文献一覧: 大阪大学大学院文学研究科紀要 (雑誌)

2 0 0 0 IR 育児書を読む家庭 : 18世紀ドイツの育児書の特徴の検討から

著者: 吉田耕太郎ヨシダコウタロウ Yoshida Kotaro
出版者: 大阪大学大学院文学研究科
雑誌: 大阪大学大学院文学研究科紀要 (ISSN:13453548)
巻号頁・発行日: vol.55, pp.61-79, 2015-03

2017-09-28 02:09:01
2 + 0 Twitter

https://ci.nii.ac.jp/naid/120005728935

2 0 0 0 OA 鍵盤上を飛遊するdiscretionとファンタジー : J.J.フローベルガーのチェンバロ曲にみられる表現装置(平成十三年度博士論文(課程)要旨)

著者: 三島郁
出版者: 大阪大学
雑誌: 大阪大学大学院文学研究科紀要 (ISSN:13453548)
巻号頁・発行日: vol.43, pp.34-36, 2003-03-31

2016-11-17 07:00:22
2 + 0 Twitter

https://ci.nii.ac.jp/naid/110004613820

2 0 0 0 OA 堤外地政策からみた元禄・宝永期における摂河治水政策の転換

著者: 村田路人ムラタミチヒト Murata Michihito
出版者: 大阪大学大学院文学研究科
雑誌: 大阪大学大学院文学研究科紀要 (ISSN:13453548)
巻号頁・発行日: vol.50, pp.1-28, 2010-03-31

2015-08-21 23:25:29
2 + 0 Twitter

http://hdl.handle.net/11094/9635

2 0 0 0 OA 唐朝の交通システム

著者: 荒川正晴アラカワマサハル ARAKAWAMasaharu
出版者: 大阪大学大学院文学研究科
雑誌: 大阪大学大学院文学研究科紀要 (ISSN:13453548)
巻号頁・発行日: vol.40, pp.199-335, 2000-03-15

2015-04-21 21:44:17
2 + 2 Twitter

http://hdl.handle.net/11094/8339

2 0 0 0 OA 政治的寓意としての能 : 「白楽天」をめぐって

著者: クラインスーザン・ブレークリ荒木浩クラインスーザン・ブレークリアラキヒロシ Klein Susan Blakeley Araki Hiroshi
出版者: 大阪大学大学院文学研究科
雑誌: 大阪大学大学院文学研究科紀要 (ISSN:13453548)
巻号頁・発行日: vol.50, pp.29-68, 2010-03-31

クライン, スーザン・ブレークリー著

2014-06-11 22:47:48
2 + 0 Twitter

http://hdl.handle.net/11094/9300

2 0 0 0 OA 出家入道と中世社会

著者: 平雅行タイラマサユキ Taira Masayuki
出版者: 大阪大学大学院文学研究科
雑誌: 大阪大学大学院文学研究科紀要 (ISSN:13453548)
巻号頁・発行日: vol.53, pp.1-46, 2013-03-31

2014-05-29 16:58:18
2 + 1 Twitter

http://hdl.handle.net/11094/27199

2 0 0 0 OA 平安時代土地公証制度の研究序説 : 立券文書と在地

著者: 梅村喬ウメムラタカシ UMEMURATakashi
出版者: 大阪大学大学院文学研究科
雑誌: 大阪大学大学院文学研究科紀要 (ISSN:13453548)
巻号頁・発行日: vol.40, pp.153-198, 2000-03-15

2013-09-27 17:51:32
1 教えて！goo
1 OKWave

http://hdl.handle.net/11094/11153

1 0 0 0 IR 国会期成同盟第二回大会と憲法問題

著者: 飯塚一幸 Iizuka Kazuyuki イイヅカカズユキ
出版者: 大阪大学大学院文学研究科
雑誌: 大阪大学大学院文学研究科紀要 (ISSN:13453548)
巻号頁・発行日: vol.51, pp.49-85, 2011-03
被引用文献数: 12

2021-12-02 23:11:43
1 + 1 Twitter

1 0 0 0 IR 平安時代の「をり」再考--卑語性の検討を中心に

著者: 金水敏
出版者: 大阪大学大学院文学研究科
雑誌: 大阪大学大学院文学研究科紀要 (ISSN:13453548)
巻号頁・発行日: vol.42, pp.1-25, 2002-03

2021-11-28 14:18:00
1 知恵袋

1 0 0 0 IR 『白樺』に先行する芸術運動 : 『明星』『スバル』『方寸』とその時代状況

著者: 清水康次 Shimizu Yasutsugu シミズヤスツグ
出版者: 大阪大学大学院文学研究科
雑誌: 大阪大学大学院文学研究科紀要 (ISSN:13453548)
巻号頁・発行日: vol.53, pp.47-107, 2013-03

The literary magazine Shirakaba 『( 白樺』, 1910-1923) published many art-related articles and had a lasting impact, particularly through its introduction of various elements of Western Art. There were a number of publications at the time which featured both literary and artistic contents, yet originally this tradition is seen as having been established by Myoujyou and carried on by both Subaru and Shirakaba. There was a major change that took place in the art world in between the time of Myoujyou and that of Shirakaba, so it is difficult to view these publications' combination of art and literature as having occurred under the same conditions. This paper, therefore, examines the links between art and literature by taking up Myoujyou, Subaru, and Housun—identifying the unique characteristics as well as their points of divergence between each of the movements they represent. Myoujyou 『( 明星』, 1900-1908) was published as an organ of Shinshisya under the supervision of Yosano Hiroshi. Under his editorial direction, the covers and inserts featured Western style paintings and included several writings related to art. It realized 'collaboration' with the still developing Japanese Western Art World and became a 'great monument' that straddled the fields of art and literature. Japanese Western Art World, however, began its own independent activities which resulted in new types of art publications, but also marked the end of the' collaboration' with Myoujyou. Subaru 『( スバル』, 1909-1913) was Myoujyou's successor in poetry. The covers and articles incorporated artistic elements and in addition featured Takamura Kōtarō'scriticism and translations. Despite this, however, it never developed into the kind of artistic movement that was associated with Myoujyou. This confirms that the particular union between art and literature produced by Myoujyou was a one-time phenomenon that resulted from Japanese Western Art World still being in its infant stages. Housun 『( 方寸』, 1907-1911) was a literary coterie magazine centered on Ishii Hakutei'sartist group, which featured poetry and art criticism. Through its covers and inserts, creative woodblock printing spread and it also offered an opportunity for literary figures and artists to gather at the "Pan no kai." Housun was the result of friendly competition between like-minded people. It functioned as a place for the people on the side being judged to voice opposition to the Bunten exhibition, which was established in 1907. In that way, even though these were all magazines that allowed for the coexistence of art and literature, the movement connected to each of them was distinctly independent. Looking at the situation surrounding art at the time, however, there were serious problems facing the viewers as well—they had to develop their own criteria for evaluation. Through its introduction of a wide range of Western art, Shirakaba can be considered as having provided an important foothold for these experienced viewers.