著者

藤岡 洋保 朝田 十太

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.64, no.524, pp.311-318, 1999-10-30 (Released:2017-02-03)

参考文献数

61

被引用文献数

1 2

---

This paper shows the relationship between the notion of "culture" and architecture in Japan between the 1930s and the 1950s, delving into a history of the building-type called bunka-kaikan (literally, cultural complex). The situation surrounding this building-type radically changed after the war; from the tool for cultural propaganda to the one for the enlightenment, from the facilities of "Japanese culture" to "international culture," whose meaning was actually vague. No architects thought such change might be important architecturally, nor reconsidered the notion itself. They simply regarded the building-type as given and tried to find its design possibilities in its multi-function character.

著者

藤岡 洋保 黒岩 卓

出版者

一般社団法人 日本建築学会

雑誌

日本建築学会計画系論文報告集 (ISSN:09108017)

巻号頁・発行日

vol.409, pp.161-168, 1990-03-30 (Released:2017-12-25)

---

Hosin Kuroda (1885-1967) offered a few criticisms on various kinds of buildings in downtown Tokyo in the Tokyo Asahi Newspaper from November 25th through December 4th, 1910. On December 5th two architects wrote in the same newspaper that he was the first to try to openly review new buildings. Since the authors can find several architectural criticisms in other papers and magazines which were ahead of Kuroda's, what the architects said was not true. But if we define the word on 'an architectural critic' as the one who has been offering criticisms on newly-built buildings and on architectural trends for some time, we can say Kuroda was the first architectural critic in modern Japan ; he had written many articles to review new buildings in the 1910s and the 1920s. He studied esthetics at the Tokyo Imperial University where he found an interest in architecture. He had been asserting that in architecture 'truth', 'good' and 'beauty' should have come together. In his theory, 'truth' meant that real structure and material should not have been covered by others, and 'good' did that function should have been made much of. These two suggest that he was influenced by the European Medeavalists in the late 19th century. And in his thoughts 'beauty' should have come from several esthetic theories at that time. Among them 'unity in multiplicity' was the most important to him. In his criticisms on buildings, the authors can see some coincidence with his architectural idea, but he was apt to review buildings chiefly through the point of 'unity in multiplicity,' which means that 'beauty' was the most important to him, although he had kept declaring for a happy coincidence of 'truth', 'good' and 'beauty.'

著者

木村 儀一 藤岡 洋保 岩橋 幸治 山崎 鯛介 中山 伸

出版者

日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.69, no.578, pp.163-168, 2004-04-30 (Released:2017-02-09)

参考文献数

3

被引用文献数

1 1

---

This paper tries to show the significance of the material the architect Sutemi Horiguchi(1895-1984) left in Meiji University to delve into his design and architectural thoughts: According to our research, this collection is made up of 4,705 items, whose dates span the years between 1919 and 1965 covering most of his whole career as an architect. Most of them are working drawings and documents relating to building. The collection includes the information on buildings and projects unknown to be his works and on materials to show processes of some famous buildings, which could triggar a reevaluation of him.

著者

藤岡 洋保

出版者

一般社団法人 日本建築学会

雑誌

日本建築学会論文報告集 (ISSN:03871185)

巻号頁・発行日

vol.291, pp.111-119, 1980-05-30 (Released:2017-08-22)

---

This paper points out the expansion and systematization of the Architectural Section of Tokyo Municipal Office for the reconstruction of buildings destroyed or burned by the Kanto Earthquake, showing names and careers of its members called "Gishi" as well as the changes of its system and the amount of its work.

著者

藤岡 洋保 深谷 康生

出版者

一般社団法人 日本建築学会

雑誌

日本建築学会計画系論文報告集 (ISSN:09108017)

巻号頁・発行日

vol.419, pp.99-106, 1991-01-30 (Released:2017-12-25)

---

The Japanese government built twenty-two pavilions for seventeen international expositions before World War II. All the pavilions but one had Japanese-style elevations : motifs of traditional architecture were applied. Such designs were based on either specific building types in specific eras or famous old edifices, but such models were not accurately traced on the elevations of the pavilions, but modified applying motifs in different eras freely. This suggests what the architects thought: they tried to make a "modern Japanese-style," although their way belonged to eclecticism of the 19th century.

著者

日比野 豊 藤岡 洋子 町田 順子 根津 由紀子 貝瀬 千賀子 星 利枝 Hibino Yutaka Hujioka Yoko Machida Junko Netsu Yukiko Kaise Chikako Hoshi Toshie

出版者

新潟医学会

雑誌

新潟医学会雑誌 (ISSN:00290440)

巻号頁・発行日

vol.128, no.6, pp.258-263, 2014-06

---

当院においては, 2011年4月より唯一の骨形成促進剤であるテリパラチドの自己注射指導を含めた骨粗鬆症教育入院を開始した. 毎月第二週目の月曜日~金曜日の4泊5日に定員4名と定め実施している. 実施内容は, 自己注射指導, 骨粗鬆症疾患知識, 栄養, 薬剤の知識を講義形式で習得できるようにしている.

著者

阿部 聡子 藤岡 洋保

出版者

一般社団法人日本建築学会

雑誌

学術講演梗概集. F-2, 建築歴史・意匠 (ISSN:13414542)

巻号頁・発行日

vol.2008, pp.291-292, 2008-07-20

著者

藤岡 洋保 青砥 真裕

出版者

一般社団法人日本建築学会

雑誌

学術講演梗概集. F-2, 建築歴史・意匠 (ISSN:13414542)

巻号頁・発行日

vol.2011, pp.329-330, 2011-07-20

著者

増田 泰良 西澤 英和 藤岡 洋保

出版者

一般社団法人日本建築学会

雑誌

日本建築学会計画系論文集 (ISSN:13404210)

巻号頁・発行日

vol.73, no.634, pp.2773-2782, 2008-12-30

---

The Ferro-Concrete structure technology was introduced into Japan in 1890s. In this paper, we try to show that a purpose of the spread played an important role for introduction of Ferro-Concrete in Japan. Various calculation formulas and sign of Ferro-Concrete ware introduced into Japan passing many separated ways and coexisted. It is thought that when it establish a law in 1920 and standardized Ferro-Concrete structure technology, economical conditions would be considered for the spread of this technology. However, the policy for the spread was changed by the damage of Kanto Earthquake (1923). And a deformed bar against the policy of the spread was removed at that time. It is thought that the introduction of Ferro-Concrete would be typical example of process to introduce new technology in Japan.