantaged because of some changes in kinship structures, economic processes, and legal arrangements by the beginning of the century. They first encountered a serious problem of an alienated self. The situation often placed a woman as the main character of the novel. In spite of the realism tradition of the English novels, women writers sometimes adopt a "romance" structure, the traditional pattern from the classic period, in which a prince or a princess is abandoned, adopted and raised by a kind shepherd, eventually recovers his/her original status and wealth. Although this story appears to be a kind of anachronism in the modern bourgeois society, it flourishes in the best-seller novels by women at the end of 18th century. Four novels will be discussed in this article ; Evelina (1778) by Frances Burney, Emmeline (1788) by Charlotte Smith, A Simple Story (1791) by Elizabeth Inchbald and The Romance of the Forest by Ann Radcliffe (1791). These novels bear an implicit resentment of women deprived of the resources to support themselves, trying to convey a challenging message under the disguise of a conservative attitude to the maledominated society.

著者

佐々木 健 鈴木 万里恵 勝又 英明

出版者

立命館大学歴史都市防災研究センター

雑誌

歴史都市防災論文集

巻号頁・発行日

vol.4, pp.29-36, 2010-07

著者

鈴木 万里

出版者

東京工芸大学

雑誌

東京工芸大学芸術学部紀要 (ISSN:13418696)

巻号頁・発行日

vol.15, pp.53-65, 2009-03-31