文献一覧: 09114017 (ISSN) - Ceek.jp Altmetrics

1 0 0 0 OA 現代日本におけるダンス・フェスティバルの展開

著者: 内田忠賢
出版者: 舞踊学会
雑誌: 舞踊學 (ISSN:09114017)
巻号頁・発行日: vol.2004, no.27, pp.47-49, 2004 (Released:2010-04-30)

2020-03-22 00:31:03
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1 0 0 0 OA 盆踊りの場にあふれる若者の性の力

著者: 吉川周平
出版者: 舞踊学会
雑誌: 舞踊學 (ISSN:09114017)
巻号頁・発行日: vol.2004, no.27, pp.50-52, 2004 (Released:2010-04-30)
参考文献数: 15

2020-03-22 00:31:03
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1 0 0 0 OA シンポジウム全体討論舞踊の核動作

著者: 吉川周平古井戸秀夫野村伸一尼ヶ崎彬
出版者: 舞踊学会
雑誌: 舞踊學 (ISSN:09114017)
巻号頁・発行日: vol.2011, no.34, pp.31-33, 2011 (Released:2018-07-31)

2020-02-26 00:42:16
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1 0 0 0 OA シンポジウム報告伝統舞踊の核動作

著者: 古井戸秀夫
出版者: 舞踊学会
雑誌: 舞踊學 (ISSN:09114017)
巻号頁・発行日: vol.2011, no.34, pp.25-26, 2011 (Released:2018-07-31)

2020-02-26 00:38:32
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1 0 0 0 OA シンポジウム「ソマティックムーヴメントとダンス」

著者: 原田奈名子芳野香小林みゆき
出版者: 舞踊学会
雑誌: 舞踊學 (ISSN:09114017)
巻号頁・発行日: vol.2014, no.37, pp.87-100, 2014 (Released:2018-11-12)

2020-02-18 11:54:15
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1 0 0 0 OA 『ベリーダンス・ジャパン』誌に見られる理想的な女性のイメージ

著者: 李旎
出版者: 舞踊学会
雑誌: 舞踊學 (ISSN:09114017)
巻号頁・発行日: vol.2014, no.37, pp.82, 2014 (Released:2018-11-12)

2020-02-18 11:26:44
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1 0 0 0 OA G . V . ローシーのローヤル館における活動について

著者: 山田小夜歌
出版者: 舞踊学会
雑誌: 舞踊學 (ISSN:09114017)
巻号頁・発行日: vol.2014, no.37, pp.79, 2014 (Released:2018-11-12)

2020-02-18 11:11:54
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1 0 0 0 OA 土佐の念仏・風流系芸能の足の所作

著者: 山田敦子
出版者: 舞踊学会
雑誌: 舞踊學 (ISSN:09114017)
巻号頁・発行日: vol.2001, no.24, pp.1-9, 2001 (Released:2010-04-30)

2020-01-07 14:01:52
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1 0 0 0 OA 曰本民俗舞踊の地域伝承について

著者: 本羽恵子
出版者: 舞踊学会
雑誌: 舞踊學 (ISSN:09114017)
巻号頁・発行日: vol.2001, no.24, pp.83, 2001 (Released:2010-04-30)

2020-01-02 12:41:19
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1 0 0 0 OA 踊り手にとっての舞踊と音楽の齟齬

著者: 井上淳生
出版者: 舞踊学会
雑誌: 舞踊學 (ISSN:09114017)
巻号頁・発行日: vol.2017, no.40, pp.1-13, 2017 (Released:2019-12-05)

In this article, I illustrate the relationship between dance and music based on ‘dance ethnography’, a newly developed method in dance studies including dance anthropology. Through it, I try to open a new arena on exploring the relationship between dance and music. Defining dancing as separated from music and keeping similar condition in academic division between dance and music in my mind, I examine how nonprofessionals ballroom dance participants and musicians feel in Japanese ballroom dance industry. From dance lovers’ perspectives, standardized music wouldn’t be more than one option of the music to dance. But most of dance lovers in Japan tend to see standardized music as a canon. The practice of a few dance lovers in this article can be considered as a challenge to authorized dance practice, namely standardized ballroom dance. Ballroom dancing is practiced by a pair of individuals with different bodies. They cannot dance on one’s personal plan alone and thus have to pay close attention to each other. But standardization of ballroom dancing, especially in Japan, ‘emancipated’ dancers from troubles such that occurre when one can’t predict next move along one’s partner or when one tries to inform partner of what to step next. Even among nonprofessionals, the majority of ballroom dance his/her players must learn from their teachers about the ‘correct’ ways of dancing. Also, the music played in the background while dancing has been reduced into an instrument for counting steps. That has made it difficult for ordinary people, particularly those in old age, to enjoy dancing without taking formal lessons.