著者
中村 航 古谷 誠章
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.76, no.661, pp.583-591, 2011-03-30 (Released:2011-03-31)
参考文献数
21
被引用文献数
1 1

There is an “Illegality” on people's activity like hawkers on street. It can be considered coexistence of the spontaneous order as “code” and free behavior without restriction from the law. With that background, Hawker's behavior was analyzed through the comparison with the cases of 4 South-East Asian Cities based on following 3 aims.1. To show the effective utilization through a classification of eating activities on the street as an urban public space.2. To discover the “code” developed from hawker's relations between themselves as a making spontaneous order with their unspoken agreement.3. To obvious the relationship between citie's “code“ and people's behavior.
著者
杉江 夏呼 西谷 章 古谷 誠章 矢崎 裕信 鈴木 裕美 藤村 太史郎 永井 香織
出版者
一般社団法人 日本建築学会
雑誌
日本建築学会技術報告集 (ISSN:13419463)
巻号頁・発行日
vol.20, no.46, pp.1105-1110, 2014-10-20 (Released:2014-10-20)
参考文献数
9

The summary describes a rehabilitation work for practical use on the building 2 (formerly library) in Waseda University. The examination identified the importance of the building 2 for the university, the process of construction, the preceding rehabilitation work, etc. The rehabilitation of shikkui ceilings and the seismic reinforcement were conducted, preserving its cultural value. “T. T-WALL”, the wall for reinforcement, looking like the bookstack, was developed this time, reflecting an ideology by Tachu Naito, who designed the building 2 structurally. It may be one of the first attempts for rehabilitation work to inherit an ideology of a structural designer.
著者
藤井 由理 古谷 誠章 白石 哲雄
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.85, no.778, pp.2819-2827, 2020 (Released:2020-12-30)

This study explores similarities between spatial features of architectures designed by Charles-Edouard "Le Corbusier" Jeanneret (1887-1965) and his explorations in early Purism paintings. The study focuses on the fact that Le Corbusier had painted for his entire life. He also stated that his experiments while painting had a huge influence on his architectural works.  Through his Purism paintings, Le Corbusier wanted to stimulate viewers' senses and to elicit subjective responses in their minds. In order to do that, Le Corbusier attempted to suspend the viewer's understanding of the piece by permanently sending it back and forth between two opposite interpretations or between several alternatives. Those methods can also be seen in spatial characteristics of Chapelle de Ronchamp (see: Fujii, Furuya, & Shiraishi, 20193)). Jeanneret stated that "une œuvre d'art doit provoquer une sensation d'ordre mathématique" [art works should elicit a sensation of a mathematical order]. Similarly, he thought that generating the "sensation of a mathematical order" was an important part of his Purism paintings. Through the analysis of Jeanneret's writings and paintings, this paper clarifies which methods were employed to elicit the "sensation of mathematical order" in the viewers of Purism paintings. It is important to understand that this "mathematical order" is not something depicted in the painting itself, but rather a sensation felt by the viewers of Purism paintings  For Le Corbusier, the act of painting was about 'constructing' a greater whole by depicting specific elements in a particular way. First, he would select some commonly recognizable, yet in some ways universal, daily items. He called such items "themes-objects". Then, he tried to elicit the "sensation of a mathematical order" in the viewers by aggregating depictions of those themes-objects in his paintings. There were two types of aggregation. The first one was based on the idea of "les tracés régulateurs" [regulating lines]. The second one was based on positional adjacency achieved through aligning the outlines of several themes-objects. A coherent whole was created by the interplay between themes-objects on the canvas. This interplay is referred to as the "collective form" in this study.  In Purism paintings, achieving meaning through the composition of themes-objects was not important. Instead, the focus was purely on arranging themes-objects for the purpose of eliciting the “sensation of a mathematical order” in the viewer. In Purism paintings, stability and order are usually hard to perceive. "Collective forms" created by Le Corbusier are also relatively nebulous. Their deliberate ambiguity and lack of strong connections enables the viewer's perception of the painting's subject to be suspended between several interpretations in order to strongly stimulate their senses. Because of that, the viewer can start to subjectively perceive the interplay between themes-objects in the painting. Finally, the “sensation of a mathematical order” can emerge in the viewer.
著者
中村 航 古谷 誠章
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.75, no.649, pp.595-602, 2010-03-30 (Released:2010-06-09)
被引用文献数
1 1

There is an “Illegality” on people's activity like hawkers on street. In that case, the law lose effect and people's unspoken agreement regulate their activity instead of the law. It can be considered coexistence of the spontaneous order as “Local code” and free behavior without restriction from the law. With that background, Hawker's “Illegality” and their behavior In Bangkok's Chinatown were analyzed on following 3 aims.1. To show the effective utilization through a classification of eating activities on the street as an urban public space.2. To consider the “Illegality” for urban design as a new aspect of architectural planning.3. To discover the “Local code” developed from hawker's relations between themselves as a making spontaneous rules with their unspoken agreement.
著者
中村 航 古谷 誠章
出版者
日本建築学会
雑誌
日本建築学会計画系論文集
巻号頁・発行日
vol.76, no.662, pp.755-762, 2011

The Coffee Shop called Kopi Tiam in Malaysia is an interesting system of eating house as assembly of hawkers. The independent hawkers with each special meal are assembled by the shop's owner, and the owner provides drink stall and tables for eat. It is similar to Hawker Centre in Singapore or modern food court, but It seems to became a spontaneous system to sustain the quality of foods. The Coffee Shop in Malaysia is analyzed by compared with Hawker Centre in Singapore to clarify the system and know a type of the plan.