著者

中村 博一

出版者

文教大学大学院言語文化研究科付属言語文化研究所

雑誌

言語と文化 (ISSN:09147977)

巻号頁・発行日

no.23, pp.256-271, 2010

---

Ninja is said to be the ancient warrior originated in Japan. Nowadays its transnational emerging has been seen globally, even in Sokoto, northern Nigeria where I have conducted field research for Nollywood kungfu film since 2001. In this article, I trace some transnational process of ninja representation outside Japan and consider ways to transform global image into a localized ninja/ninjoji of Sokoto.

著者

中村 博一

出版者

文教大学大学院言語文化研究科付属言語文化研究所

雑誌

言語と文化 = Language and Culture (ISSN:09147977)

巻号頁・発行日

vol.23, pp.256-271, 2011-03-01

---

Ninja is said to be the ancient warrior originated in Japan. Nowadays its transnational emerging has been seen globally, even in Sokoto, northern Nigeria where I have conducted field research for Nollywood kungfu film since 2001. In this article, I trace some transnational process of ninja representation outside Japan and consider ways to transform global image into a localized ninja/ninjoji of Sokoto.

著者

中村 博一

出版者

文教大学大学院言語文化研究科付属言語文化研究所

雑誌

言語と文化 (ISSN:09147977)

巻号頁・発行日

no.23, pp.256-271, 2010

---

Ninja is said to be the ancient warrior originated in Japan. Nowadays its transnational emerging has been seen globally, even in Sokoto, northern Nigeria where I have conducted field research for Nollywood kungfu film since 2001. In this article, I trace some transnational process of ninja representation outside Japan and consider ways to transform global image into a localized ninja/ninjoji of Sokoto.

著者

中村 博一

出版者

文教大学大学院言語文化研究科付属言語文化研究所

雑誌

言語と文化 (ISSN:09147977)

巻号頁・発行日

vol.23, pp.256-271, 2011-03 (Released:2011-10-13)

---

Ninja is said to be the ancient warrior originated in Japan. Nowadays its transnational emerging has been seen globally, even in Sokoto, northern Nigeria where I have conducted field research for Nollywood kungfu film since 2001. In this article, I trace some transnational process of ninja representation outside Japan and consider ways to transform global image into a localized ninja/ninjoji of Sokoto.

著者

藤井 仁奈

出版者

文教大学大学院言語文化研究科付属言語文化研究所

雑誌

言語と文化 = Language and Culture (ISSN:09147977)

巻号頁・発行日

vol.24, pp.269-284, 2012-03-01

---

Miyoji is a main character of Tempo 12nen no Shakespeare. He is a man of the humblest birth in Edo period; he is a cunning schemer who wants to be in the ruling classes by using words. He idntifies himself as an expert wordsman just like his master who was an expert swordsman. He commits crimes just like as Macbeth: an old which woman makes a prediction about him, which controls him completely. She also tells him that his taboo is one pair of twin women. However, he fervently feels a secret love for them and at last he rapes and kills one and he married the other after killing her husband. This violation of his taboo collapses his identity: he loses his ability to use words and takes his own llife. He can't use any trick or scheme with his wife. He is a defective schemer. This kind of absurdity, which Inoue wanted to write in this play, is put together into Miyoji. I hope to analyse Miyoji's identity as an expert wordsman while showing his contradiction and insanity and suggest the absurdity coming from Inoue's satire on this modern world.

著者

李 永寧

出版者

文教大学

雑誌

言語と文化 = Language and Culture (ISSN:09147977)

巻号頁・発行日

vol.9, pp.136-146, 1997-03-01

---

Taking the view that the language a person uses when he or she is angry is a key to understanding that person's value system and true character, I will examine the language of abuse available to the native speaker of Chinese and show its connection to the "Chinese spirit."

著者

アスィエ サベル・モガッダム 鈴木 健司

出版者

文教大学

雑誌

言語と文化 = Language and Culture (ISSN:09147977)

巻号頁・発行日

vol.30, pp.49-59, 2018-03-16

---

The translation of Kenji Miyazawa tales which will be published soon in Iran, is the first translation of Kenji's fairy tales in Persian. Due to the differences in grammar and writing between Japanese and Persian, the author has tried to address some of the challenges which are on the way to a good translation of the works of Kenji Miyazawa in Persian language. Among the cases that have been investigated, one can refer to "Comparing the subject in Japanese and Persian sentences, The use of written and spoken language, Onomatopoeia and the local dialect of the Iwate province", which has been frequently used in Kanji's works.

