著者
上野 昌之 Masayuki UENO
出版者
埼玉学園大学
雑誌
埼玉学園大学紀要. 人間学部篇 = Bulletin of Saitama Gakuen University. Faculty of Humanities (ISSN:13470515)
巻号頁・発行日
vol.11, pp.211-224, 2011-12-01

アイヌ語は、アイヌ民族の独自言語である。かつて樺太、千島、北海道の三方言があったと言われるが、現在母語話者が残っているのは北海道方言のみとなっており、その母語話者も人数としては極めて少ない。こうした状況は言語学的には危機言語、つまり消滅の危機に瀕した言語として考えられている。アイヌ語の母語話者が減少した背景には、歴史的な要因が大きく関わっている。幕末から明治期の対アイヌ政策がもとらした帰結といえる。アイヌ語の衰退は、アイヌ民族の日本語への転換、日本化が進行してたことを意味する。言語を媒体とした相互の意志・思想・感情の世代間の継承行動の喪失が生じ、民族共同体に統一性が失われ、これまでの日常性が崩壊し、伝統的共同体の解体へと至ることになる。民族的アイデンティティが揺らぎ民族の存在が危ぶまれる状況になっていった。しかし、今日アイヌ民族は民族の権利回復をめざす活動を行っている。その中でアイヌ語の復興活動の持つ意味は大きいものになっている。本稿では、アイヌ語の衰退を歴史的な事実からたどり、アイヌ民族への教化により彼らの習慣、生活様式が変質を強いられていく過程を概観し、その際学校教育がアイヌ語の衰退に大きく関与していたことを明らかにする。次にアイヌ語のように危機言語と位置づけられる言語が衰退に導かれるプロセスを追い、その意味を考察する。そして、民族集団の持つ言語の権利を踏まえ、言語保護のための国際的潮流を参照する。そして最後に、アイヌ語の復興活動の一つとして地域的に繰り広げられているアイヌ語教室について、平取二風谷アイヌ語を例にその活動を概観し、行われている活動の中からアイヌ語復興にとって必要な事柄、復興の意義を考えることにする。
著者
若宮 由美 Yumi WAKAMIYA
出版者
埼玉学園大学
雑誌
埼玉学園大学紀要. 人間学部篇 = Bulletin of Saitama Gakuen University. Faculty of Humanities (ISSN:13470515)
巻号頁・発行日
vol.14, pp.75-87, 2014-12-01

The Austrian National Library possesses a piano score of potpourri based on Ch. Gounod’s opera “Romeo and Juliet” that was arranged by Josef Strauss. The socre was published as No.107 of the series named ‘Anthologie Musicale’ by the publisher Spina. The background of this potpourri is not known. The French Opera “Romeo and Juliet” by Gounod was premiered in Paris on April 27, 1867 during the Expo in Paris, and was performed in German in Vienna on February 5, 1868. The author found the advertisement of the Strauss’s Concert in Volksgarten dated July 24, 1867 in which the “Groses Potpourri aus der Oper Romeo und Julie” by Josef Strauss was announced as a new work. It became clear that this potpourri was actually performed by the Strauss Orchestra.
著者
若宮 由美 Yumi WAKAMIYA
出版者
埼玉学園大学
雑誌
埼玉学園大学紀要. 人間学部篇 = Bulletin of Saitama Gakuen University. Faculty of Humanities (ISSN:13470515)
巻号頁・発行日
vol.13, pp.167-179, 2013-12-01

“Aus der Musikstadt” is the piano collection by ten composers who lived in the 19th century in Vienna, and it was published by Viennese Gustav Lewy in 1892. The composers were Josef Bayer, Alfons Czibulka, Johann Nepomuk Fuchs, Robert Fuchs, Joseph Hellmesberger jun., Karel Komzák jun., Carl Millöcker, Adolpf Müller jun., Johann Strauss jun. and Franz von Suppé. The title of each short piece was designed beautifully and the composer's portrait was also drawn on the side of the title. The score puts prominent composers in order seems to be an musical exihibition. “The International Exhibition of Music and the Theatre” was just held in Vienna in 1892. With the Exibition the concept which treats music as goods was born. In that sense, a score was not only for a performance but also a souvenir. It seems that the collection was related to the Exhibition, because it was not so expensive and good-looking, and it looks like a famous composers' exihibition.
著者
若宮 由美 Yumi WAKAMIYA
出版者
埼玉学園大学
雑誌
埼玉学園大学紀要. 人間学部篇 = Bulletin of Saitama Gakuen University. Faculty of Humanities (ISSN:13470515)
巻号頁・発行日
vol.10, pp.231-243, 2010-12-01

