著者

石橋 健太郎 岡田 猛

出版者

日本認知科学会

雑誌

認知科学 (ISSN:13417924)

巻号頁・発行日

vol.17, no.1, pp.196-223, 2010 (Released:2010-10-22)

参考文献数

71

被引用文献数

6

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The purpose of this study is to investigate whether copying works of art facilitates creative drawing. Thirty undergraduates, not majoring in art, individually participated in a three-day experiment. Each one was assigned to one of three experimental groups: the Copy and Create (CC) group, the Copy and Reproduce (CR) group, or the control (No copy but Create, NC) group. The participants who copied an artist's drawings (CC group) produced more creative drawings in the post-test than those who did not (NC group). Furthermore, the designs of the drawings by the CC group were different from those by the CR group. Analyses of questionnaires and verbal protocols indicate that copying an unfamiliar style of art (in this case, the abstract style) facilitated a change in the participants' mental representation of artistic creation through the following two cognitive processes: First, it relaxed the constraint of their existing idea about drawing, i.e., ‘a realistic drawing style is important’, and second it helped them to construct a new idea about drawing, i.e., ‘Subjective impression or evaluation is essential’, so that they were able to have a new perspective in drawing their original pictures. They consciously tried to express such impressions or evaluations in the post-test drawing, and the result was that they produced more creative works. Although it has been claimed that copying often plays a negative role in creation, our findings suggest that active interaction with the ideas of others through copying their works of art has great potential to facilitate student's artistic creation.

著者

岡田 猛 横地 早和子 難波 久美子 石橋 健太郎 植田 一博

出版者

日本認知科学会

雑誌

認知科学 (ISSN:13417924)

巻号頁・発行日

vol.14, no.3, pp.303-321, 2007 (Released:2009-04-24)

参考文献数

46

被引用文献数

14

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The goal of this case study was to describe creation processes of contemporary artists from the perspective of Cognitive Science. We focused on the interaction among activities that affect long term processes of expertise and those that affect shorter term processes as the artist creates a series of work. We conducted retrospective interviews with two contemporary artists in their 40's using the portfolios of their past works so that they could recall their creation processes in detail. We found that the artists used an analogical modification process to produce a new series of artwork. Analogical modification is a cognitive process similar to analogical mapping, but modifies major features of the source structure while mapping it to the target. Artistic vision, which is formed through many years of creative activities and consists of main themes and goals for creation, plays an important role in guiding the usage of analogical modification. Analogical modification correspondingly appeared to deepen artistic vision.

著者

岡田 猛 横地 早和子 難波 久美子 石橋 健太郎 植田 一博

出版者

日本認知科学会

雑誌

認知科学

巻号頁・発行日

vol.14, no.3, pp.303-321, 2007

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The goal of this case study was to describe creation processes of contemporary artists from the perspective of Cognitive Science. We focused on the interaction among activities that affect long term processes of expertise and those that affect shorter term processes as the artist creates a series of work. We conducted retrospective interviews with two contemporary artists in their 40's using the portfolios of their past works so that they could recall their creation processes in detail. We found that the artists used an analogical modification process to produce a new series of artwork. Analogical modification is a cognitive process similar to analogical mapping, but modifies major features of the source structure while mapping it to the target. Artistic vision, which is formed through many years of creative activities and consists of main themes and goals for creation, plays an important role in guiding the usage of analogical modification. Analogical modification correspondingly appeared to deepen artistic vision.

著者

岡田 猛 横地 早和子 石橋 健太郎

出版者

一般社団法人 人工知能学会

雑誌

人工知能 (ISSN:21882266)

巻号頁・発行日

vol.19, no.2, pp.214-221, 2004-03-01 (Released:2020-09-29)

著者

石橋 健太郎 岡田 猛

出版者

日本認知科学会

雑誌

認知科学 (ISSN:13417924)

巻号頁・発行日

vol.11, no.1, pp.51-59, 2004 (Released:2007-04-13)

参考文献数

21

被引用文献数

5

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According to Arnheim (1977), the perception of artworks means our total experience in our interaction with them. From this point of view, people can interact with artworks in various ways such as looking, copying, and reading reviews on the artworks. Different ways of interaction with artworks provide different kind of perceptual experiences. In this paper, we focused on the copying of artists' works and proposed the hypothesis that copying encourages the copiers' creativity as well as their acquiring knowledge of the artworks. We presumed that copying has the following two aspects: (1) understanding others and (2) understanding oneself. In the former aspect, the knowledge about the artistic products (to be copied) would be deepened by means of inferring the art making processes. In the latter aspect, the copiers' own taste for expression may become clarified by means of comparisons with others' artworks. Thus, the latter aspect is particularly important for creativity, because it might facilitate the copier's ability to produce her/his own original artworks. Our recent experiment (Ishibashi & Okada, 2003) revealed that copying facilitated students' creativity for drawing. Some of the verbal protocols in the copying session of the experiment indicate that the students participated in these two aspects of copying processes.

著者

岡田 猛 横地 早和子 難波 久美子 石橋 健太郎 植田 一博

出版者

日本認知科学会

雑誌

認知科学 = Cognitive studies : bulletin of the Japanese Cognitive Science Society (ISSN:13417924)

巻号頁・発行日

vol.14, no.3, pp.303-321, 2007-09-01

参考文献数

46

被引用文献数

10

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The goal of this case study was to describe creation processes of contemporary artists from the perspective of Cognitive Science. We focused on the interaction among activities that affect long term processes of expertise and those that affect shorter term processes as the artist creates a series of work. We conducted retrospective interviews with two contemporary artists in their 40's using the portfolios of their past works so that they could recall their creation processes in detail. We found that the artists used an analogical modification process to produce a new series of artwork. Analogical modification is a cognitive process similar to analogical mapping, but modifies major features of the source structure while mapping it to the target. Artistic vision, which is formed through many years of creative activities and consists of main themes and goals for creation, plays an important role in guiding the usage of analogical modification. Analogical modification correspondingly appeared to deepen artistic vision.

著者

岡田 猛 横地 早和子 石橋 健太郎

出版者

社団法人人工知能学会

雑誌

人工知能学会誌 (ISSN:09128085)

巻号頁・発行日

vol.19, no.2, pp.214-221, 2004-03-01

被引用文献数

1

著者

石橋 健太郎

出版者

名古屋大学

雑誌

名古屋大学大学院教育発達科学研究科紀要. 心理発達科学 (ISSN:13461729)

巻号頁・発行日

vol.50, pp.326-327, 2003-12-25

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