著者
重松 優 Yu Shigematsu
出版者
昭和女子大学近代文化研究所
雑誌
学苑 (ISSN:13480103)
巻号頁・発行日
no.930, pp.65-72, 2018-04

This brief essay is a case study of a young Japanese man's intercultural experience between 1870-73. Kenzo Hirosawa, an adopted son of the prominent Chōshū politician Saneomi Hirosawa, had a rare opportunity of living with the US consul in Tokyo for almost a year before leaving for New York to study. Articles written about Kenzo and his uncatalogued papers illustrate the vivid and often turbulent aspects of international education in early Meiji period.
著者
熊澤 幸子
出版者
光葉会
雑誌
学苑 (ISSN:13480103)
巻号頁・発行日
no.877, pp.18-24, 2013-11
被引用文献数
1
著者
井原 奉明 Ihara Tomoaki
出版者
光葉会
雑誌
学苑 (ISSN:13480103)
巻号頁・発行日
no.858, pp.86-98, 2012-04

AbstractThis thesis aims at clarifying the concept of Mono in Japanese, following the previous studies conducted by the same author. He takes up the newly publicized idea of Mono by NAKANISHI Susumu, that Mono is considered equivalent with mana, a proto-religious concept widely prevalent in the indigenous faith system around the South Pacific region. He expounds NAKANISHI's idea with the additional comments on the concept of mana and the related studies, and makes clear the explanatory inadequacy of the Mono=mana theory. He then introduces the phenomenological conception on space with the notion of omote(front)and ura(back)to make up for the defect of the former studies and constitute a totally consistent theory.
著者
関口 靜雄 岡本 夏奈 阿部 美香
出版者
光葉会
雑誌
学苑 (ISSN:13480103)
巻号頁・発行日
no.905, pp.82-93, 2016-03
著者
ボルジギン フスレ
出版者
光葉会
雑誌
学苑 (ISSN:13480103)
巻号頁・発行日
no.864, pp.38-55, 2012-10
著者
井原 奉明 Ihara Tomoaki
出版者
光葉会
雑誌
学苑 (ISSN:13480103)
巻号頁・発行日
no.870, pp.83-94, 2013-04

Abstract It is the author's present design to determine, by an exhaustive analysis of the existing findings and evidence, how the conception of mono is understood and applied around the Jodai era. This study is the first step toward the primary research of the cosmology of the concept. Such a task pertains to linguistics, philosophy and other related academic fields. The author begins with a critical inquiry into Ms. Hasegawa's study of mono. For more integrated explication, he hypothesizes it derives from the idea of mana of the Pacific region. The adequacy was illustrated by an extensive clarification of how the concept acquires a variety of meanings and captures spatially-directed significances as a null symbol within the phenomenological "lived" space of subjectivity.
著者
堀内 正昭
出版者
昭和女子大学
雑誌
学苑 (ISSN:13480103)
巻号頁・発行日
no.897, pp.2-24, 2015-07

The two-storied Hirai House was built in around 1930 by an upper-middle class person, Mr Risuke Wakameda, and it is now owned by Mr Susumu Hirai. It has a Western-style room of mortar finish on the side of the entrance door, and the outer wall of the house is clapboard with traditional bead battens. Such semi-Western houses were common in Setagaya Ward, which had developed as a suburban residential area in the early Showa period. This house has two double-loaded corridors on the first floor. Therefore, the main rooms offer residents greater privacy and independence in the main rooms than contemporary houses. The major feature of this house is that there is plenty of storage space which accounted for about 20 percent of the floor space. This seems to have reflected the first owner, author and a book collector Wakameda's, preferences. Through pillars, pipe pillars between through pillars, and the other pillars on the first floor were different in size, and the three types of pillars were built in the right positions. After the war, remodeling of a flat roof on the Western-style reception room to a sloped roof and of the kitchen and bathroom fixtures such as the kitchen sink were done, but all the other parts of the house remain unchanged. In many pre-war houses, furniture installed when the house was built does not survive. But in this house there is still a valuable upholstered lounge suite in the reception room. Together with some old lighting fixtures still existing in the other parts of the house, they reveal the taste of the resident of the house around 1930.The two-storied Hirai House was built in around 1930 by an upper-middle class person, Mr Risuke Wakameda, and it is now owned by Mr Susumu Hirai. It has a Western-style room of mortar finish on the side of the entrance door, and the outer wall of the house is clapboard with traditional bead battens. Such semi-Western houses were common in Setagaya Ward, which had developed as a suburban residential area in the early Showa period. This house has two double-loaded corridors on the first floor. Therefore, the main rooms offer residents greater privacy and independence in the main rooms than contemporary houses. The major feature of this house is that there is plenty of storage space which accounted for about 20 percent of the floor space. This seems to have reflected the first owner, author and a book collector Wakameda's, preferences. Through pillars, pipe pillars between through pillars, and the other pillars on the first floor were different in size, and the three types of pillars were built in the right positions. After the war, remodeling of a flat roof on the Western-style reception room to a sloped roof and of the kitchen and bathroom fixtures such as the kitchen sink were done, but all the other parts of the house remain unchanged. In many pre-war houses, furniture installed when the house was built does not survive. But in this house there is still a valuable upholstered lounge suite in the reception room. Together with some old lighting fixtures still existing in the other parts of the house, they reveal the taste of the resident of the house around 1930.
著者
笛木 美佳
出版者
昭和女子大学
雑誌
学苑 (ISSN:13480103)
巻号頁・発行日
no.807, pp.97-107, 2008-01