著者

大塚 明子

出版者

文教大学大学院言語文化研究科付属言語文化研究所

雑誌

言語と文化 (ISSN:09147977)

巻号頁・発行日

no.19, pp.1-32, 2006

---

Since the latter Meiji era, the influence of the Western romantic love ideology has flowed incessantly into our culture. However, such an imported idea has not been accepted as it is in Europe and America. Then what are the cultural characteristics of the modern Japanese outlook on love, and how have they been changed?In this paper, I examine the process of liberalization of love by analyzing some important keywords in hit songs from the prewar period to today, such as "first meeting", "forget", and "tenderness". It will be shown that our outlook on love has become considerably "romantic" since the late 1980's, as a result of the anomie of love.

著者

加藤 一郎

出版者

文教大学大学院言語文化研究科付属言語文化研究所

雑誌

言語と文化 = Language and Culture (ISSN:09147977)

巻号頁・発行日

vol.13, pp.141-157, 2001-03-01

---

Estas malriĉaj la "vidaj dokumentoj", kiuj prezentas la realecon de la Holokaŭsto. Krome, absolute ne ekzistas "vidaj dokumentoj", kiuj prezentas la proceson de la masaj ekzekutoj en la "gasaj ĉambroj" de la koncentrejoj de Auschwitz, la simbolon de la Holokaŭsto. En tiu situacio publikis la albumo de David Olére, kiu meme estis la prizonulo de Auschwitz kaj tuj post la liberiĝo skizis kelkajn skizojn pri la proceso de la masaj ekzekutoj. Pro tio la ortodoksaj historistoj pri la Holokaŭsto prezentas la skizojn de David Olére kiel "vidajn dokumentojn" de la proceso de la masaj ekzekutoj. Sed, en tiuj skizoj ekzistas multaj eraroj kaj misprezentaĵoj.

著者

田口 和夫

出版者

文教大学大学院言語文化研究科付属言語文化研究所

雑誌

言語と文化 (ISSN:09147977)

巻号頁・発行日

no.14, pp.150-137, 2001

---

元興寺 (飛鳥寺) の鬼は『日本霊異記』の道場法師の説話に登場して以来、有名な存在である。一方、元興寺の夜叉も『日本感霊録』・『今昔物語集』などに記録され、これも有名である。この二つは後に混同され、鬼に統一されて伝説化してゆく。その説話の延長上に「元興寺 (がごぜ) に噛ませよ」という諺や武悪面を使う狂言の演出が現れる。またその鬼と加賀前田家狂言〈鬼不切〉の創作の関係について述べる。The oni of Gango Temple (or Asuka Temple) was first recorded in a Buddhist priest's moral tale in the Nihon ryoiki, thereafter becoming famous in the history of Japanese literature. The yasha of Gango Temple, recorded in both the Nihon kanreiroku and Kojaku monogatari also became famous. Later the tales of the two were combined to form the legend of The Oni of Gango Temple. Usage of the proverb Gagoze ni kamaseyo his means If you don't stop crying, the boogie-men will get you appears in the performances of the kyogen plays Shimizu and Nukegara. (Note: 'Gagoze' is an alternative pronunciation of Gango Temple.) Furthermore, Oni kirazu, a kyogen play of the Kaga Maeda family created from the oni tale, is explored.

著者

早川 治子

出版者

文教大学

雑誌

言語と文化 (ISSN:09147977)

