出版者

京都

雑誌

総合文化研究所紀要 = Bulletin of Institute for Interdisciplinary Studies of Culture Doshisha Women’s College of Liberal Arts (ISSN:09100105)

巻号頁・発行日

vol.32, pp.1-12, 2015-07-16

---

「瀝青」は松脂を原義とするが、現在は原油から取れるアスファルトやコールタールやピッチの意味で用いられている。この意味は二つの西洋の文化との接触によって生じたものである。 その一つは聖書である。モリソンが聖書を漢訳しようとした時、中国語にはアスファルトを意味する語がなかった。そこで彼は似たものを指す「瀝青」を用いた。この「瀝青」の意味はヘボンによって日本に伝えられたようであり、『和英語林集成』第3版 (1886刊) にその意味が初出する。 もう一つは近代鉱物学である。当初鉱物学者たちはアスファルトなどを「土瀝青」また「地瀝青」と訳したが、後には「瀝青」とだけ言うようになった。現在我々が用いている「瀝青」この鉱物学会の術語であったと考えられる The old Chinese word rekisei mean "pine resin". Now it refers to asphalt, cortar and pitch. This change meaning was caused by the acceptance of two types of Western knowledge. The first was the Holy Bible. When R. Morison translated the Holy Bible into Chinese, — there was no Chinese word for asphalt, so he used rekisei. This new meaning was introduced into Japanese by J. C. Hepburn’s "Japanese-English and English-Japanese Dictionary" third edition (1886). The second type of knowledge was mineralogy. Japanese mineralogist had previously used the translation do-rekisei and chi-rekisei (do and chi means "earth") for "asphalt" but do and chi gradually came to be left off, so the current term is rekisei for asphalt, cortar and pitch.

著者

張 莉

出版者

京都

雑誌

総合文化研究所紀要 (ISSN:09100105)

巻号頁・発行日

vol.29, pp.70-92, 2012

---

This paper discusses the traditional use of birds in fortune-telling in China and Japan, and the Chinese characters used in this custom. Fortune-telling through birds, introduced from China into Japan between the latter part of the Jomon period and the Yayoi period, remains popular in both countries, particularly in the south of Changjiang. The custom also endures in Shanchao and Zhouchao, where Chinese characters originated and were developed, and its history can be traced in Chinese characters. Shizuka Shirakawa has systematized and explicated each Chinese character used in bird fortune-telling, developing a seminal methodology in the study of ideograms. In this paper, I choose some of the characters included in his research_「鳥」・「隹」・「鳴」・「唯」・「雖」・「鳳」・「風」・「雝」_and examine the etymology of each through a historical investigation of the old Chinese custom using Shirakawa's methodology in order to reevaluate the explication of the selected Chinese characters.論文 (Article)

著者

赤澤 真理 伊永 陽子 田村 隆 森田 直美

出版者

京都

雑誌

総合文化研究所紀要 (ISSN:09100105)

巻号頁・発行日

vol.33, pp.240-217, 2016

---

前号に引き続き、江戸後期の有職故実家である松岡行義の著作、『源氏類聚抄』(宮内庁書陵部蔵本(函号))の翻刻を呈する。本書は、『源氏物語』に示された建築・調度・装束等に関する有職故実書である。松岡行義(一七九四―一八四八)による有職故実書は、平安期文献を重視する原点回帰の姿勢、絵画や図面等により対象を視覚化することに特徴がある。本書は、管見の限り、松岡行義による『源氏物語』の有職故実書のなかで、最も大部である。本書は、『源氏物語』の読解のみならず、平安期における生活文化への探求、一九世紀における有職故実学の諸相を知る上でも重要となろう。研究ノート

著者

仲 万美子

出版者

同志社女子大学

雑誌

総合文化研究所紀要 (ISSN:09100105)

巻号頁・発行日

vol.23, pp.45-58, 2006-03-31

---

In my research, I have examined the cultural mechanism behind the phenomenon of the Twelve Girls Band in order to better understand the conspicuous transformation of ethnic music into popular music which has occurred in East Asia since the 1990s. In particular, I have concentrated on the following topics within a cultural and social framework: 1) the training of professional players of ethnic instruments; 2) the musical style of ensembles which use ethnic instruments; and 3) the promotion of the music towards the world by producers.論文 (Article)

出版者

京都

雑誌

総合文化研究所紀要 = Bulletin of Institute for Interdisciplinary Studies of Culture Doshisha Women's College of Liberal Arts (ISSN:09100105)

