文献一覧: 一般社団法人日本建築学会 (出版者)

In Japanese architecture of the middle age, the corner-post is longer than the other. And so the bend occures on Kashiranuki, it reaches Gangyo through Tokyo, consequently Gangyo is bent. At Kaijusanji-Tower the straight bent of Kashiranuki starts from the center-point of interior-post, but the bend of Gangyo starts from the end of Makito. It shows that the bend of Gangyo is made regardless of Tokyo. And at corner-Tokyo, height of Waku-Hijiki of 45 degree enlarges at the end. From that reason the slope of Gangyo is steeper than Kashiranuki. In case of Tesakigumi-Tokyo; From the last age of Heian to the eary of Kamakura the way of Kaijusanji is used generally, for example Tchijoji-Tower Ishiyamadera-Tower Toshodaiji-koro, etc. From the middle age of Kamakura on ward accordingly enlargement of its section and transformation of Sane-Hijiki, also the bend of Gangyo changes, and so it starts from the center-point of interior-post in the same case as Kashiranuki. So that at interior-Tokyu Sane-Hijiki bends on the center, or the outside of Makito is taller than the inside. That is to say, the bend of Gangyo is made in process that Tokyo is constructed. For example Ishiteji-Tower Myooin-Tower Jotokuji-Entuden, etc. In Muromachi age, at corner-Tokyo instead of the way of Kaijiusanji, the end of Tori-Hijiki is bent horizontally. For that, the slope of Gangyo is able to eque Kashiranuki. In case of Mitudogumi-Tokyo; The bend of Gangyo starts straight from the center-point of interior-post, and its slope is Gangyo starts straight from the center-point of interior-post, and its slope is equel Kashiranuki.

2012-01-20 19:45:32
1 教えて！goo
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https://ci.nii.ac.jp/naid/110003882693

2 0 0 0 多宝塔の枝割と各部の比例

著者: 浜島正士
出版者: 一般社団法人日本建築学会
雑誌: 日本建築学会論文報告集 (ISSN:03871185)
巻号頁・発行日: no.296, pp.117-126, 1980-10-30
被引用文献数: 1

1. The width of the upper story is determined in proportion to the width of the lower story, but it is not standardized. 2. The proportion of the width As to the size of the upper story, the newer Taho-pagodas are generally larger than the older Taho-pagoda. As to the size of the upper eaves, the older Taho-pagodas are generally large, and the newer Taho-pagodas are small. 3. The proportion of the height The height of the upper roof is about tow thirds as high as the height of a Taho-pagoda, and in this point there is little differenee between the older Taho-phgodas and the newer ones. The height of the upper eaves is about a half as high as the height of a Taho-pagoda, and the height of lower eaver is about a quarter of that of the height of a Taho-pagoda. The tower eave's height of the older Taho-pagodas are expecially low, which showo that that they are are-one-storied pagoda with Mokoshi. 4. The proportion of the width and the height The newer Taho-pagodas are slenderer than the older ones. Which shows that thet styhe of Taho-pagodas has been modfied from one-storied pagodas with Mokashi to tow-storied pagodas.

2012-01-20 19:45:32
1 教えて！goo
1 OKWave

https://ci.nii.ac.jp/naid/110003881719

2 0 0 0 9008 日本における宝塔型仏塔建築の成立過程について : 律儀に見られる造塔法から

著者: 西岡秀輔
出版者: 一般社団法人日本建築学会
雑誌: 学術講演梗概集. F-2, 建築歴史・意匠 (ISSN:13414542)
巻号頁・発行日: vol.1998, pp.15-16, 1998-07-30

2012-01-20 19:45:32
1 教えて！goo
1 OKWave

https://ci.nii.ac.jp/naid/110004147725

2 0 0 0 多宝塔の形式と構造

著者: 浜島正士
出版者: 一般社団法人日本建築学会
雑誌: 日本建築学会論文報告集 (ISSN:03871185)
巻号頁・発行日: no.236, pp.107-116, 1975-10-30
被引用文献数: 2

1. The lower-stories of the TAHO pagodas which were built in the early days have square pillars without DAIWAs, but those built after the 14th century have columns with DAIWAs. On the other hand all the upper-stories have columns with DAIWAs. The fact shows that the lower-story of TAHO pagoda was treated as a MOKOSHI in the eary days. 2. Three styles can be discerned in the KUMIMONOs of the lower-stories of TAHO pagodas, and this makes a TAHO pagoda distinct from storied-pagodas, which are uniform in style. All the KUMIMONOs of the upperstories are in MITESAKI style, and it is conspicuous that an architectural technique in the early days has been used till modern times. 3. The center-post of a TAHO pagoda is not on the foundation but on the ceiling of the lower-story, and in this respect it is different from a storied-pagoda. The columns in the lower-stories of a TAHO pagada were four in the early days. In about the 14th century a number of TAHO pagodas with tow columns in the lower-stories were built, and since the 16th century those with four columns have increased again. This is the same with a three-storied pagoda. 4. As the square eaves in the upper-story of a TAHO pagoda are supported by the colums, the construction of the KUMIMONO is very much complicated. For this reason most of the upper-stories of TAHO pagodas even in the 14th〜15th century are not in ROKUSHIGAKE style. 5. The construction method of TAHO pagodas in the earlp days is a piling-up method, which is original with a storied pagoda, but some of those built after about the 14th century are on support method. The same is true of a three-storied pagoda. But in the piling-up method which was applied to the TAHO pagodas in the early days, there is a technique which is not used in a three-storied pagoda. This is helpful in guessing the original form of a TAHO pagoda.