著者

齊藤 幸子 SAITOH Sachiko

出版者

お茶の水女子大学大学院人間文化創成科学研究科

雑誌

人間文化創成科学論叢 (ISSN:13448013)

巻号頁・発行日

vol.11, pp.2.1-2.11, 2009-03-31

著者

近藤 雅恵

出版者

お茶の水女子大学

雑誌

人間文化論叢 (ISSN:13448013)

巻号頁・発行日

vol.8, pp.289-296, 2005

---

In Japanese, written form and oral form are historically different. In this research I tried to find some regularity in transformations of oral form in written media. They are, for example, OMBIN-KA, curtailed vowel, shortcut form, and so on.

著者

菅原(須賀) 真以子 SUGAHARA Maiko

出版者

お茶の水女子大学大学院人間文化創成科学研究科

雑誌

人間文化創成科学論叢 (ISSN:13448013)

巻号頁・発行日

vol.11, pp.6-1〜9, 2008

著者

鶴岡 明美 TSURUOKA Akemi

出版者

お茶の水女子大学大学院人間文化創成科学研究科

雑誌

人間文化創成科学論叢 (ISSN:13448013)

巻号頁・発行日

vol.12, pp.4-1〜10, 2009

著者

橋本 嘉代

出版者

お茶の水女子大学大学院人間文化創成科学研究科

雑誌

人間文化創成科学論叢 (ISSN:13448013)

巻号頁・発行日

vol.13, pp.339-347, 2010

---

From the 1950s to the 1980s, only a few articles about married women's paid work were featured in Japanese women's magazines. After the 1990s, however, these articles began appearing these magazines as a major topic. This study analyzed the tripolarization in definition of labor drawn from women's magazines at the end of the 1990s. The first type of magazines targeted married women whose household incomes were low, and thus, looking for part-time jobs to improve their household economic situation. The second type of magazines targeted full-time housewives, whose household incomes were high and who drew their success as instructors of their specialized hobbies. The third type of magazines targeted career women engaged in full-time jobs earning high incomes. It is difficult to obtain full-time job for married women having small children, but part-time jobs are frequently bored and lowly paid. Women's magazines published during this period focused on various role models that women were able to aspire to and model themselves after.

著者

内村 理奈

出版者

お茶の水女子大学大学院人間文化研究科

雑誌

人間文化論叢 (ISSN:13448013)

巻号頁・発行日

vol.8, pp.113-122, 2005

被引用文献数

2

---

In the Ancien Regime period of France, etiquette demanded appropriate gestures involving hats and it is assumed that these gestures contained the innermost secrets and intentions of manners of that period. Using a dance manual as the basis of the study, this paper explains in detail etiquette involving hats and considers its meaning. Dance was considered a means of acquiring graceful comportment and dance manuals were one way of teaching young aristocrats basic manners in comportment in their daily life. In particular, the movement and position of the hands and feet when saluting with a hat were explained in detail, and skill in performing appropriate salutations in accordance with daily circumstances required considerable practice. These gestures of aristocrats were held in high regard because they were considered expressions of grace. The meaning of grace in those days referred to the grace of God, a spiritual quality that should naturally flow from within a person in the form of elegant motions as an external expression of the ideal of unity of a person's physical and spiritual being. Therefore, the aristocracy\ went to great efforts to make themselves stand out visibly as special beings through graceful gestures which required training of both body and mind.

著者

小川 真理子

出版者

お茶の水女子大学大学院人間文化創成科学研究科

雑誌

人間文化創成科学論叢 (ISSN:13448013)

巻号頁・発行日

vol.11, pp.499-508, 2008

---

2009.7.21修正版(著者による誤記修正。修正個所:P501 下から5行目 (誤)個人が特定され【た】いように (正)個人が特定され【な】いように)

著者

後藤 典子

出版者

お茶の水女子大学大学院人間文化創成科学研究科

雑誌

人間文化創成科学論叢 (ISSN:13448013)

巻号頁・発行日

vol.13, pp.69-77, 2010

---

由于历史原因,沦陷期的南京国民政府所举办的一系列经济文化政策与中日合作公司的研究并没有彻底研究。"中华电影股份有限公司(1939年创立)"与"中华电影联合股份有限公司(1943年创立)"是在沦陷期的上海创立的所谓"国策电影公司"。它们接受汪精卫国民政府的指导, 从事中国的中南部地区的电影制造、发行和上映的业务。本文将从以下三方面加以论述:(1)当时的社会情况;(2)电影产业政策;(3)文化政策(包括华北和上海的电影检查制度)。

著者

大江 洋代

出版者

お茶の水女子大学大学院人間文化創成科学研究科

雑誌

人間文化創成科学論叢 (ISSN:13448013)

巻号頁・発行日

vol.10, pp.11-24, 2007

---

在明治维新过程中,长州阀是最大的藩阀。本文主要通过统计原籍为山口县且毕业于陆军军官学校的步兵军旅过程,对长州阀的构造进行分析,从而达到阐明官僚专门化的过程及长州阀盛衰状况的目的。进入明治后期,陆军中长州阀派开始衰弱,这足以证明近代专门官僚制度在能力主义下走向完成。

著者

松岡 綾葉

出版者

お茶の水女子大学大学院人間文化創成科学研究科

雑誌

人間文化創成科学論叢 (ISSN:13448013)

巻号頁・発行日

vol.14, pp.137-145, 2011

---

Video dance is hybrid of film and dance, called "new art form" . The purpose of this paper is to clarify a part of characteristics of video dance piece "Roseland" (1990) by Vim Vandekeybus through film theoretical perspective which is based in "Der Film" (1959) by Bela Balazs. According to this theory, three perspectives were revealed: "Close up; the body in the flame and imagination of invisible body outside the flame", "Changing viewpoint; synchronization view", "Editing; re-constructed choreography". And analysis of "Roseland" shows that these points appeared effectively in the film and characterizes as unique art form. "Close up" focuses on dancer's detail such as skin and muscles, and fragments of the body makes movement dynamic. "Changing viewpoint" gives audience immersive views and simulation experiences as well as sequence of shots makes rhythm that initiates movement and music. "Editing"; re-constructed choreography creates a great impact that prevents audience's imagination and make them re-think about the idea of choreography. In conclusion, these characteristics in "Roseland" are part of video dance\essence, and it is important to utilize film theory in analyzing video dance.

