著者
渡辺 晋 石川 寛夫
出版者
九州産業大学
雑誌
九州産業大学芸術学部研究報告 (ISSN:02867818)
巻号頁・発行日
vol.20, pp.171-179, 1989-03-10

Autochrome process, invented by A. and L. Lumiere of Lyon in 1904,was reproduced. This process was so-called screen plate process in which the emulsion is exposed through the color screen (mosaic) and reversal processed to yield an additive color transparency. We made color screen using dyed potato starch grains as color screen element and commercial use B/W negative film as panchromatic emulsion. The B/W negative film was exposed behind a separable color screen and reversal processed to a silver positive. This positive was combined with color screen to obtain color transparency. The results obtained were fine. Reproduction of Autochrome was discussed about color, contrast and image details.
著者
于 澎
出版者
九州産業大学
雑誌
九州産業大学芸術学部研究報告 (ISSN:02867818)
巻号頁・発行日
vol.38, pp.279-288, 2007

本文以中日両国的近現代絵画的比較研究為研究焦点,通過中国画和日本画的比較研究,考察両国絵画的題材、顔絵具、素材、構図、技法及色彩等各方面的相同点和差異点、〓試着将日本画的独特的造型思考、材料及技法与中国水墨画相融和,尋求拡展新的具象表現的可能性。為了更具体地進行比較,本論文将中日両国的花鳥画中的梅和菊的表現作為研究的中心。自古以来,具有清雅、高潔秉性和節操的梅和菊就是深受中日両国的文人和画家喜愛的表現題材,同時梅和菊也是中日文化交流的一大媒介。因此,通過対〓些作品的〓賞及比較,可以更深刻地理解中国画和日本画的特征。本論文的構成如下: 第一章,从歴史、文化、宗教等角度来分析中日両国人民対梅和菊的芸術表現意又和表現理由。第二章,則進一歩研究中日両国絵画史上以梅和菊為題材的代表作品和代表画家,通過比較中日絵画史的発展和変化,闡明近現代日本画形成的基礎。第三章,是本研究的重点,考察並論述了近現代日本画和中国画中梅和菊的表現,並从画材、技法、構図、色彩等方面対両国絵画的表現方法進行比較。第四章,通過比較近現代日本画和中国画関与梅和菊的表現,我〓試創作了以梅和菊為題材的作品,在本章,詳細介紹了各作品的創作意図、創作過程和方法、作品的構図及色彩的特征、表現技法及創作后的感想。通冠該比較研究,我衷心希望能為在中国美術理論和日本美術理論研究之間架起一座橋梁,而且希望能〓為現代東方絵画提示出一個新的発展方向,同吋也為中国画今后的発展提供一個良好的参考。
著者
丸尾 いと
出版者
九州産業大学
雑誌
九州産業大学芸術学部研究報告 (ISSN:02867818)
巻号頁・発行日
vol.38, pp.307-323, 2007

本論文は、十五年戦争に関わるものを撮影した代表的な写真家(山端庸介・土門拳・東松照明・江成常夫・土田ヒロミ)をとり上げ、その仕事を歴史の時間軸上で展開する試みである。まず第1章で'負の昭和'の措定と本論文で取り上げる五人の写真家を選んだ動機を述べる。次いで第2章では、五人の経歴と仕事をそれぞれ総括的に取り上げ、各人の概要を理解してもらう。第3章から第6章は、昭和史を四つに区切り、歴史上の時間軸に各作家の仕事(写真集)を時系列に並べて展開。そして終章では、'負の昭和'が五人の仕事を通じて十分に検証できることを提唱する。

2 0 0 0 OA 雨上がり

著者
広瀬 純子
出版者
九州産業大学
雑誌
九州産業大学芸術学部研究報告 (ISSN:02867818)
巻号頁・発行日
vol.38, pp.28-30, 2007

1 0 0 0 OA Uさん'05-2

著者
堀尾 紀之
出版者
九州産業大学
雑誌
九州産業大学芸術学部研究報告 (ISSN:02867818)
巻号頁・発行日
vol.38, 2007
著者
内藤 郁夫
出版者
九州産業大学
雑誌
九州産業大学芸術学部研究報告 (ISSN:02867818)
巻号頁・発行日
vol.38, pp.171-180, 2007

Shonai district (Tsuruoka and Sakata cities), Aizuwakamatsu city, and Nagaoka city are well known as production places of Japanese traditional picture drawn candles, so-called "E-ROUSOKUs". Now a day, because only five craft men produce the E-ROUSOKU by traditional method, it is afraid to lose the technology. I studied its history, manufacturing technique, and uses. They were developed until the middle of 18th century in Shonai district. The technique of the production passed from Aizuwakamatsu city to Nagaoka city. Etsukeshi's, painters, drew typical pictures on the candle surface after Gojiru coating. And then, the candle surface was over-coated by breached wax. The E-ROUSOKUs were used chiefly for offerings of feudal load, souvenirs, and Buddhist services in Edo-era.
著者
木下 尭博
出版者
九州産業大学
雑誌
九州産業大学芸術学部研究報告 (ISSN:02867818)
巻号頁・発行日
vol.29, pp.137-144, 1998

First printing media in Japan is one million of little pagodas-Hyakumatou-Dharani-pubulished in AD 770. There is the oldest printing matter existing in the world. It exists to the matter which the saving condition is bad from good printing matter by this Hyakumantou-Dharani preserving 3076 volume in Horyu Buddhist Temple in Nara Prefecture at present. Is printed the Hyakumantou-Dharani Pagodas by stamp system or block system and metal or wood materials? In West Branch of the Japanese Soc. of Printing Science and Technology these research results were opened to public in 1987. However, these are many uncertain circumstance on this printing system. The Tensho-Kenou Boys Mission had introduced metal type printing which Johannes Gutenberg invented from Portugal to Nagasaki in Japan at 1611. The publications that it called this the Amakusa edition had printed it in the metal type, and they exist in all over the world. Since the Christianity was forbidden in these period, Amakusa Book of the 13 volume for 6 years was published to the Macao exile of 1597. It is based of the metal type printing in the establishment of the letterpress manufacture by Shouzou Motoki in 1869. He thought that future development of Japan consists with printing technology and purchased printing machine, metal type, printing ink and paper from the Netherlands ship. The printing technology was widely spread by the research of the electroplate matrix. From China, Korea and Europe, the metal type printing technology in Japan was mainly accepted like this and succeeded with industrialization.