著者
佐藤 卓己 渡辺 靖 植村 和秀 柴内 康文 福間 良明 青木 貞茂 本田 毅彦 赤上 裕幸 長崎 励朗 白戸 健一郎 松永 智子
出版者
京都大学
雑誌
基盤研究(B)
巻号頁・発行日
2009

情報化の先進諸国におけるメディア文化政策の展開を地域別(時系列的)、メディア別(地域横断的)に比較検討し、国民統合的な「文化政策」と情報拡散的な「メディア政策」を明確に区分する必要性を明らかにした。その上で、ソフト・パワーとしては両者を組み合わせた「メディア文化政策」の重要性が明らかになった。佐藤卓己・柴内康文・渡辺靖編『ソフトパワーとしてのメディア文化政策』を新曜社より2012年度中に上梓する。
著者
白戸 健一郎
出版者
日本マス・コミュニケーション学会
雑誌
マス・コミュニケーション研究 (ISSN:13411306)
巻号頁・発行日
vol.82, pp.91-110, 2013-01-31 (Released:2017-10-06)
参考文献数
41

This paper examines the historical processes of the radio broadcasting system of the Manchurian Telegraph and Telephone Company (MTTC), which was the only broadcasting company in Manchukuo, and clarifies how radio media was used to rule Manchukuo. In particular, this paper focuses on the difference between Channel One, which was mainly for Japanese residents broadcast in Japanese, and Channel Two, which was mainly for the Chinese in their own language. First of all, it was strongly anticipated that the radio enterprise of the MTTC would build a "Manchurian national identity." However, the MTTC had to apply a multilingual broadcasting policy, concentrate on the popularization of radio receivers and the establishment of a broadcasting institution. This was because the number of radio listeners in the Manchukuo was too low, there was not enough broadcasting equipment, and what existed was of poor quality. As such, the MTTC was unable to pay sufficient attention to programs aimed at integrating the Manchurian nation. As a result of prioritizing the popularizing of radio broadcasting, the broadcasting policies for Channels One and Two differed. Each channel mainly broadcasted programs which catered to their respective cultures. Their programs, which strongly reflected their cultural backgrounds, were broadcast even on important days like the foundation anniversary of Manchukuo. As a result, the radio system of the MTTC couldn't create a Manchurian national identity; however, it allowed many amateur and local artists living in north-eastern China to broadcast all over Manchukuo. Although the MTTC radio system failed to create the ideology of a Manchurian nation, it was able to create a means of cultural collaboration by serving the residents of the Manchukuo with a single radio system and by opening the stage of radio broadcasting for many amateur and local artists.
著者
白戸 健一郎
出版者
日本マス・コミュニケーション学会
雑誌
マス・コミュニケーション研究 (ISSN:13411306)
巻号頁・発行日
no.82, pp.91-110, 2013-01-31

This paper examines the historical processes of the radio broadcasting system of the Manchurian Telegraph and Telephone Company (MTTC), which was the only broadcasting company in Manchukuo, and clarifies how radio media was used to rule Manchukuo. In particular, this paper focuses on the difference between Channel One, which was mainly for Japanese residents broadcast in Japanese, and Channel Two, which was mainly for the Chinese in their own language. First of all, it was strongly anticipated that the radio enterprise of the MTTC would build a "Manchurian national identity." However, the MTTC had to apply a multilingual broadcasting policy, concentrate on the popularization of radio receivers and the establishment of a broadcasting institution. This was because the number of radio listeners in the Manchukuo was too low, there was not enough broadcasting equipment, and what existed was of poor quality. As such, the MTTC was unable to pay sufficient attention to programs aimed at integrating the Manchurian nation. As a result of prioritizing the popularizing of radio broadcasting, the broadcasting policies for Channels One and Two differed. Each channel mainly broadcasted programs which catered to their respective cultures. Their programs, which strongly reflected their cultural backgrounds, were broadcast even on important days like the foundation anniversary of Manchukuo. As a result, the radio system of the MTTC couldn't create a Manchurian national identity; however, it allowed many amateur and local artists living in north-eastern China to broadcast all over Manchukuo. Although the MTTC radio system failed to create the ideology of a Manchurian nation, it was able to create a means of cultural collaboration by serving the residents of the Manchukuo with a single radio system and by opening the stage of radio broadcasting for many amateur and local artists.