巻号頁・発行日

vol.8, pp.92-110, 1996-02

---

In recent years the question has arisen, just what is an adaptable person? This is because there are so many instances in Student Teaching in which the student makes every effort to prepare a good lesson plan only to fail to do a good job in the classroom. Just what is a teacher who can react with the students in a constructive manner without merely mechanically following a lesson plan come hell or high water? What type of curriculum would best serve this purpose of creating such teachers? Is it possible even under such an ideal curriculum to create such teachers in just four years? How should we teach student teachers, those rank beginners? All of these questions must be addressed. This paper will examine these problems using the reports of student teachers who taught in New Zealand and also suggest what can be done at this point to solve these problems.ここ数年応用力のある人材とは何だろうと考える。というのは日本語教育実習生の中に教案段階で時間をかけながら、実際の教室での運用にうまく移行できない例を多々見かけるからである。クラス活動は彼らの教案通りに進行しない。なぜなら学習者も又、主体的に思考し活動するものだからである。教案どおりに操り人形のように時間を気にしながらやる授業ではなく、学習者が投げる球を受け、それを投げ返す相互的な授業のできる人間―学習者とのインターアクションのできる教師―とは何なのだろうか。またそのような人材を育成するにはどのようなカリキュラムを組めばいいのだろうか。組めたとしてもそれは4年間で可能なのだろうか。それをまた初心者である教育実習生にはどのように教えていけばいいのだろうか。問題としなければならない点は多い。 本稿では1において、ニュージーランド研修の結果報告を例にとり、実習生の抱える問題点を明らかにする。2において問題点解決のためには現段階でどのようなことができるかを考察する。

著者

八代 隆政

出版者

文教大学大学院言語文化研究科付属言語文化研究所

雑誌

言語と文化 = Language and Culture (ISSN:09147977)

巻号頁・発行日

vol.12, pp.88-114, 2000-03-01

---

Given transitive and intransitive sentence constructions, there are ideally two types of languages; nominative-accusative languages and ergative-absolutive languages. In a nominative-accusative language like Latin, the subject of an intransitive verb is functionally identified in some manner with the subject of a transitive verb, and two are referred to as nominative case. In an ergative-absolutive language, commonly termed merely 'ergative language', there is a functional identity between the subject of an intransitive and the object of a transitive; these two are termed absolutives or absolutive case. The subject of a transitive verb, called the ergative case or ergative, is distinct.A good number of ergative languages, which are generally referred to as split ergative languages, assign varying case-marking patterns on the basis of tense or aspect. For example, Urdu, Hindi and Punjabi show the ergative-absolutive patterning only in the perfect aspect. Pashto accepts the nominative-accusative construction in the non-past tense and the ergative-absolutive construction in the past tense.This paper is devoted to a consideration of the split ergative phenomenon in Urdu and Pashto. The first two sections show certain general characteristics that have been noted in ergative and split ergative languages. Section 3 covers some matters related to the ergativity of these two languages ranging from morphological to syntactic. Section 4 examines the particular features in Urdu's perfect aspect of the case-marking pattern based on the semantics of the verb, with volitional verbs requiring the ergative-absolutive pattern and non-volitional verbs being of the nominative-accusative pattern.

著者

白鳥 克弥

出版者

文教大学大学院言語文化研究科付属言語文化研究所

雑誌

言語と文化 = Language and Culture (ISSN:09147977)

巻号頁・発行日

vol.22, pp.192-172, 2010-03-01

---

Science Fiction novels have a lot of War novels. Particularly famous works are Robert A. Heinlein's "Starship troopers" and Joe Haldeman's "THE FOREVER WAR". "Starship Troopers" is known as a warlike novel, and "THE FOREVER WAR" is known as an antiwar novel."Starship Troopers" is a famous warlike and right wing novel, and a view of war is based on the early American ideal. The ideal has a self righteous side, and makes others inferior human, because "Starship Troopers" is a warlike novel.On the other hand, "THE FOREVER WAR" is antiwar think, because this novel has influence of the Vietnam War. Haldeman was a soldier of the Vietnam War. Probably that experience is the novel's background. He thinks human's hostility to others is a factor of wars, and at all times murder is a sin.The difference between the two novels is based in a view of others, as one side looks at the enemy as inferior humans, and the other side looks at humans as equal.

