著者

飯野 和夫 IINO Kazuo

出版者

名古屋大学人文学研究科

雑誌

名古屋大学人文学研究論集 = The journal of humanities, Nagoya University (ISSN:2433233X)

巻号頁・発行日

no.2, pp.101-138, 2019

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Les mots et les choses (1966), ouvrage représentatif de la première période de Michel Foucault, explore surtout les cadres du savoir occidental de « l'âge classique » et de « l'époque moderne et contemporaine » et essaie d'envisager quelles seront les nouvelles formes du savoir dans un proche avenir. Cet ouvrage comporte beaucoup de mentions à Condillac qui développa, à l'âge classique, une philosophie sensualiste. Le présent article, qui sera publié en deux fois, tente de déterminer la position de Condillac dans cet ouvrage. Le chapitre III de celui-ci fait l'objet de la première moitié de l'article. Ce chapitre, intitulé « Représenter », est important dans la mesure où il décrt les caractéristiques fondamentales du savoir à l'âge classique. La section III du chapitre, intitulée « La représentation du signe », estime que la langue à l'âge classique devait être « une langue bien faite » ou « une langue de calcul » qui soit exacte et convenable pour décomposer et combiner des idées afin de « tracer » et de décrire des choses. Or ces deux termes sont empruntés à Condillac. La section V du chapitre, intitulée « L'imagination de la ressemblance », estime que par la répétition et la ressemblance des choses dans le monde, l'imagination produit des connaissances. Or cette vue concernant la génération ou genèse des connaissances semble être une interprétation de l'Essai sur l'origine des connaissances humaines de Condillac. Le développement principal du chapitre III de Les mots et les choses peut donc être considéré comme une interprétation de l'épistémologie de Condillac. Foucault trouve ainsi chez Condillac une manière de penser caractéristique de l'âge classique. La deuxième moitié de cet article examinera les mentions de Condillac dans les chapitres IV et VI de Les mots et les choses.

著者

重見 晋也 SHIGEMI Shinya

出版者

名古屋大学人文学研究科

雑誌

名古屋大学人文学研究論集 (ISSN:2433233X)

巻号頁・発行日

vol.1, pp.391-400, 2018-03-31

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Voltaire insère une épisode du séisme de 1755 à Lisbonne dans son Candide. Il est à noter une scène dans laquelle on insiste sur la nécessité de l’Inquisition, « auto da fè », afin de calmer la Catastrophe. L’oeuvre ne cesse d’inspirer même au XXe siècle. Theodore Adorno distingue la catastrophe d’origine naturelle et celle d’origine humaine et il considère que la dernière suscite de plus graves conséquences que l’autre citant le nom d’Auschwitz comme exemple. On peut le confirmer avec la Shoah en France, comme le montre la « Rafle du Vel’ d’Hiv ». On organise la Résistance et recourt non seulement à la violence pour lutter contre cette terreur, mais aussi au stylo et à l’encre. Or, l’écriture de la Résistance enchaîne des terreurs ou des désastres. Il s’agit donc de couper l’enchaînement de réactions et de terreurs, qui sont faites du désespoir de l’absence de Dieu. C’est la littérature qui prouve la réaction contre la suite des terreurs, comme Albert Camus cite dans L’Homme révolté un cri désespéré de Van Gogh : « Je [puis] bien […] me passer du bon Dieu. Mais je ne puis pas, […] me passer […] [de] la puissance de créer. »

著者

滝川 睦 Takikawa Mutsumu

出版者

名古屋大学人文学研究科

雑誌

名古屋大学人文学研究論集 (ISSN:2433233X)

巻号頁・発行日

no.2, pp.89-99, 2019-03-31

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This paper is intended as an investigation of the dietetics enacted by Shakespeare's Timon of Athens (Tim.). It is true, as I have previously suggested in the paper entitled "Timon as a Wild Man: An Approach to Timon of Athens," that Tim. is comprised of the Jacobean court masque elements: the masque and the antimasque. In the contemporary court masques, the main masque represents the magnanimity and bounty embodied in the prince, while the antimasque as "the rehearsal of cultures" (Mullaney 60–87) tends to disrupt and cast a shadow over the main masque. However, the cannibalistic images permeated in Tim. deconstruct the masque-like binary opposition in this play. The dietary consumption in Tim., on the other hand, represents the voidness of Timon's self. As Patricia Fumerton points out in Cultural Aesthetics: Renaissance Literature and the Practice of Social Ornament, the court masque is a kind of "void" or dessert which is exhibited and consumed in James I's Banqueting House. It is fair to say that Timon's self in the woods as well as Athens, "my confectionary" (4.3.259), is completely consumed and brought to "nothing" (5.2.73).本論は平成三十年度JSPS科学研究費補助金(基盤研究(C)課題番号16K02447)による課題「近代初期英国における食事文学についての歴史的・文化史的研究」の研究成果の一部である。

著者

山下 宏明 YAMASHITA Hiroaki

出版者

名古屋大学人文学研究科

雑誌

名古屋大学人文学研究論集 (ISSN:2433233X)

巻号頁・発行日

vol.2, pp.301-337, 2019-03-31

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The most forcalized problem about “Taiheiki” has been “How Taiheiki has been produced?” since “Nan Taikeiki” Imagawa Ryoshun’s opinion. How Taiheiki has been kept adding and cutting. This problem will still keep continuing on. But I think we should find a new problem, “How to read Taiheiki just as Genji Tale or Heikemonogatari have been”. In this paper I started to research “How to read the tale of the struggle between Nitta clan and Ashikaga clan”. We have called the part “The starting second part of Taiheiki”. Taiheiki is a historical tale as Heikemonogatari is. Narratologically speaking, I found a lot of problems. I will still take a few years to arrive at the end of Taiheiki.

