文献一覧: お茶の水女子大学大学院人間文化創成科学研究科 (出版者)

1 0 0 0 「未熟さ」を磨き、愛でる : ファン行動に見るアイドル育成の文化的側面

著者: KAKIN Oksana
出版者: お茶の水女子大学大学院人間文化創成科学研究科
雑誌: 人間文化創成科学論叢
巻号頁・発行日: vol.21, pp.223-230, 2018

2021-01-18 03:25:32
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https://ci.nii.ac.jp/naid/40022214542

1 0 0 0 IR 明治期陸軍における長州閥の数量的検討--専門官僚制の形成と藩閥

著者: 大江洋代
出版者: お茶の水女子大学大学院人間文化創成科学研究科
雑誌: 人間文化創成科学論叢 (ISSN:13448013)
巻号頁・発行日: vol.10, pp.11-24, 2007

在明治维新过程中,长州阀是最大的藩阀。本文主要通过统计原籍为山口县且毕业于陆军军官学校的步兵军旅过程,对长州阀的构造进行分析,从而达到阐明官僚专门化的过程及长州阀盛衰状况的目的。进入明治后期,陆军中长州阀派开始衰弱,这足以证明近代专门官僚制度在能力主义下走向完成。

2020-12-31 16:36:41
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https://ci.nii.ac.jp/naid/120001902439

1 0 0 0 IR ビデオダンス研究 : 映像理論からのアプローチ

著者: 松岡綾葉
出版者: お茶の水女子大学大学院人間文化創成科学研究科
雑誌: 人間文化創成科学論叢 (ISSN:13448013)
巻号頁・発行日: vol.14, pp.137-145, 2011

Video dance is hybrid of film and dance, called "new art form" . The purpose of this paper is to clarify a part of characteristics of video dance piece "Roseland" (1990) by Vim Vandekeybus through film theoretical perspective which is based in "Der Film" (1959) by Bela Balazs. According to this theory, three perspectives were revealed: "Close up; the body in the flame and imagination of invisible body outside the flame", "Changing viewpoint; synchronization view", "Editing; re-constructed choreography". And analysis of "Roseland" shows that these points appeared effectively in the film and characterizes as unique art form. "Close up" focuses on dancer's detail such as skin and muscles, and fragments of the body makes movement dynamic. "Changing viewpoint" gives audience immersive views and simulation experiences as well as sequence of shots makes rhythm that initiates movement and music. "Editing"; re-constructed choreography creates a great impact that prevents audience's imagination and make them re-think about the idea of choreography. In conclusion, these characteristics in "Roseland" are part of video dance\essence, and it is important to utilize film theory in analyzing video dance.

2020-11-23 12:15:05
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https://ci.nii.ac.jp/naid/40019254360

1 0 0 0 IR 『有明の別れ』の女院の完全性について

著者: 岩佐理恵
出版者: お茶の水女子大学大学院人間文化創成科学研究科
雑誌: 人間文化創成科学論叢 (ISSN:13448013)
巻号頁・発行日: vol.10, pp.1-1〜7, 2007

Ariake no wakare is the story written in the late Heian Period. This story can be separated into two parts. The first half is a story about the general who is a woman (she is the same person in the latter half who became Queen mother), the latter half is a story that centers on the minister who is general's successor. So far the minister's story has not been defined. In this research, it is discussed that this story narrates queen mother's completeness. The minister's story only talks about surface part in the story world. At the back of the minister's activity, the queen mother controls the world of the story as she wanted. From the description about miracles happened by the action behind closed doors, and the succession of music, the mechanism of the story can be considered. Lastly, it is referred that the narrator's attitude that imperfectly concluded first-ranked minister's story was to talk about the completeness of the queen mother.

