文献一覧: 近世文藝 (雑誌)

7 0 0 0 OA ひいき連中について ―道頓堀一七八九~一八二九―

著者: 松平進
出版者: 日本近世文学会
雑誌: 近世文藝 (ISSN:03873412)
巻号頁・発行日: vol.30, pp.70-80, 1979 (Released:2017-04-28)

2023-09-09 13:53:29
6 + 15 Twitter
1 + 1 Wikipedia

6 0 0 0 OA シンポジウム「デジタル時代の和本リテラシー ――古典文学研究と教育の未来」傍聴記

著者: 黒川桃子
出版者: 日本近世文学会
雑誌: 近世文藝 (ISSN:03873412)
巻号頁・発行日: vol.115, pp.41-50, 2022 (Released:2022-07-31)

5 0 0 0 OA パネルディスカッション「翻刻の未来」傍聴記

著者: 光延真哉
出版者: 日本近世文学会
雑誌: 近世文藝 (ISSN:03873412)
巻号頁・発行日: vol.101, pp.59-64, 2015 (Released:2017-04-28)

2023-11-29 23:44:55
5 + 5 Twitter

5 0 0 0 OA 『猿蟹合戦』の異伝と流布 ―『猿ヶ嶋敵討』考―

著者: 沢井耐三
出版者: 日本近世文学会
雑誌: 近世文藝 (ISSN:03873412)
巻号頁・発行日: vol.93, pp.45-58, 2011 (Released:2017-04-28)

2021-01-23 21:17:35
5 + 3 Twitter

4 0 0 0 OA 近世出版機構の解体(下) ―明治初期戯作出版の動向―

著者: 前田愛
出版者: 日本近世文学会
雑誌: 近世文藝 (ISSN:03873412)
巻号頁・発行日: vol.10, pp.45-54, 1964 (Released:2017-04-28)

2023-02-25 00:42:21
4 + 1 Twitter

4 0 0 0 勧化本に見る近世仏書の特質 : 「倩女離魂」を例として

著者: 木村迪子
出版者: 日本近世文学会
雑誌: 近世文藝 (ISSN:03873412)
巻号頁・発行日: no.115, pp.17-29, 2022-01

2022-03-27 13:25:00
4 + 3 Twitter

https://ci.nii.ac.jp/naid/40022820918

4 0 0 0 OA 芭蕉の発句「草の戸も住替る代ぞひなの家」考 ―『おくのほそ道』寸見(二)―

著者: 富山奏
出版者: 日本近世文学会
雑誌: 近世文藝 (ISSN:03873412)
巻号頁・発行日: vol.30, pp.60-69, 1979 (Released:2017-04-28)

2022-03-04 10:07:28
4 + 12 Twitter

4 0 0 0 OA 「佐倉惣五郎物」実録の系譜 ―『佐倉花実物語』の位置づけをめぐって―

著者: 荻原大地
出版者: 日本近世文学会
雑誌: 近世文藝 (ISSN:03873412)
巻号頁・発行日: vol.107, pp.31-42, 2018 (Released:2018-07-31)

The legend of Sakura-Sōgorō, a farmer hero in the early Edo Period, is made into numerous stories which can be classified into the two series called “Sōdōki” and “Jizōdō.” Each of the series is further divided into three subgroups. Sakura-kajitsu-monogatari belongs to the subgroup C of the “Sōdōki” series. The little known text is pivotal in the development of the legend because of its humanistic treatment of the hero. Indeed Shōtei-Kinsui wrote his “yomihon” novel Chūyū-asakura-nikki under its inspiration. The article will draw a whole constellation of stories created from the legend and then explore its influence on popular fiction in the Edo Period.