著者

山下 宏明 Yamashita Hiroaki

出版者

名古屋大学人文学研究科

雑誌

名古屋大学人文学研究論集 (ISSN:2433233X)

巻号頁・発行日

vol.1, pp.473-492, 2018-03-31

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We have trided to find when and who edited “Taiheiki”. But this time I have devided Taiheiki into three parts, the first of which was edited depending on “Heike Talese”. But narratologicaly speaking , it is a kind of rewrite of “Heikemonogatari”. I have been reading “Taikeiki” as a tale. This paper depends on Narratology.

著者

内田 綾子 Uchida Ayako

出版者

名古屋大学人文学研究科

雑誌

名古屋大学人文学研究論集 (ISSN:2433233X)

巻号頁・発行日

vol.1, pp.177-192, 2018-03-31

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After World War II, the U.S. federal Indian policy was changed from the Indian New Deal to the Termination policy. The federal government tried to end the federal trust responsibility to Indian tribes and abolish their reservations. By the 1960s, the Pacific Northwest developed into the most rapidly growing industrial area in the United States owing to its rich natural resources. In Particular, the Hanford Site in southeast-central Washington became one of the most important nuclear facilities in the American West with the strong support of local politicians such as Henry M. Jackson. Although it helped the economic development of local communities in southeast central Washington, it brought serious environmental damages to the Colorado River as well as surrounding residents including Native American tribes. This essay analyzes the relations of the federal Indian policy and the impacts of the military-industrial complex on Native Americans, focusing on the Hanford Site during the Cold War era.

著者

野澤 暁子 NOZAWA Akiko

出版者

名古屋大学人文学研究科

雑誌

名古屋大学人文学研究論集 (ISSN:2433233X)

巻号頁・発行日

no.1, pp.245-268, 2018-03-31

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本研究はJSPS科研費(15KK0048)の助成を受けたものです。

著者

藤田 祐史 FUJITA Yuji

出版者

名古屋大学人文学研究科

雑誌

名古屋大学人文学研究論集 (ISSN:2433233X)

巻号頁・発行日

no.2, pp.247-259, 2019-03-31

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This paper analyzes Kawabata Yasunari's 1926 novel, The Izu Dancer ("Izu no Odoriko") and Matsumoto Seicho's 1959 novel, Beyond Amagi ("Amagi-goe"). Previous studies discussed the relations between two novels with a focus on the author. In contrast, I examine how "Amagi-goe"is created by imaginative powers of mystery novels. Firstly, I look at the problem from the relevant movie. It raises an issue that "Amagi-goe" is created by previous work. Secondly, I investigate which elements of the "Izu no Odoriko" are translated into the mystery novels. In this paper, I regard "Izu no Odoriko" as resources of detective stories, and research how to use resources. In fact, "Izu no Odoriko" has been used as resources of detective stories, movies, tourism, educations, and so on. "Amagi-goe" is composed of not only an imagination of an author but also plural elements. Thirdly, I place "Izu no Odoriko" or "Amagi-goe" in another context, "From Modern Japanese Literature to mystery novel". In conclusion, it is revealed that "Izu no Odoriko obscured the tragic dancing girl, and "Amagi-goe" or other mystery novels bring to unknown issues.

著者

大井田 晴彦 Oida Haruhiko

出版者

名古屋大学人文学研究科

雑誌

名古屋大学人文学研究論集 (ISSN:2433233X)

巻号頁・発行日

vol.1, pp.459-471, 2018-03-31

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Lady Aoi (Aoi-no-ue) was the daughter of the Prime Minister (Sadaijin), and the first legal wife of Hikaru Genji. But, the couple were not well-matched. It was a political marriage, and this was not a love-match. There were no waka between this couple. The adjective uruhashi was often used for her. Genji feld her coldness and angularity dissatisfiedly. It was only his prejudice. She had a character warm kindly essentially. She was a domestic, and reliable wife. In the chapter of Aoi, in the marriage ninth year, she became pregnant, conjugal relations have begun to improve. She gave birth to a boy (Yugiri) and has been murdered by Rokujo no Miyasudokoro’s spirit. Genji began her who suffered and felt love her very much. Aoi died in the middle of August as if The Moon Princess (Kaguyahime of Taketorimonogatari) returned to the moon. Her death was mourned for, and it was beautified by many words. They were unhappy, but she was an irreplaceable wife. She lived in the recollection of the people.