巻号頁・発行日

vol.32, pp.18-49, 2015-07-16

---

江戸後期の有職故実家である松岡行義の著作、『源氏類聚抄』(宮内庁書陵部蔵本) の翻刻を呈する。本書は、『源氏物語』に示された建築・調度・装束等に関する注釈書である。松岡行義 (1794-1848) による有職故実書は、平安期文献を重視する原点回帰の姿勢、絵画や図面等により対象を視覚化することに特徴がある。本書は、『源氏物語』の読解のみならず、平安期における生活文化への探求、一九世紀における有職故実学の諸相を知る上でも重要となろう。研究ノート

著者

仲万 美子 三島 郁

出版者

同志社女子大学

雑誌

総合文化研究所紀要 (ISSN:09100105)

巻号頁・発行日

vol.22, pp.145-164, 2005-03-31

---

For about ten years, Kishi Koichi (1909-1937) was active both in Japan and abroad as a musician and composer. In this paper we focus on his third extended stay in Berlin, which we believe was the most important because it was during the period that he created his concept of "Japanese Western music" based on Western principles. As research materials we have used items which were donated to the Kishi Koichi Memorial Room by his bereaved family as well as other resources in German institutions such as the Ufa-Kinemathek Foundation in Berlin. We have analyzed and compared two of Kishi's essays in which he demonstrated his concept of "Japanese music" newspaper and articles about a concert titled "Japanisher Abend (Japanese evening)," which he held in 1934. We also examined Kishi's attitude toward production, the German public's reaction to his works, and the significance of a Japanese musician performing in the West at he beginning of the 20th century. As a result, we have found much consistency between the Japanese and German source materials and have been able to clearly determine how important Kishi was in establishing a dialogue between Eastern and Western culture.論文 (Articles)

著者

成橋 和正 藏所 志穂 中村 憲夫 NARUHASHI Kazumasa KURASHO Shiho NAKAMURA Norio

出版者

京都

雑誌

総合文化研究所紀要 = Bulletin of Institute for Interdisciplinary Studies of Culture Doshisha Women’s College of Liberal Arts (ISSN:09100105)

巻号頁・発行日

vol.38, pp.135-141, 2021-07-29

---

Drug therapy with steroids and moisturizers is highly effective for the treatment of atopic dermatitis, but the use of steroids is dependent on the stage of the patient’s disease. Shiunkou is a Kampo topical ointment with a purple tinge called shicon. It has been reported to be used clinically in combination with a moisturizer; however its stability has not been described. In this study, we investigated the stability of Shiunkou and Hirudoid Soft Ointment when mixed. The simplest method for measuring stability is to observe changes in appearance. The mixed ointment did not change during refrigerated storage for up to 7 months. When stored at room temperature, oil separation occurred after the first month, and became more remarkable with time, such as at 3 months and 7 months. It has been shown that the ointment mixture should be stored refrigerated rather than stored at room temperature. When the stability of shicon, which is an active ingredient of Shiunkou, was examined in an aqueous solution, it decomposed very quickly regardless of the pH. Hirudoid Soft Ointment is a w/o preparation and contains water. When the ointment is mixed, and shicon, a the component of Shiunkou, comes into contact with the water contained in the Hirudoid Soft Ointment, there is a concern that the content of shicon in the ointment mixture may decrease, even if by a small amount or for a short time.

著者

丸山 敬介

出版者

同志社女子大学

雑誌

総合文化研究所紀要 (ISSN:09100105)

巻号頁・発行日

vol.19, pp.60-76, 2002

---

This paper examines the syllabi of basic JFL (Japanese as a Foreign Language) textbooks concerning the teaching order of grammatical items. For this purpose the use of 15 main grammatical items on the basic level was analyzed in 40 textbooks published between 1980 and 2000. The conclusion demonstrates the following 5 points : 1. The teaching order of grammatical items is divided into the first introductory stage, the second introductory stage, the development stage, and the final stage. 2. In the first introductory stage, the copula, basic verbs, and adjectives are taught. In the second introductory stage, particles and tense of verbs are taught. In the development stage, aspect and conditional expressions are taught. In the final stage, voice expressions and polite verbs are taught. 3. It takes about 30 class hours to finish the first introductory stage and 220 class hours to reach the final stage. 4. Some items from the development and final stages are taught in the introductory stage in order to help students to cope with conversations in offices and shops. 5. The items in 4. are : a. expressions that are frequently used in daily life; b. expressions that have basic functions such as introducing, requesting and asking advice ; c. expressions that have too much information to complete in a single lesson.

