著者

中野 さやか

出版者

日本中東学会

雑誌

日本中東学会年報 (ISSN:09137858)

巻号頁・発行日

vol.28, no.1, pp.59-98, 2012-07-15 (Released:2018-03-30)

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In this article, I will focus on 97 singers whose biographies are recorded in Kitāb al-Aghānī, written by Abū al-Faraj al-Iṣfahānī. The aim is to analyze the parent-child and teacher-student relationships between the singers and the way in which the singers were connected with the courts of the Umayyad and Abbasid dynasties. In the first chapter, I will analyze the 97 singers appearing in the book according to the periods during which they lived and the social status they had, with reference to a list of the singers. Subsequently, I will attempt to identify a large faction of professional singers existing among the 97 singers. In the second chapter, I will analyze how this large group of singers was connected with the courts of the Umayyad dynasty and the Abbasid dynasty. Through this analysis, I would like to make clear the social role the singers took on and also the cultural continuity between the Umayyad court and the Abbasid court. In the third chapter, I will focus on 100 Songs, that were selected from those sung in the Abbasid court. Those songs were applied by the author, Abū al-Faraj al-Iṣfahānī, as the first criteria in selecting songs for Kitāb al-Aghānī. Here, it should be noted that 100 Songs includes lyrics written by singers whose individual biographies and anecdotes are not recorded in the book. A comparison between such “anonymous” singers and the large faction of major singers whose information is recorded in the book in detail will reveal the way in which people from the ninth century through the tenth century adopted and rejected information concerning the court.

著者

中野 さやか

出版者

日本中東学会

雑誌

日本中東学会年報 (ISSN:09137858)

巻号頁・発行日

no.28, pp.59-98, 2012

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In this article, I will focus on 97 singers whose biographies are recorded in Kitab al-Aghani, written by Abu al-Faraj al-Isfahani. The aim is to analyze the parent-child and teacher-student relationships between the singers and the way in which the singers were connected with the courts of the Umayyad and Abbasid dynasties. In the first chapter, I will analyze the 97 singers appearing in the book according to the periods during which they lived and the social status they had, with reference to a list of the singers. Subsequently, I will attempt to identify a large faction of professional singers existing among the 97 singers. In the second chapter, I will analyze how this large group of singers was connected with the courts of the Umayyad dynasty and the Abbasid dynasty. Through this analysis, I would like to make clear the social role the singers took on and also the cultural continuity between the Umayyad court and the Abbasid court. In the third chapter, I will focus on 100 Songs, that were selected from those sung in the Abbasid court. Those songs were applied by the author, Abu al-Faraj al-Isfahani, as the first criteria in selecting songs for Kitab al-Aghani. Here, it should be noted that 100 Songs includes lyrics written by singers whose individual biographies and anecdotes are not recorded in the book. A comparison between such "anonymous" singers and the large faction of major singers whose information is recorded in the book in detail will reveal the way in which people from the ninth century through the tenth century adopted and rejected information concerning the court.

著者

中野 さやか

出版者

東洋文庫

雑誌

東洋学報 = The Toyo Gakuho (ISSN:03869067)

巻号頁・発行日

vol.85, no.3, pp.415-422, 2003-12

著者

中野 さやか

出版者

東洋文庫

雑誌

東洋学報 = The Toyo Gakuho (ISSN:03869067)

巻号頁・発行日

vol.85, no.3, pp.415-422, 2003-12

著者

中野 さやか

出版者

公益財団法人 史学会

雑誌

史学雑誌

巻号頁・発行日

vol.113, no.12, 2004

著者

中野 さやか

出版者

一般社団法人 日本オリエント学会

雑誌

オリエント (ISSN:00305219)

巻号頁・発行日

vol.46, no.1, pp.118-143, 2003-09-30 (Released:2010-03-12)

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The aim of this paper is to clarify the real character of the “Revolt of the Zanj, ” the great rebellion in the Abbasid empire, by analyzing the backgrounds of the participants in the revolt. To study it, I divided this revolt into three periods, the beginning (863-869), the heyday (869-879), and the decline (879-883), and analyzed the participants at the beginning and the heyday, and the rebels who surrendered to the Abbasid military at the decline.In the beginning, the number of participants was small. The group consisted of townspeople and those from the upper echelons of society. The reason that participants consisted of various groups was that 'Ali b. Muhammad had not confined the scope of the rebellion to a particular social class.The heyday of this revolt began when tens of thousands of Zanj, who had been taken from East Africa to Iraq as agricultural slaves, joined the revolt in 869. Through their participation, the rebel troops swelled in number and occupied Southern Iraq in 879. During this heyday, various types of people, such as townspeople, farmers, Arab nomads and people from the upper echelons of society, participated. However, they were lacking in solidarity as they participated merely because the rebel troops were powerful militarily.The decline of this revolt began in 879 when the Abbasid military launched an attack against the rebels. The leader of the Abbasid military, Muwaffaq, while besieging the rebel stronghold of Mukhtara, called on the rebels to surrender to the Abbasid military and treated the rebels who did surrender respectfully. Therefore, the main body of the rebel troops surrendered and this revolt collapsed. The reason for this rapid collapse was that the main body of the rebel troops were people who put their own interests first, such as Zanj and townspeople.

著者

中野 さやか

出版者

日本イスラム協会

雑誌

イスラム世界 (ISSN:03869482)

巻号頁・発行日

no.84, pp.27-59, 2015-10

著者

中野 さやか

出版者

東京大学

雑誌

特別研究員奨励費

巻号頁・発行日

2009

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当研究では、ナディームと呼ばれる宮廷文人達を取り上げ、彼らの宮廷内部の活動を分析することで、アッバース朝宮廷の当時の在り方を明らかにすることを目的としている。今年度は、ナディーム達が活躍する場となった宮廷の酒宴を巡って、当時の法学者や文筆家達がそれぞれの立場を表明した写本類を、シリア・アラブ共和国のザーヒリーエ図書館にて調査した。ナディームとはもともと「飲み仲間」を意味するアラビア語であり、君主の酒宴に侍った詩人や歌手、道化などを指した。しかしアッバース朝宮廷で酒宴が慣例化すると、有力官僚などのカリフの側近達も酒宴に侍るようになり、「ナディーム」とはカリフの公私に亘る側近を意味するようになった。しかし飲酒はイスラームでは明確に禁止されている宗教的タブーである。その為、法学者や著名な文筆家達は、飲酒の合法化理論を宮廷に提出し、一方で禁酒の勧めを執筆した御用学者も存在した。これらの議論が提出された9世紀は、市井ではハンバル派の影響力増大により、飲酒を忌避する傾向が強まる一方で、宮廷では酒宴が慣例化し密室化していった時期である。宮廷の酒宴を巡る一連の議論は、当時の社会と宮廷との関わりを表す史料であり、平成23年度中に雑誌論文として投稿する予定である。また昨年度から続けてきたナディーム研究について、国内外の学会にて発表した。