著者
小粥 祐子 斎藤 英俊 平井 聖 千田 堅吉 吉野 敏武 岩佐 奈美
出版者
一般財団法人 住総研
雑誌
住総研研究論文集・実践研究報告集 (ISSN:2433801X)
巻号頁・発行日
vol.46, pp.189-199, 2020

建物・住宅の室内を装飾する材料の1つに「唐紙」という壁紙がある。現在,唐紙は京庸紙と江戸からかみの2系統に分けられている。京都にある「唐長」では,京唐紙を寛永年間(1624-1643)から,今もなお,家業として製作しつづけている。この「唐長」には,江戸時代から伝わる史料群『千閏家文書』がある。約400年におよぶ「唐長」の歴史の中で,目本住宅における唐紙の需要と供給は様々に変化してきた。そこで,本研究助成では,『千田家文書』を整理するとともに,時代により唐紙の需要が変化した際,「唐長」の経営・販売形態にどのような変化があらわれたのかを明らかにした。
著者
小粥 祐子
出版者
昭和女子大学
雑誌
學苑 (ISSN:13480103)
巻号頁・発行日
vol.820, pp.51-58, 2009-02-01

The Tokugawa Shogun and their families lived in Ooku (Great Interior), Honmaru Residence inside Edo Castle. This research analyzes the composition of the decorative interior of 4 specific buildings located on the west side of Ooku which employed ten different plans in their construction during the Manen Period, 1860. Many walls and ceilings of the rooms of the buildings are covered with papers called shohekiga on which pictures have been drawn, or papers called karakami on which various colorful patterns have been printed. The author examines the use of shohekiga and karakami in every room in the targeted buildings and demonstrates that they are used in three different ways depending on the room in which they are located. They are; Type 1: shohekiga put on both ceilings and walls or sliding doors, Type 2: shohekiga on ceilings and karakami on walls or sliding doors, and Type 3: karakami on both ceilings and walls or sliding doors. In the formal official rooms Type 1 is most commonly seen. Type 2 is seen in rooms used for Shoguns and their wives' daily informal living. Type 3 is seen mainly in rooms used by servants or attendants. Based on these observations, the author suggests that the degree of quality of materials is proportionate to the hierarchy of residents in Ooku.
著者
小粥 祐子
出版者
昭和女子大学
雑誌
学苑 (ISSN:13480103)
巻号頁・発行日
no.809, pp.98-106, 2008-03
著者
小粥 祐子
出版者
昭和女子大学
雑誌
學苑 (ISSN:13480103)
巻号頁・発行日
vol.808, pp.16-27, 2008-02

The interiors of samurai residences are known for their reflection of elaborate, intricate and dignified taste of craftsmanship. Among them, naturally, the Honmaru residence of Edo castle, together with the Ooku (Great Interior), represents the supreme level of artifacts of the time. The Ooku Taimenzyo, consisting of Zyodan and Gedan, is one of the buildings of the Ooku where public receptions of Shogun and his wives were held. The author examined more than 10 public or private old documents and plans of the Ooku Taimenzyo made in the last days of the Tokugawa shogunate, and collated the records to show what the walls, sliding doors, ceilings, nail covers and fanlight carvings were like. This paper shows the detailed charts of the above accounts and suggests their supremacy. For example, every item was adorned with beautiful drawings by the day's top-notch chartered painter Kano Seisenin. The most intricate and gorgeous style was the coved and coffered ceiling called Oriage Goutenzyo which doubtless, was the outcome of the day's highest technology. Embossed and repeatedly plated high quality nail covers were also elaborate.