著者

朱 捷 ZHU Jie

出版者

京都

雑誌

総合文化研究所紀要 = Bulletin of Institute for Interdisciplinary Studies of Culture Doshisha Women’s College of Liberal Arts (ISSN:09100105)

巻号頁・発行日

vol.38, pp.107-122, 2021-07-29

---

The Chinese character luan (亂) bears two contradictory meanings: “chaos” and “order.” Scholar and commentator Guo Pu (郭璞, 276-324) was the first to note the phenomenon of a single character possessing two diametrically opposed meanings. Over the centuries, theories about the phenomenon have proliferated, a debate which has given rise to the scholarly term fanxun (反訓, enantiosemy).Those who resist the concept of fanxun claim that these contradictory meanings are more recently accreted additions that result from the process of jiajie (仮借, phonetic borrowing) rather than meanings that inhere in the character from the start. Supporters of the idea of fanxun -- especially contemporary supporters -- attempt to parse the contradictory meanings as a dialectical conflict.In contrast to these viewpoints, the present paper advances two claims. The first is that, when taking into account the conventions of character creation and the history of character development, the phenomenon of a single character bearing two diametrically opposed meanings is the result of the phenomena of zhuanzhu (転注, derivative cognates) and jiajie (仮借, phonetic borrowing). That is, this paper asserts, even if one accepts the claim that the second, contradictory meaning was a later accretion through the process of jiajie, the conventions of character creation make the appearance of fanxun inevitable. Meanwhile, zhuanzhu and jiajie are conventions of character creation that work to increase the number of characters and the meanings that they bear, and both are based in the same sources of sound and meaning.From this foundation, the paper offers an additional formulation: “opposite meanings, intimately entwined (相反相因, xiangfan xiangyin).” That is, the paper asserts that a character that bears diametrically opposed meanings is not to be understood as a dialectic, but as “opposite meanings, intimately entwined” (i.e., contradictions which exist in intimate relation to each other) -- an understanding of the phenomenon that is characteristically Chinese.

著者

濱口 義信

出版者

同志社女子大学

雑誌

総合文化研究所紀要 (ISSN:09100105)

巻号頁・発行日

vol.9, pp.85-89, 1992-03-31

著者

小針 誠

出版者

京都

雑誌

総合文化研究所紀要 (ISSN:09100105)

巻号頁・発行日

vol.26, pp.43-54, 2009

---

論文 (Article)

著者

小針 誠 KOBARI Makoto

出版者

京都

雑誌

総合文化研究所紀要 (ISSN:09100105)

巻号頁・発行日

vol.28, pp.69-79, 2011

---

論文 (Article)

著者

湊 圭史 Minato Keiji

出版者

京都

雑誌

総合文化研究所紀要 = Bulletin of Institute for Interdisciplinary Studies of Culture Doshisha Women’s College of Liberal Arts (ISSN:09100105)

巻号頁・発行日

vol.35, pp.164-182, 2018-07-27

---

For creators in musical theatre in the United States, William Shakespeareʼs plays have been a great source of inspiration. Early successes in Shakespeare musical adaption like The Boys from Syracuse (1938), Kiss Me, Kate (1948), and West Side Story (1957) are regarded astrue masterpieces in the history of musicals.The Shakespeare craze in U.S. musicals, however, really took hold from the late 1960s, when rock and other new popular genres of music began to change the scene of American musicals. Your Own Thing (1968) and Two Gentlemen of Verona (1971), both based on Shakespearean comedies, are now “rock musical” classics. In the new millennium, the musical world is having another surge of works inspired by Shakespeareʼs works, and the figure of Shakespeare as a playwright also appears in a variety of forms on the musical stage.This paper traces the history of American musicals related to Shakespeare and his works to show how various elements of Shakespearean plays and Shakespeare himself as a liberating figure in popular theatrical culture have been helping creators of musicals deal with the latestcultural and political issues in each new generation.

著者

朱 捷

出版者

京都

雑誌

総合文化研究所紀要 (ISSN:09100105)

巻号頁・発行日

vol.33, pp.63-81, 2016

---

Some pairs of the hexagrams in the I Ching (Book of Changes) may be viewed as having the structure of palindromes, and the elements that make them up may be viewed as palindromes as well. The hexagram 師, (shi, Leading), for example, is the reverse of the hexagram 比 (bi, Grouping), and each of that hexagramʼs six yao 爻 (the whole or broken lines that make up the hexagram) is the reverse of the corresponding yao. The first yao of the hexagram 比, for example, is the sixth yao of the hexagram 師, while the sixth yao of the hexagram 比 is the first yao of the hexagram 師. Whether it can be ascertained if there is in fact a reversible, palindrome-like relationship between these pairs of yao and their commentaries, and whether each of these paired yao shows a correspondence with and reversal of its counterpartʼs meaning is the question this paper takes as its subject. This essay looks at seven pairs of hexagrams in which each yao is the mirror image of that of its corresponding hexagram, and, on the basis of the commentaries on each of the forty-two yao, for a total of eighty-four, determines that almost all of the pairs show this palindromic conversion of meaning.論文

