著者
加藤 悠希
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.74, no.646, pp.2701-2707, 2009-12-30 (Released:2010-04-01)
被引用文献数
1 1

This paper examines when and how Kaoku-zakko and the concept of “Shinden-zukuri” was disseminated. In the early 19th century, the concept of the style of ancient noblemen's residences called “Shinden-zukuri” in Kaoku-zakko was shared by intellectuals. But the word “Shinden-zukuri” is not shared by them. There are few manuscript of Kaoku-zakko. It is conceivable that Kaoku-zakko was not popular until around 1980. But Kaoku-zakko achieved recognition around that time, probably in editing Kojiruien-Kyoshobu, and was published in 1891. After that Kaoku-zakko was frequently referred, and “Shinden-zukuri” became widely used to mean the concept already known.
著者
加藤 悠希
出版者
日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.77, no.675, pp.1201-1206, 2012

The purpose of this research is to clarify the spreading process of the legends about architectural remains of Juraku Palace, Fushimi Castle and Toyokuni Shrine. As a first step, this paper examines what is written about the legends in the topography of Kyoto in the late seventeenth century.<br> In some topographies, there were mentions about the tenshu (main keep) of Fushimi Castle that it had been moved to Fukuyama Castle. There were also stories that, at the destruction of Juraku Palace, its buildings had been moved to some places, but not with their specific names. Stories about the legends as such are told already, but these were not yet paid much attention at that time as in the later period.
著者
加藤 悠希
出版者
一般社団法人日本建築学会
雑誌
日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日
vol.73, no.631, pp.1961-1967, 2008-09-30

Focusing on the writings by Matsuoka Yukiyoshi, author of Gosho-Nikki(Matsuoka's memo) and Buke-Teitaku-ko(On the residence of samurais), in which the medieval residences of the court nobles and of the samurais were described respectively, this paper examines the sources and the influences of knowledge on the ancient and medieval residences obtained by the early modem scholars on ancient Japanese customs(Yu-soku-ko-jitsu). Through the analysis of the texts above and other documents, it became clear that Matsuoka's knowledge on these subjects had been obtained not only from ancient documents or visual materials, but also by visits to the existing buildings, to the Palace and the houses of nobles for example, or through communications with court nobles and officials in Kyoto as well. The contributions of Matsuoka's knowledge is also discussed in various contexts, such as the annotation projects of ancient literatures as Genji-Monogatari, or compiling projects directed by Edo-Bakufu, both involved Matsuoka himself.