In 1892 Austrian Princess Pauline von Metternich organized "the Internaional Exhibition of Music and Theatre" in Prater(Vienna). For this exhibition she asked Johann Strauss junior a waltz. He promised her to offer the waltz "Seid umschlungen Millionen", op.443. Later the Princess asked Strauss to compose a ballet for the Exhibition too. Strauss, however,refused her request. The ballet was the "Donaunixe", which first performed on 13th July. It is not clear why the director of the Austrian Court Ballet, Josef Bayer composed this exihibition ballet. As the result of analysis Bayer used the motifs of 40 works by Johann Strauss jonior and "Radetzky March" by Johann Strauss senior in the ballet "Donaunixe".
著者
若宮 由美 Yumi WAKAMIYA
出版者
埼玉学園大学
雑誌
埼玉学園大学紀要. 人間学部篇 = Bulletin of Saitama Gakuen University. Faculty of Humanities (ISSN:13470515)
巻号頁・発行日
vol.11, pp.157-169, 2011-12-01

In 1894 the ballet "Rund um Wien" was composed by Josef Bayer in order to celebrate the 50th anniversary of the musician life of Johann Strauss junior, and performed in the Viennese Court Opera. The 3rd scene of this ballet consists of the motifs of Strauss. On October 13 of the premiere the applause to Johann Strauss did not die down after the end of the 3rd scene. The music of the 3rd scene is contained in melodies of Johann Strauss's "Sinngedichte" op.1 and the other early works. These quotations praised the starting point of Johann Strauss. Also after that, this work continued being performed at the Viennese Court Opera over ten years. The ballet may have been revised after the premiere.
著者
小路 邦子 Kuniko SHOJI
出版者
埼玉学園大学
雑誌
埼玉学園大学紀要. 人間学部篇 = Bulletin of Saitama Gakuen University. Faculty of Humanities (ISSN:13470515)
巻号頁・発行日
vol.2, pp.49-62, 2002-12-01

Analyses The Lord of the Rings and shows that this work can be seen in the light of the Quest of the Holy Grail. Points out the common features between them. Explains how quests become the Quest; Sam grows from a fool to a wiseman like Percival does and attains his part in the Quest; Frodo comes to know pity and how it helps the achievement of the Quest, and then his unhealed wounds reveal that Frodo is a Maimed King as well. Frodo, however, has no Galahad or Percival who cures his wounds, so he must sail from the Middle-earth with his wounds like King Arthur, and the recovery of the Shire becomes Sam's work, thus Sam fills the part of Percival and becomes the Mayor just like Percival is enthroned designated by the Grail.
著者
服藤 早苗 Sanae FUKUTO
出版者
埼玉学園大学
雑誌
埼玉学園大学紀要. 人間学部篇 = Bulletin of Saitama Gakuen University. Faculty of Humanities (ISSN:13470515)
巻号頁・発行日
vol.11, pp.342(27)-327(42), 2011-12-01

十世紀から十二世紀にかけて、新嘗祭・大嘗祭に舞った五節舞姫で名前や出自がわかる44人を検討した。十世紀初期は公卿層でも実子を舞姫に献上していたこと、十世紀から十一世紀中頃にかけて現存の受領層女が公卿層の舞姫になっていたこと、殿上五節舞姫は十世紀後半以降も実女の可能性が高い事、十一世紀中期以降は、大嘗祭献上舞姫叙爵が実際に行われた事、十二世紀には公卿献上者の高位の親族や近臣女性が舞姫になっていたこと、等を指摘した。
著者
若宮 由美 Yumi WAKAMIYA
出版者
埼玉学園大学
雑誌
埼玉学園大学紀要. 人間学部篇 = Bulletin of Saitama Gakuen University. Faculty of Humanities (ISSN:13470515)
巻号頁・発行日
vol.12, pp.181-194, 2012-12-01

On October 13, 1894 the ballet "Rund um Wien" by Josef Bayer was performed in the Vienna Court Opera in order to celebrate the 50th anniversary of the musician life of Johann Strauss junior. After that, this work continued being performed at the Vienna Court Opera over 64 times till 1906. But the ballet may have been revised after the premiere, because of the vulnerability of the story. In fact, the Austrian National Library posesses the three handwriting scores of the ballet. By solving the genealogy of sources, the author got the proofs that the ballet was revised after the premiere. It is concluded that "Rund um Wien" was revised several times. By revisions, the whole work became shorter and the scene where Strauss's motifs were quoted was especially reduced 30 percent.