出版者

京都

雑誌

総合文化研究所紀要 = Bulletin of Institute for Interdisciplinary Studies of Culture Doshisha Women’s College of Liberal Arts (ISSN:09100105)

巻号頁・発行日

vol.33, pp.162-174, 2016-07-15

---

This study explores the relationships of experiences abused by respondentsʼ own parents on the developmental stage and the readiness-for-parenthood cultivated by adolescence in female undergraduates. The Abused Experiences Scale developed by the authors and the Readiness-for-Parenthood Scale (Nishida & Moroi, 2010) were administered to female undergraduates (N=469). By the cluster analysis (Wardʼs method, squared Euclidean distance) for the Abused Experiences Scale, seven clusters appeared; Verbal aggression, indifference, reproof, neglect, violence, corporal punishment, and intimidation. The factor analysis of the Readiness-for-Parenthood Scale indicated four factors: concern for the child and baby, positive expectancy of a parental role, father as a role model, and anxiety about parenting in the future. According to the covariance structure analysis, as predicted, abused experiences negatively affected the readiness for parenthood. Verbal aggression by parents was the dominant negative factor. The significance of research is discussed from the point of view of motherhood.

著者

諸井 克英 古性 摩里乃

出版者

同志社女子大学総合文化研究所

雑誌

総合文化研究所紀要 = Bulletin of Institute for Interdisciplinary Studies of Culture, Doshisha Women's College of Liberal Arts (ISSN:09100105)

巻号頁・発行日

vol.35, pp.256-263, 2018

出版者

京都

雑誌

総合文化研究所紀要 = Bulletin of Institute for Interdisciplinary Studies of Culture Doshisha Women’s College of Liberal Arts (ISSN:09100105)

巻号頁・発行日

vol.33, pp.1-15, 2016-07-15

---

In August 1925, Yokomitsu Riichi (1898-1947), who had been hailed as the leader of the Neo-Sensualist movement, published the short story ‘Machi no Soko’, in the magazine ‘Bungei Jidai’. This work appeared at a time when, as the critic Hirano Ken has pointed out, the Japanese world of letters was dominated by the sanpa teiritsu, i.e., the three-cornered contest between the already established realistic literature, the proletarian literature, and the new novel of the 20th century. This paper aims to show that ‘Machi no Soko’ has features that challenge both realistic and proletarian literature, while bringing to the fore its modernist characteristics.

著者

鈴木 健司

出版者

同志社女子大学

雑誌

総合文化研究所紀要 (ISSN:09100105)

巻号頁・発行日

vol.18, pp.49-57, 2001-03-31

出版者

京都

雑誌

総合文化研究所紀要 = Bulletin of Institute for Interdisciplinary Studies of Culture Doshisha Women’s College of Liberal Arts (ISSN:09100105)

巻号頁・発行日

vol.31, pp.16-32, 2014-07-14

---

Recently, the use of internet sites and social networking services has spread especially among young people. If we use them, we can exchange ideas and informations with various people. However, some students create web pages, videos, profiles, etc., which ridicule other students in order to use as the method of bullying. Cyberbullying is different from off-line bullying at various points. Therefore, it cannot be said that the policies against bullying are sufficient and suitable as policies against cyberbullying.The purpose of this study is to analyze the judicial precedents and theories concerning restrictions on cyberbullying in the United States. The first chapter describes laws and policies against bullying and cyberbullying. The second chapter describes and analyzes the legal cases concerning the freedom of students' expressions. Finally, the third chapter analyzes constitutionality of restrictions against on-line expressions of students.

著者

加賀 裕郎

出版者

京都

雑誌

総合文化研究所紀要 (ISSN:09100105)

巻号頁・発行日

vol.31, pp.33-57, 2014

---

The main purpose of this paper is to find a clue to create the inclusive history of pragmatism by examining Misak's new study on this subject. The trait of Misak's version of the intellectual history of pragmatism consists in legitimating Peirce's pragmatism while as degrading James' pragmatism. And also she grasps pragmatism as a part of modern analytic philosophy, not as a development of German idealism. Four subjects are set up in order to achieve the purpose of this paper. First we survey the main types of the interpretation of the intellectual history of pragmatism, and position Misak's new research in them. Next, we adjudicate whether Peirce's pragmatism can be justified as representative of pragmatism in general in comparison with James' pragmatism. Third, we critically consider Misak's interpretation of the intellectual history of pragmatism. Finally, we specify the configuration of the interpretations of the intellectual history of pragmatism by analyzing pragmatist's conception of truth. Our analysis of these four areas leads to the conclusion that Misak's interpretation can not be justified. We would like to construct the history of pragmatism as efforts to integrate naturalism and historicism.論文 (Article)