著者

田中 孝明 渡辺 勝彦

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.75, no.651, pp.1219-1224, 2010-05-30 (Released:2010-07-26)

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By surveying village Sinto architecture with historical plaques of Simousa fief once a part of Chiba-ken, we can find out the activities of the sculptors represented as Takeda Juzaburo in the late Edo period. We are able to draw out our results by examining the materials as follows; Four sculptors named Takeda Juzaburo once lived in Yuuki, near the northern part of Kanto area, where some shrines have an extreme amount of wood-curving. They had spread the use of large amounts of wood-curving in shrines in the fief, and carved onto not only the panels used as decorative transoms but also entire wooden walls of shrine from 1806 to 1822.

著者

麓 和善 渡辺 勝彦 内藤 昌

出版者

一般社団法人 日本建築学会

雑誌

日本建築学会計画系論文報告集 (ISSN:09108017)

巻号頁・発行日

vol.363, pp.115-124, 1986-05-30 (Released:2017-12-25)

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Although architectural quantity survey techniques are always essential in order to plan and rationalize architectural construction activities, there are few historical analysis on the scientific universality of such techniques in Japan. The "Gushikenki" (written in the Edo Period) appears to be known as the only architectural reference book dealing with these techniques. Nevertheless, this book seems to be based on previous Japanese mathematics books that were already concerned with the matter. In this study we intend to examine the architectural quantity survey techniques contained such books, as a first stage for a future and move advanced study on the "Gushikenki" and its mathematical background.

著者

田中 孝明 渡辺 勝彦

出版者

Architectural Institute of Japan

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.75, no.651, pp.1219-1224, 2010

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By surveying village <i>Sinto</i> architecture with historical plaques of <i>Simousa</i> fief once a part of Chiba-ken, we can find out the activities of the sculptors represented as <i>Takeda Juzaburo</i> in the late Edo period.<br> We are able to draw out our results by examining the materials as follows; Four sculptors named <i>Takeda Juzaburo</i> once lived in <i>Yuuki</i>, near the northern part of Kanto area, where some shrines have an extreme amount of wood-curving. They had spread the use of large amounts of wood-curving in shrines in the fief, and carved onto not only the panels used as decorative transoms but also entire wooden walls of shrine from 1806 to 1822.

著者

西 和夫 渡辺 勝彦

出版者

一般社団法人日本建築学会

雑誌

学術研究発表会梗概集. 計画系

巻号頁・発行日

no.41, pp.325-328, 1971-01-21

著者

岸田 繁高 植松 清志 渡辺 勝彦

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.76, no.666, pp.1453-1459, 2011-08-30 (Released:2012-01-13)

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Regarding the urban dwellings of Japan in pre-modern times we show, on a drawing, the actual architectural situation of 13 dwellings in the central area of Osaka. We discuss the dwelling types and the layout of the houses drawn. As a result, we were able to draw the following conclusions: 1) we can confirm three dwelling types; Tori-niwa type, with an earthen floor passable from front to back (7 examples), Kiri-niwa type, with two earthen floors (2 examples), and Mae-niwa type, with an entrance earthen floor (4 examples). Houses for rent including six Tori-niwa type houses facing the main road Mido-suji and Minami-Kyuutarocho-dori measured 2.5 to 5 ken in width and 1.25 to 8.5 ken in depth. Each has 3 rooms in file inside and five houses have a set bath in their dwellings. 2) Five houses were set on rear sites and two houses next to the corner house, with sharing wells and toilets. The composition of these 13 houses shows a layout technique in a central urban area in Osaka.

著者

麓 和善 渡辺 勝彦 内藤 昌

出版者

日本建築学会

雑誌

学術講演梗概集. F, 都市計画, 建築経済・住宅問題, 建築史・建築意匠

巻号頁・発行日

vol.1985, pp.643-644, 1985-09-10

著者

岡本 真理子 渡辺 勝彦 内藤 昌

出版者

一般社団法人日本建築学会

雑誌

日本建築学会計画系論文報告集 (ISSN:09108017)

巻号頁・発行日

no.369, pp.103-113, 1986-11-30

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The architectural reference book "Gusikenki" is considered as the first encyclopedia for the architecture in Edo era. We examined the contents and bibliography of this book, and clarified the fact that the editor, Masataka Imaoku, then the Nakai's "Touryou" carpenter, wrote and compiled "Gusikenki" in the following four stages. 1st stage ; 1671 : Began the writings concerning the knowledges related to the nearby architecture as a Horyuuji carpenter. 2nd stage ; 1677 : Performed the writings about the architecture in the area controlled by the Nakai Family and about the buildings of temples and shrines. 3rd stage ; 1680/1684 : Wrote articles on the Kyoto Imperial Palace and accounts on matters such as divinity, mathimatics, weight and measures, and completed the whole volumes. 4th stage ; 1685/1686 : Added few items related mainly to time measurement.