著者

清水 淑子

出版者

お茶の水女子大学大学院人間文化研究科

雑誌

人間文化論叢 (ISSN:13448013)

巻号頁・発行日

vol.7, pp.31-46, 2004

著者

岩佐 理恵

出版者

お茶の水女子大学大学院人間文化創成科学研究科

雑誌

人間文化創成科学論叢 (ISSN:13448013)

巻号頁・発行日

vol.10, pp.1-1〜7, 2007

---

Ariake no wakare is the story written in the late Heian Period. This story can be separated into two parts. The first half is a story about the general who is a woman (she is the same person in the latter half who became Queen mother), the latter half is a story that centers on the minister who is general's successor. So far the minister's story has not been defined. In this research, it is discussed that this story narrates queen mother's completeness. The minister's story only talks about surface part in the story world. At the back of the minister's activity, the queen mother controls the world of the story as she wanted. From the description about miracles happened by the action behind closed doors, and the succession of music, the mechanism of the story can be considered. Lastly, it is referred that the narrator's attitude that imperfectly concluded first-ranked minister's story was to talk about the completeness of the queen mother.

著者

松永 典子

出版者

お茶の水女子大学大学院人間文化研究科

雑誌

人間文化論叢 (ISSN:13448013)

巻号頁・発行日

vol.8, pp.95-102, 2005

---

The diplomatic essays of Harold Nicolson (1886-1968) have been considered classics in the field of International Relations, while his biographical essays and fictions have largely been neglected by English literary critics. In a similar vein, poetry and fiction have dominated as subjects for analysis among the critics of modernism while autobiography and biography have been much less studied. Although the present literary studies largely disregard modernist biography and Nicolson, they were widely discussed and read among their contemporary biographers. For instance Virginia Woolf introduced Some People (1927) as a modern biography for the modern world, and appraised the new method that Nicolson created. This article attempts to reexamine modernism in terms of auto/biography, focusing on the new phase of biography Nicolson introduced. His auto/biography, which articulates war experiences as a postwar writing, is here analysed in diplomatic as well as biographical terms. In conclusion, I propose that he reproduce the new imperial citizenship through his new writing. Furthermore this essay also investigates the polit\ical unconscious of this period by the examination of biographical essays of Woolf and Sydney Lee as well as of Nicolson.

著者

新田 美香

出版者

お茶の水女子大学大学院人間文化研究科

雑誌

人間文化論叢 (ISSN:13448013)

巻号頁・発行日

no.1, pp.2-1〜10, 1998

著者

水越 美和

出版者

お茶の水女子大学大学院人間文化創成科学研究科

雑誌

人間文化創成科学論叢 (ISSN:13448013)

巻号頁・発行日

vol.15, pp.143-151, 2012

---

The purpose of this study is to consider the involvement of the singer, Pauline Viardot-García in the arrangement of Gluck's Opera, Orfeo ed Euridice by Hector Berlioz. She played the role of Orfée at the premiere of this version in 1859 and involved in making up it with Berlioz. In this study the Orfée's aria," Amour, viens rendre à mon âme" and its cadenza in the 1st Act are discussed in the respects of some materials of this pieces (biography, letters, treatises and so on) and the background in the process of arranging. Conclusion: 1. Pauline Viardot was deeply involved in arranging and producing the version and it is clarified that the aria and its cadenza were re-composed by Berlioz, Saint-Saëns and Pauline Viardot. 2. The vocal line of this aria is reinforced by the wind instruments and the cadenza has two different characters: the citation from the music of previous scene, and the virtuosity of vocal technique. And then it may be concluded that the involvement of Pauline Viardot fixed the role of Orfée for female voice and gave this role two attributes, a traditional vocal technique and a modern dramatic style of singing expression.

著者

井上 登喜子 Inoue Tokiko

出版者

お茶の水女子大学大学院人間文化研究科

雑誌

人間文化論叢 (ISSN:13448013)

巻号頁・発行日

no.2, pp.21-32, 1999

著者

権 裕美

出版者

お茶の水女子大学大学院人間文化創成科学研究科

雑誌

人間文化創成科学論叢 (ISSN:13448013)

巻号頁・発行日

vol.14, pp.57-65, 2011

被引用文献数

1

著者

深澤 南土実

出版者

お茶の水女子大学大学院人間文化創成科学研究科

雑誌

人間文化創成科学論叢 (ISSN:13448013)

巻号頁・発行日

vol.14, pp.117-125, 2011

著者

深澤 南土実 FUKASAWA Natsumi

出版者

お茶の水女子大学大学院人間文化創成科学研究科

雑誌

人間文化創成科学論叢 (ISSN:13448013)

巻号頁・発行日

vol.15, pp.123-132, 2012

著者

城石 梨奈

出版者

お茶の水女子大学大学院人間文化創成科学研究科

雑誌

人間文化創成科学論叢 (ISSN:13448013)

巻号頁・発行日

vol.14, pp.255-263, 2011