著者

滝川 睦 Takikawa Mutsumu

出版者

名古屋大学人文学研究科

雑誌

名古屋大学人文学研究論集 (ISSN:2433233X)

巻号頁・発行日

vol.1, pp.55-71, 2018-03-31

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This paper is intended as an investigation of the poetics of diet in Shakespeare's major tragedies: Hamlet, Othello, King Lear, and Macbeth. As Michel Jeanneret suggests in A Feast of Words: Banquets and Table Talk in the Renaissance, it is right to say that the dietetics in early modern England "prescribes rational control over one's eating" for gluttons, and that it "seeks to control bodily instincts and subject them to a form of social censure" (73). However, in this study, the main stress falls on the fact that the paradigm of the diet enacted by Shakespeare's major tragedies draws the different trajectory from the contemporary dietetics: from the release of "appetite," through "boundless intemperance," to the purgation. The Shakespearean paradigm of diet is vividly exemplified in Titania's advice to Bottom on his diet (MND 3.1.160–61). The accelerating "appetites" which start the diet represented in Shakespeare's major tragedies mainly consist of female characters' desires: Gertrude's "appetite" (Ham. 1.2.144); Desdemona's "greedy ear" (Oth. 1.3.150); Daughters' hunger for hypocritical words (Lr. 1.1.118–19); a sailor's wife's greediness for chestnuts (Mac. 1.3.4–6).本論は平成二十九年度JSPS 科学研究費補助金(基盤研究(C)課題番号16K02447)による課題「近代初期英国における食事文学についての歴史的・文化史的研究」の研究成果の一部である。

著者

丸尾 誠 韓 涛 MARUO Makoto HAN Tao

出版者

名古屋大学人文学研究科

雑誌

名古屋大学人文学研究論集 (ISSN:2433233X)

巻号頁・発行日

vol.1, pp.129-145, 2018-03-31

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A Chinese separable word is a verb which appears to be a single word but can be separated into two parts, with other words in between. The verb “liuxue” (留学) is a separable word which can be turned into a grammatical phrase “liuguo xue” (留过学) through the addition of an aspectual particle after its verb part. However, “liuxueguo” (留学过) is also considered grammatical by many Chinese native speakers. Besides, the verb “liuxue” is the type of separable words which can take objects, but it can only take country names such as “China” and “Japan”. Rather the constructs with city names as its objects such as “*liuxue Beijing” (留学北京) are ungrammatical. This difference in grammaticality results from the motivation to set boundaries. This paper attempts to analyze such syntactic phenomena with the focus on the usages of the separable word “liuxue”.

著者

加納 修 KANO Osamu

出版者

名古屋大学人文学研究科

雑誌

名古屋大学人文学研究論集 (ISSN:2433233X)

巻号頁・発行日

vol.1, pp.193-211, 2018-03-31

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The works of Gregory of Tours feature many slaves fulfilling various tasks. The society he describes was a slave-owning society. In sixth-century Gaul society that he describes, slave owning was common not only in the middle class but also at local village level. This paper focuses on the activities of these slaves and asks why some tasks were committed to slave labour. It is remarkable that Gregory of Tours mentions few slaves fulfilling agricultural labours. Instead, his works depict slaves in manufacturing roles. To work by one’s own hands was considered dishonourable for both the descendants of Roman aristocracy and for Germanic men of influence in sixth-century Gaul. Social custom sometimes forced tasks to be undertaken by slaves. One example is marriage by abduction, a continuation of Roman tradition wherein slaves would abduct a girl for marriage. Finally, it is interesting to note that slaves were also active in the execution of royal orders. Merovingian kings relied on slaves in their

著者

成瀬 翔 NARUSE Sho

出版者

名古屋大学人文学研究科

雑誌

名古屋大学人文学研究論集 (ISSN:2433233X)

巻号頁・発行日

vol.1, pp.153-166, 2018-03-31

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This paper discusses concepts of 'political theology' and 'the political' of Carl Schmitt. Schmitt was a conservative German legal, constitutional, and political theorist. Schmitt is often considered to be one of the most important critics of liberalism. But the significance of Schmitt's political concepts is subject to controversy, mainly due to his intellectual support for The Third Reich. In particular, 'the political' seems to approve the war and confrontation. But this paper argues that political theory and concepts of 'political theology' and 'the political' of Schmitt make an important contribution in modern democracy and political philosophy. The contents of this paper are as follows. First, in section 1, I will reconstruct the discussion of 'state of exception', 'decision' and 'sovereign' in Political Theology. Schmitt argues that the essence of a law will become apparent in its state of exception. I think Schmitt's idea was influenced by Thomas Hobbes and Juan Donoso Cortés. Next, in section 2, I discuss 'the political' in The Concept of the Political. Schmitt regarded 'the political' as 'friend-enemy distinction'. I take it that 'the political' or 'friend-enemy distinction' is limited to Just War. In section 3, I discuss that Schmidt criticized liberalism. Finally, I will clarify the relationship between the order and the state on Schmitt's theory.