2021-10-15 13:45:33
3 + 0 Twitter
1 + 1 Wikipedia

4 0 0 0 『老媼茶話』の諸本

著者: 高橋明彦
出版者: 学術雑誌目次速報データベース由来
雑誌: 近世文藝 (ISSN:03873412)
巻号頁・発行日: vol.56, pp.21-35, 1993

2021-07-12 08:26:17
1 レファ協
3 + 1 Twitter

https://ci.nii.ac.jp/naid/110000174449

4 0 0 0 『南総里見八犬伝』と聖徳太子伝

著者: 湯浅佳子
出版者: 日本近世文学会
雑誌: 近世文藝 (ISSN:03873412)
巻号頁・発行日: vol.71, pp.40-49, 2000

2020-04-13 23:05:16
4 + 0 Twitter

4 0 0 0 OA 〔講演録〕九州の地方出版

著者: 中野三敏
出版者: 日本近世文学会
雑誌: 近世文藝 (ISSN:03873412)
巻号頁・発行日: vol.88, pp.61-82, 2008 (Released:2017-04-28)

2017-06-10 11:23:02
4 + 0 Twitter

3 0 0 0 OA 『近世説美少年録』『新局玉石童子訓』と『肉蒲団』

著者: 三宅宏幸
出版者: 日本近世文学会
雑誌: 近世文藝 (ISSN:03873412)
巻号頁・発行日: vol.97, pp.41-56, 2013 (Released:2017-04-28)

2023-09-03 12:09:46
3 + 0 Twitter

3 0 0 0 OA 草双紙の本文料紙の紙質 ―高精細デジタル顕微鏡の観察結果を手掛かりに―

著者: 松原哲子
出版者: 日本近世文学会
雑誌: 近世文藝 (ISSN:03873412)
巻号頁・発行日: vol.117, pp.1-15, 2023 (Released:2023-07-31)

As a result of analyzing the paper used in early-period “kusazōshi” and cheap late-period “kusazōshi”, I show that it is likely from the black pieces in the paper, the presence of fiber clusters, etc., that “kusazōshi” fundamentally used recycled paper for the main text paper from their outset. In addition, having found largish impurities originating from blades of the riceplant here and there in “kusazōshi” paper, I point to a supposition that blades of the rice plant were used as a material. Impurities originating from wastepaper and blades of the rice plant create irregularities in the condition of the printing. However, in the paper used for “kusazōshi” – far from being called good in quality - I was able to confirm the presence of rice starch granules. Rice starch granules were normally added to improve the quality of the printing, but their discovery in early-period “kusazōshi” and cheap late-period “kusazōshi” is in amounts too low to be effective. This was paper of a quality where impurities having a negative effect on the printing were not removed. Taking into consideration that fact, I recognized that these rice starch granules were not added, but somehow got incorporated during the paper-making process. As this shows, “kusazōshi” were born as ephemeral publications also from the aspect of paper quality, and continued to develop along those lines.

2023-08-02 20:09:13
3 + 1 Twitter

3 0 0 0 実録『厭蝕太平楽記』『本朝盛衰記』と『通俗三国志』:―真田幸村と諸葛孔明―

著者: 高橋圭一
出版者: 日本近世文学会
雑誌: 近世文藝 (ISSN:03873412)
巻号頁・発行日: vol.89, pp.31-42, 2009

2020-12-16 18:52:04
3 + 2 Twitter

3 0 0 0 OA 藤森弘庵『春雨楼詩鈔』と幕末の出版検閲

著者: 佐藤温
出版者: 日本近世文学会
雑誌: 近世文藝 (ISSN:03873412)
巻号頁・発行日: vol.103, pp.41-57, 2016 (Released:2017-04-28)

Shunurō-shi-shō (1854) is a collection of poems by Fujimori-Kōan, a Confucian scholar of the late Edo Period. Several editions of the collection are imperfect because they were partly deleted by censors. Those editions can be classified into two types; the completely censored editions and the approximately reinstated ones which were revised in the early Meiji Period. Censorship of this poetry collection had been conducted under the guidance of the Shōheizaka Academic Institute until around 1857. Shunurō-shi-shō was checked by this agency because in some poems the author used unacceptable words and phrases related to the foreign powers which then threatened to overthrow the status quo. But as the standards of censorship were very arbitrary, the real aim of the authorities must have been not only to suppress his poems but also to degrade Kōan himself who gained reputation as an imperial loyalist. In other words, they censored his literary work as a way to prevent his political influence from becoming greater through it.