著者
橋爪 和夫
出版者
日本武道学会
雑誌
武道学研究 (ISSN:02879700)
巻号頁・発行日
vol.26, no.1, pp.9-23, 1993-08-31 (Released:2012-11-27)
参考文献数
43

The general purpose of this research was to study the signification of the shout on Kendo. The focus of this study was to explore a historical formative stage and philological formative process of the shout. This investigation was carried on a condition that the shout is not essential according to The Conception of Kendo and the teaching which the shout should be voiceless in the extremity.The shout of the age at civil wars was one of the weapons. In the Edo period the existence of the shout was decided by the dogma of each Kenjutsuryuha (Kendo school). In the Meiji period the shout became to admit as one of the practice methods assuming the unconscious KAKEGOE, and in this time both modern style and understanding of KAKEGOE were formatted. To get a lot of effects on voiceless condition more than on shout, modern Kendo has a recognition about the KAKEGOE that the more skill player, the more little shout after going through an unconscious and natural shout.In the practice and the match handling a BOKUTO, the spot of the boby for DATOTSU (strike) might be named (KOSYO) before striking. In and after the 1750's, according to use SHINAI and BOGU (a protector), the original form of DATOTSUBUIKOSYO occurred. Modern style of DATOTSUBUIKOSYO can be confirmed by a bibliography of the early Meiji period. In the later Meiji Period DATOTSUBUIKOSYO was located as a necessary shout at the minimum. It is indicated by the existence of DATOTSUBUIKOSYO that Kendo is on longer a tool of an actual warfare but a movement culture.KAKEGOE and DATOTSUBUIKOSYO are coming to this day with advancing in their philological functions both phylogenetically and ontogenetically. The shout which is related to high spirits is closely connected with YUKO (valid) DATOTSU (a point). KAKEGOE may include a function that a player demonstrates one's high spirits to a third person by it. DATOTSUBUIKOSYO may also involve the possibility that it contains a potentiality of a lie. These functions of the shouts are contrary to The Conception of Kendo.Both DATOTSUBUIKOSYO by a player and YUKODATOTSU Announcement by the Chief Referee at YUKODATOTSU are the highest language level. The correspondence with a mind of player seems to DATOTSUBUIKOSYO back and forth. It may be possible for the excellent player to format DATOTSUBUIKOSYO in the speech area neverthless he or she does not shout (DATOTSUBUIKOSYO).A study on the level of a detachment may be a next theme.

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橋爪和夫氏『剣道の発声の形成過程とその意義』 https://t.co/8EczcLPjHD
Eテレ「刀剣Lovers」の薬丸自顕流回を見て、ふと剣道(ないし撃剣)で今のような発声が一般化するようになった歴史について気になり、調べるとこのような論考が 発生に関して、時代ごとに色々と変化していて面白い 橋爪和夫氏『剣道の発声の形成過程 とその意義』 https://t.co/8EczcLPjHD
Eテレ「刀剣Lovers」の薬丸自顕流回を見て、ふと剣道(ないし撃剣)で今のような発声が一般化するようになった歴史について気になり、調べるとこのような論考が 橋爪和夫氏『剣道の発声の形成過程 とその意義』 https://t.co/8EczcLPjHD
https://t.co/2tqJcFkgj6 剣道の発声の起源を研究したもので、とても興味深かった やはり今現在の剣道に浸透している掛け声というのは、運動文化としての剣道によるものであるのね
剣道の発声の形成過程 とその意義 THE FORMATIVE PROCESS AND SIGNIFICATION OF THE SHOUT ON KENDO https://t.co/egpE91oX5h
剣道の掛け声と示現流は、多分、あんまり関係ないんじゃないかな? #なんか見た  https://t.co/A7ISgSq4GE この論考には、とりあえず示現流の名前とかでてこないし…
全剣連 「有効打突は充実した気勢、適法な姿勢をもって竹 刀の打突部で打突部位を刃筋正しく打突し、残心あるもの とす る。」掛け声はこの「充実した気勢」の主要構成要素の一つである。つまりルール改正をしないかぎり掛け声はなくせない。 https://t.co/aGkaH7FMHG
橋爪和夫「剣道の発声の形成過程とその意義」『武道学研究』 26,1993 https://t.co/r9xERb7MEi
ちょっと気になることがあったので、論文を漁る。 掛け声としての打突部位呼称はどういう経緯で発生したのか。 剣道の発声の形成過程とその意義 橋爪和夫https://t.co/wQDgObLUmr

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