2020-11-10 15:45:19
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https://ci.nii.ac.jp/naid/120001902472

1 0 0 0 IR 葉石濤作品のなかの「日本」 ─「獄中記」を中心に─

著者: 迫田博子
出版者: お茶の水女子大学大学院人間文化創成科学研究科
雑誌: 人間文化創成科学論叢
巻号頁・発行日: no.22, pp.77-84, 2020-03-31

台灣作家葉石濤在於日治時代出生,接受日本教育而成長。光復後,歴經書寫文字從日語轉移到華語的變化,備受語言轉換之苦;因而被稱為「跨越語言作家」。文學創作語言的更易和認同變遷,即是這群作家們的印記。彭瑞金曾指出,葉石濤在其文學作品中把時代作為描寫的客體反映出植民地經驗。本論將以葉石濤在於1966年發表的<獄中記>為例,檢視作家如何描繪「日本」,並歸納出文本中所顯現的日本意像。<獄中記>是描述一位台灣抗日青年的故事;字裡行間呈現了不少日治時代的浮光掠影。特別値得注意之處有二。其一是文中的日本地名和場所。本論將援用美籍華裔地理學家、段義孚(Yi-Fu Tuan)的「地方」理論,試以解析場景、人物與心情的互動並詮釋薀含的示意作用。其二即是《萬葉集》。1895年台灣割讓給日本之後,台灣總督府的治台政策中,包括了以日本古典和歌(短歌)來推進皇民化教育培養日本精神。男主角聽到了一首和歌後深受感動;顯而易見他對日本古典文學擁有強烈的情感認知。台灣從五十年代開始瀰漫白色恐怖,六十年代亦是風聲鶴唳的時代。然而在政治時局的壓抑下,葉石濤為何卻在作品中闡述日本意像?背後是否有刻意隱喩的意旨或深層意涵呢?這是本文往後試圖欲進一歩探討的重點。「没有土地,哪有文學?」這句話代表葉石濤的文學史觀且是他念茲在茲的創作理念。或許透過此一叙述策略來追憶台灣的歴史,並期以伸展自我的文學理念。

2020-07-03 10:11:16
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1 0 0 0 IR 日本現代文学は新たな父性を告げる:

著者: グアリーニ・レティツィア
出版者: お茶の水女子大学大学院人間文化創成科学研究科
雑誌: 人間文化創成科学論叢
巻号頁・発行日: no.18, pp.4-1-4-9, 2016-03-31

Motherhood, and the mother/ daughter relationship are recurrent themes in researches about\Japanese literature. On the other hand, not much has been said about fathers, to the extent that some\critics have argued that the absence of the father could be considered the tendency of Japanese fiction\in 2012, as well as a prophecy about the future of Japanese society. However, are really fathers absent\from contemporary literature? In this paper I will analyze the role of the father in Kakuta Mitsuyo's\works, focusing in particular on Boku wa kimi no oniisan (1996) and Kiddonappu Tsuā (1998). Kakuta\Mitsuyo has been writing fiction centered on the family, focusing particularly on the mother-daughter\relationship. The novels examined in this paper, narrated from the daughter's point of view, focused\instead on the father/ daughter relationship: thus, they give us the chance to analyze the "Japanese\modern family" in Kakuta's works from a different perspective. In this paper I will focus on the way\these works reveal that the " collapse of patriarchy " has caused a change within the home, giving\fathers and daughters the chance to build up a new relationship, and new definitions for the "modern\Japanese family".

2020-06-07 21:48:53
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https://ci.nii.ac.jp/naid/120005758629

1 0 0 0 IR 「未熟さ」を磨き、愛でる ―ファン行動に見るアイドル育成の文化的側面―

著者: カキンオクサナ
出版者: お茶の水女子大学大学院人間文化創成科学研究科
雑誌: 人間文化創成科学論叢
巻号頁・発行日: no.21, pp.223-230, 2019-03-31

Admiring of" immaturity" is a unique aspect of fan culture that can be observed in Japan. Since long ago Japanese people found enjoyment in observing the process of learning, growing, and maturing by performers of traditional Japanese arts. Currently, a similar process can be observed in contemporary Japanese idols fan culture, with the training system of Jonny's Jr. as one of the examples. However, very little work has been undertaken on this phenomenon.The purpose of this paper is to examine the cultural aspect of idols training observed in the behavior of core fans of Japanese idols. Semi-structured interview survey was conducted among 13 informants in the period from May to September 2017. The informants were recruited among female Japanese core fans of young male idols under talent agency Johnny & Associates.The survey uncovered several findings. First, fans are active and creative participants of the idol training who see idols "immaturity" as an object to admire and polish. Second, I found that the process has several stages: measuring, evaluating, approving, polishing and admiring. Finally, the process ends with fans moving on to the next young and" immature" idols as their previous idols grew mature.

