文献一覧: 恵泉女学園大学紀要 (雑誌)

Why is The Alchemist by a Brazilian writer , Paulo Coelho, enjoying such big sales all over the world, as did Harry Potter? It goes without saying that it is a good book, although the story is quite similar in essentials to that of "The Pedlar of Swaffham," a famous legend in England. The story has a plot like `Blue Bird' and follows the form of a typical fairy tale with a male protagonist. These factors, however, are not enough to explain the reason for this book's worldwide popularity. This essay introduces the world of The Alchemist and analyzes the reasons for its popularity. This analysis is based on three vantage points: people's taste for fantasy in troubled times, the influence of TV games, and the defects of internet society.

2019-02-04 23:36:57
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1 0 0 0 IR 近世後期大嘗祭斎田抜穂の儀と地域社会 : 丹波国桑田郡鳥居村(山国郷内禁裏御料七ヶ村)、船井郡並河村の事例から

著者: 吉岡拓
出版者: 恵泉女学園大学
雑誌: 恵泉女学園大学紀要 (ISSN:18812554)
巻号頁・発行日: no.29, pp.234-205, 2017-02

2018-08-16 20:33:19
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https://ci.nii.ac.jp/naid/120006250050

1 0 0 0 IR 副助詞「ガ」の存在 : 「カラガ」「テカラガ」を中心に

著者: 山田昌裕 Masahiro YAMADA
出版者: 恵泉女学園大学紀要委員会
雑誌: 恵泉女学園大学紀要 (ISSN:18812554)
巻号頁・発行日: no.27, pp.107-125, 2015-02

2017-12-30 20:47:54
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https://ci.nii.ac.jp/naid/120005621835

1 0 0 0 OA レオナルドとヴィニョーラ : 遠近法のふたつの血脈

著者: 池上英洋
出版者: 恵泉女学園大学
雑誌: 恵泉女学園大学紀要 (ISSN:09159584)
巻号頁・発行日: vol.18, pp.163-183, 2006-03

The architect Giacomo Barozzi da Vignola wrote his book in 1583 : Le due regole della prospettiva (The two rules of perspective). As the title of the book indicates, there were two different systems in the history of perspective : the "Costruzione legittima (the legitimate construction)" and the "Costruzione per punto di distanza (the construction with the distance point)". Both had their origins in the primitive concept shown by the great intellect in the first stage of Renaissance, Leon Battista Alberti. After Alberti, perspective was developed by uncountable theorists and artists as Filarete, Uccello, Piero della Francesca, Durer and so on. It is still widely believed that the theory of perspective was completed in the age of the high.Renaissance and the development was terminated. We know well about the history of perspective from Alberti to the high. Renaissance. But the latter half of the history has never revealed his true face. We don't know well about the intermediate steps to explain a kind of "missing ring" from the high-Renais-sance to Vignola. Leonardo da Vinci is the symbolic artist of the high-Renaissance and he is believed as the man who used perfect perspective. Yes, surely he was. The pictorial spaces created by Leonardo were good examples to see the fruit that the man had obtained by such a development. But once we start to reconsider the true practical procedures applied for his paintings in different periods in his life, such as the "Annunciation", the "Adoration of the Magi" and the "Last supper", we can notice that Leonardo had a diversity of perspective. Moreover, it is clear that Leonardo himself was still in the state of confusion of trials and errors, even though he is believed to be a perfect erspectivist. The different types of perspective in Leonardo's painting are not exactly the same as in Vignola's treatise, but we can find a suggestive relationship between them. It is also interesting to know they had actual relation through a forgotten intellectual Francesco di Giorgio Martini. This reconsideration we made will be useful to excavate hereafter the true appearance of the two genealogies in the history of the perspective and to see the change of man's conception of space.

2014-09-14 18:12:54
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1 0 0 0 IR トーマス・マンの『ブッデンブローク家の人びと』における"fremd"概念について

著者: 川戸れい子
出版者: 恵泉女学園大学
雑誌: 恵泉女学園大学紀要 (ISSN:09159584)
巻号頁・発行日: vol.22, pp.195-207, 2010-02

2011-05-31 17:48:11
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https://ci.nii.ac.jp/naid/110007690611

1 0 0 0 OA 放送の公共性をめぐって : 電波三法、ロールズ、ローティ

著者: 武田徹
出版者: 恵泉女学園大学
雑誌: 恵泉女学園大学紀要 (ISSN:09159584)
巻号頁・発行日: vol.19, pp.91-108, 2007-03

This article discusses how the idea of publicness has changed in the history of broadcasting in Japan. The Three Radio Wave Laws established in 1950 (Dempa Sampo): including the law defining the principle for regulation of broadcasting (Hoso Ho), the law regulating the use of radio waves (Dempa Ho) and the law establishing a commission to supervise its usage (Dempa Kanri Iinkai Setti Ho) were intended to terminate the government.controlled broadcasting system dictated under the war government, and to build a new public broadcasting system independent from any kind of governmental control. But, soon after the San Francisco Peace Treaty in 1951, the commission to supervise radio wave usage disappeared, and the decision.making capacity to allot the frequency waves moved back to the Ministry of Post and Telecommunications . This meant that the independence of the broadcasting system also disappeared, because the government regained its ability to rule the broadcasting system again by controlling the licensing of radio waves. In additon, recently, as the Internet has been covering our society, the citizen's `right to know' is fulfilled not only by mass.broadcasting, but also by search engines like Google. How should the broadcasting system maintain its position to be `public' under such circumstances ? This article discusses the possibilities of broadcasting to remain a `public' system by referring to John Rawls' "A Theory of Justice" and the idea of `liberal irony' by Richard Rorty.

2010-08-05 09:15:18
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