10 0 0 0 OA ポピュラー音楽と教育
- 著者
- 小泉 恭子
- 出版者
- 日本ポピュラー音楽学会
- 雑誌
- ポピュラー音楽研究 (ISSN:13439251)
- 巻号頁・発行日
- vol.4, pp.46-57, 2000 (Released:2009-10-29)
- 参考文献数
- 51
6 0 0 0 OA 音楽の聴取経験とライフヒストリー ―レコード鑑賞会の参加者への聞き取り調査から―
- 著者
- 小泉 恭子
- 出版者
- 大妻女子大学人間生活文化研究所
- 雑誌
- 人間生活文化研究 (ISSN:21871930)
- 巻号頁・発行日
- vol.2020, no.30, pp.233-244, 2020-01-01 (Released:2020-04-09)
- 参考文献数
- 8
小論は,日本各地で近年増え続ける地方自治体や音楽ホールによるレコード鑑賞会が,地域の高齢者による,音楽という趣味を介したコミュニティとして創生されている状況に注目した.社会学のライフヒストリーの研究手法を用いながら,レコード鑑賞会の参加者の音楽聴取経験を解明して,歴史的・身体的な経験が公共圏でどう共有されていくかを論じた.レコード鑑賞会の参加者のタイプを3つに分け,そのうち第一のオーディオマニアへの聞き取り調査により,音楽でつながる趣味縁において,参加者同士が互いに承認関係を結んだり,地域貢献といった参加動機から社会関係資本の獲得へと活動を発展させたりする社会化の過程を明らかにした.
- 著者
- 小泉 恭子
- 出版者
- 日本マス・コミュニケーション学会
- 雑誌
- マス・コミュニケーション研究 (ISSN:13411306)
- 巻号頁・発行日
- no.78, pp.61-80, 2011-01-31
The purpose of this paper is to examine the mediated musical culture through the keywords of "emotiveness", "ritualizaion" and "symbolization" as the characteristics of media extracted from the symposium 2 on July 4^<th>, 2010. This paper is based on my fieldwork through observations and interviews with middle-aged and elderly male guests of folksong pubs [foku sakaba] and gig venues in Kyushu, Kansai, Aichi and Tokyo areas since 2007. I focus on elder amateur guitarists because baby boomers [dankai sedai] reached to 60 years old, at the retirement age from regular companies in Japan, in 2007 and they started coming back to their interests of their younger days, which singing folksongs to their own guitar accompaniment [hikigatari]. This paper on the folksong community presents the changing role of music bound to the specific generation in the process of generalization. It is revealed that the folksong community in larger city (Fukuoka City) tends to be pastime. In contrast, in the folksong community in smaller cities (Saga and Imari City), folksong are used as a trigger to vitalize the local communities as music is the bond between the parents' and children's generations. In the previous fieldwork on Japanese high school pupils, I found the tripartite layer of categories in popular music-personal music, common music and standard. Therefore, in this paper, how middle-aged male amateur guitarists pass their generation's music to the next generation as well as how they sympathize with each other through folksongs is investigated. It is found that the crossroad of the woof (contemporaneity) and warp (succession) of Japanese folksong creates a new category of popular music such as 'empathy music' or 'entrustment music'. Through this new category, the parents' generation entrusts their passion of youth to children's generation.