2019-07-30 22:32:04
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https://ci.nii.ac.jp/naid/120006624604

1 0 0 0 IR グルック作曲《オルフェオとエウリディーチェ》のベルリオーズ編曲版におけるポリーヌ・ヴィアルド-ガルシアの関与 : 第1幕のアリア"Amour, viens rendre a mon ame"および終結部のカデンツァを中心に

著者: 水越美和
出版者: お茶の水女子大学大学院人間文化創成科学研究科
雑誌: 人間文化創成科学論叢 (ISSN:13448013)
巻号頁・発行日: vol.15, pp.143-151, 2012

The purpose of this study is to consider the involvement of the singer, Pauline Viardot-García in the arrangement of Gluck's Opera, Orfeo ed Euridice by Hector Berlioz. She played the role of Orfée at the premiere of this version in 1859 and involved in making up it with Berlioz. In this study the Orfée's aria," Amour, viens rendre à mon âme" and its cadenza in the 1st Act are discussed in the respects of some materials of this pieces (biography, letters, treatises and so on) and the background in the process of arranging. Conclusion: 1. Pauline Viardot was deeply involved in arranging and producing the version and it is clarified that the aria and its cadenza were re-composed by Berlioz, Saint-Saëns and Pauline Viardot. 2. The vocal line of this aria is reinforced by the wind instruments and the cadenza has two different characters: the citation from the music of previous scene, and the virtuosity of vocal technique. And then it may be concluded that the involvement of Pauline Viardot fixed the role of Orfée for female voice and gave this role two attributes, a traditional vocal technique and a modern dramatic style of singing expression.

2018-10-14 10:30:25
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https://ci.nii.ac.jp/naid/120005246464

1 0 0 0 IR セルジューク朝における王権の一考察 : フトバの政治的役割

著者: 後藤敦子
出版者: お茶の水女子大学大学院人間文化創成科学研究科
雑誌: 人間文化創成科学論叢
巻号頁・発行日: vol.19, pp.37-45, 2016

This paper analyses the function of the khuṭba (sermon), which was addressed with the Sultan's name on the minbar (pulpit) in mosques during Friday prayers in the Seljuq period (1038‒1194). The khuṭba has been studied as a sovereign's privileged symbol. Here, I enumerate the political aspects of \the khuṭba and chronologically investigate them through the following three stages: ⑴ from Ṭughril Bek's conquest of Central Asia and Eastern Iran to enter Baghdad, the capital of the Abbāsid dynasty \(1055), ⑵ from 1055 to the death of Sulṭan Malik Shāh (1092), ⑶ from 1092 to the collapse of the Great Seljūqid dynasty (1157). \The conditions concerning the khuṭba changed over the course of time, including aspects related to who had the right to announce one's name in the khuṭba and who permitted whom to mention one's name in it. The relations between the Abbāsid Caliph and the Seljūqid Sultan also underwent a transformation. During the early period, the khuṭba with the names of the Abbāsid Caliph and Seljūqid Sultan authorised the Sultan's legitimacy in the Islamic world. However, later, when several Sultans fought each other for succession, the khuṭba in the Sultan of Baghdad's name was used as an important political instrument to demonstrate who the current Sultan was.

2018-08-15 14:19:26
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https://ci.nii.ac.jp/naid/120006223780

1 0 0 0 IR 第一次世界大戦下のイギリスにおける「戦時音楽委員会」の活動とその目的

著者: 西阪多恵子
出版者: お茶の水女子大学大学院人間文化創成科学研究科
雑誌: 人間文化創成科学論叢
巻号頁・発行日: vol.20, pp.261-268, 2018-03-31

The outbreak of the First World War caused difficulties for people in Britain in many ways. The Music in War Time Committee (MWTC) was the principal organization that made charitable eﬀorts to alleviate both economic hardships for professional musicians and fatigue of the soldiers by employing the former to give the concerts for the latter. MWTC originally started for the purpose of saving music from the paralysis the war would bring. Soon after its beginning, the ﬁrst purpose sank under the more urgent one of helping musicians. Then entertaining soldiers with music appeared as a third purpose as much needed as the second one. The ﬁrst one seemed to have been lost. Meanwhile, concerts at hospitals and camps oﬀered chances for musicians and soldiers to encounter and interact with each other. MWTC organizers, musicians and soldiers tried to ﬁnd ways to enjoy music together. Their musical world widened. Far from being paralyzed, music was active. It proved that the ﬁrst purpose never had been lost. It could be said it was achieved through the harmony of the other two purposes.