著者

趙 仲

出版者

文教大学

雑誌

言語と文化 = Language and Culture (ISSN:09147977)

巻号頁・発行日

vol.27, pp.70-91, 2015-03-01

---

关于日语心理动词的格助词使用问题,我们知道 : “o(を)”提示对象内容,“ni(に)”提示对象或者原因。先前的研究大多止步于此,没有系统地做下去。因心理活动的格助词使用情况与其在句子中的功能和位置有关,本研究将讨论对象圈定为心理动词在陈述句中作谓语的情况。通过例句分析,本文将影响心理动词的格助词使用的因素分为句子结构和语意影响两种情况。前者指受“o(を)+表示作用接收方的ni(に)”这一句子结构制约的心理动词;后者指不受这一结构制约,单独使用“o(を)”,或单独使用“ni(に)”的心理动词。本文以后者,即格助词使用受单纯语意制约的心理动词为中心,将这类心理动词的格助词使用情况分为了“o(を)”,“o(を)”或“ni(に)”和“ni(に)”三种情况,并通过调查得出三种格助词使用情况不是互相孤立的,而是具有连续性的。具体表现为,使用格助词“o(を)”的心理动词中有一部分词的格功能开始向“ni(に)”转变,使用格助词“ni(に)”的心理动词中有一部分词的格功能开始向“o(を)”转变。由此,将格助词使用受语意制约的心理动词分成了既互相区别又相互联系的五类。此外,本文具体讨论了这种制约心理动词格助词使用的语意特征具体体现为主体性。即按照主体性由强到弱的顺序,心理动词的格助词使用情况依次为:“o(を)”、开始向“ni”发生功能转变的“o(を)”、既可用“o(を)”也可用“ni(に)”、开始向“o(を)”发生功能转变的“ni(に)”、“ni(に)”。

著者

王 鉄橋

出版者

文教大学

雑誌

言語と文化 = Language and Culture (ISSN:09147977)

巻号頁・発行日

vol.2, pp.25-48, 1989-06-01

---

The honorific expression term is not peculiar to Japanese only, but also exists in Chinese. But the forms of this expression are stressed differently in these two languages. The Chinese honorific expression is mainly shown in presonal expression terms and the roundabout expressions which have greatly increased recently. The honorific expression term of Japanese, however, exists in prefixes, suffixes, vocabulary, grammar etc., and personal expression terms tend to be reduced while the roundabout expressions tend to increase. That the difference between the honorific expression term of Chinese and that of Japanese has some influence in Chinese and Japanese lauguage teaching should be paid great attention to.

著者

大塚 明子

出版者

文教大学大学院言語文化研究科付属言語文化研究所

雑誌

言語と文化 (ISSN:09147977)

巻号頁・発行日

no.17, pp.30-66, 2004

---

Popular music is a kind of mirror of society. In this paper, I selected 2208 hit songs from 1928 to 1999 and showed the long – term trends of some important keywords which are related to time and place. On that basis, I analyzed the concept of love in the period before and shortly after World War II. It was generally "Love blocked by distance" seems to be a general theme of many of these songs.

著者

阿川 修三

出版者

文教大学

雑誌

言語と文化 = Language and Culture (ISSN:09147977)

巻号頁・発行日

vol.20, pp.1-20, 2008-03-01

---

蒸気(joki) is the Japanese translation made by 蘭学者(Scholars of Dutch learning)in the l9th century. It spread from the birth, and formation process until established and was considered in this thesis according to material in 蘭学書(Dutch learning books) and 蘭和辞書(Dutch-Japanese dictionary). It was considered whether 英華字典(missionaries' English-Chinese dictionaries) and 漢訳洋書(foreign books translated into Chinese) had influenced the formation of the translated word 蒸気(joki) and confirmed that it was unrelated in anyway.

著者

大塚 明子

出版者

文教大学大学院言語文化研究科付属言語文化研究所

雑誌

言語と文化 (ISSN:09147977)

巻号頁・発行日

no.19, pp.1-32, 2006

---

Since the latter Meiji era, the influence of the Western romantic love ideology has flowed incessantly into our culture. However, such an imported idea has not been accepted as it is in Europe and America. Then what are the cultural characteristics of the modern Japanese outlook on love, and how have they been changed?In this paper, I examine the process of liberalization of love by analyzing some important keywords in hit songs from the prewar period to today, such as "first meeting", "forget", and "tenderness". It will be shown that our outlook on love has become considerably "romantic" since the late 1980's, as a result of the anomie of love.

著者

蒋 垂東 舘野 由香理 坂上 智一

出版者

文教大学

雑誌

言語と文化 (ISSN:09147977)

巻号頁・発行日

no.20, pp.44-69, 2007

著者

水澤 利忠

出版者

文教大学

雑誌

言語と文化 (ISSN:09147977)

巻号頁・発行日

vol.6, pp.87-93, 1993-07