著者
加島 卓
出版者
日本マス・コミュニケーション学会
雑誌
マス・コミュニケーション研究 (ISSN:13411306)
巻号頁・発行日
vol.93, pp.61-74, 2018-07-31 (Released:2018-10-13)
参考文献数
88

In this paper, I explain the research methods for handling historical data inthe context of media studies. I started by organizing the development processof media history in Japan, followed by the characteristics of media history ofthe 2000s. Finally, in the context of media history research as it relates to sociology,I explain about the methodologies adopted in “Historical Sociology of theAdvertising Creator”( 2014) and“ Olympic, Design, Marketing”( 2017).
著者
加島 卓
出版者
関東社会学会
雑誌
年報社会学論集 (ISSN:09194363)
巻号頁・発行日
vol.2009, no.22, pp.210-221, 2009-07-25 (Released:2013-03-28)
参考文献数
45

The purpose of this article is to make the history of relationship between “SENSE” and “YOUTH” clear. For this purpose, this article treats the graphic designer as a profession in Japan in the 1960's as a case. The methodology of this article is historical sociology of the discourse. The analysis is as follows. Firstly, the graphic designer was an adult profession until the 1960's. Secondly, the graphic designer became a young person's profession in the 1960's. Thirdly, at that time, the “SENSE” that had been denied before came to be affirmed. Fourthly, the affirmation of the “SENSE” at that time accompanied the change in the context of communications. Fifthly, it is a change from evaluation based on understanding to evaluation based on interest.
著者
加島 卓
出版者
日本マス・コミュニケーション学会
雑誌
マス・コミュニケーション研究 (ISSN:13411306)
巻号頁・発行日
no.71, pp.66-86, 2007-07-30

The purpose of this article is to make the history of relationship the category of "Advertising Creator" with the ambiguous ability such as "Creativity" clear. The methodology of this article is discourse analysis in 1920's. First, "Shougyou-Bijyutsuka" was the origin of the "Advertising Creator", and that wasn't ambiguous category at all. Second, "Creativity" had negative meanings when "Advertising Creator" defined by distinguishing from the "Artist". Third, the positive of the "Advertising Creator" and the negative of the "Creativity" are constructed by the discourse network Psychology and Marxism. By them, this article submitted the perspective as "Formalist" for the "Advertising Creator".