著者

谷本 晃久

出版者

北海道大学大学院文学研究科北方研究教育センター = Center for Northern Humanities, Graduate School of Letters, Hokkaido University

雑誌

北方人文研究 = Journal of the Center for Northern Humanities (ISSN:1882773X)

巻号頁・発行日

vol.7, pp.109-121, 2014-03-31

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Dr. Yoshishige Hayashi (1922-2013) is an agricultural economic history researcher who had taught at Hokkaido University for a long time. His area of research is traditional agricultural culture of the Ainu. He is well known for his detailed field work conducted from the 1950s to the 1960s on Ainu society across Hokkaido. Also known for his research style which is heavily influenced by the interdisciplinary method of study at the Research Institute for Northern Culture, he was engaged in the compilation of Hokkaido history along with Dr.Shin-ichiro Takakura. This transcript, which is a recollection of research activities conducted by Dr. Hayashi in 2006, is arguably a valuable record that recounts in detail a side of Ainu and the northern culture studies developed out of Hokkaido University between the 1950s and 1980s.

著者

石原 真衣

出版者

北海道大学大学院文学研究科北方研究教育センター

雑誌

北方人文研究 = Journal of the Center for Northern Humanities (ISSN:1882773X)

巻号頁・発行日

no.11, pp.3-21, 2018

著者

TAKIGUCHI Ryo

出版者

北海道大学大学院文学研究科北方研究教育センター = Center for Northern Humanities, Graduate School of Letters, Hokkaido University

雑誌

北方人文研究 = Journal of the Center for Northern Humanities (ISSN:1882773X)

巻号頁・発行日

vol.6, pp.167-175, 2013-03-31

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本論は、社会主義の記憶をめぐる個人の「語り」が有する資料的価値の検討を目的とし、インタビュー・データを通じて社会主義体制下の市民生活の一側面を明らかにする。近年の社会主義研究では、公的な史料ではとらえきれない社会主義体制下の市民生活の実態を明らかにする資料として、個人の経験や記憶の領域が注目されている。本論では、社会主義体制下のモンゴルにおいて非合法な個人商(転売)を営んでいた一人の女性のインタビュー・データを検討し、彼女が社会主義体制下の個人商に対する法的・倫理的な弾劾を巧妙に避けながら、創意工夫によって利益を生み出していた実践の具体像を明らかにする。最後に、社会主義体制下の市民生活に働いていた国家の管理が一様なものではなく、状況によって異なる多層的なものでありえたことを結論として提示したい。

著者

中山 大将

出版者

北海道大学大学院文学研究院北方研究教育センター

雑誌

北方人文研究 = Journal of the Center for Northern Humanities (ISSN:1882773X)

巻号頁・発行日

no.13, pp.171-173, 2020

著者

韓 恵仁

出版者

北海道大学大学院文学研究院北方研究教育センター

雑誌

北方人文研究 = Journal of the Center for Northern Humanities (ISSN:1882773X)

巻号頁・発行日

no.13, pp.145-158, 2020

著者

ブル ジョナサン 中山 大将

出版者

北海道大学大学院文学研究院北方研究教育センター

雑誌

北方人文研究 = Journal of the Center for Northern Humanities (ISSN:1882773X)

巻号頁・発行日

no.13, pp.159-163, 2020

著者

ディン ユリア

出版者

北海道大学大学院文学研究院北方研究教育センター

雑誌

北方人文研究 = Journal of the Center for Northern Humanities (ISSN:1882773X)

巻号頁・発行日

no.13, pp.139-143, 2020

著者

池田 裕子

出版者

北海道大学大学院文学研究院北方研究教育センター

雑誌

北方人文研究 = Journal of the Center for Northern Humanities (ISSN:1882773X)

巻号頁・発行日

no.13, pp.121-137, 2020

著者

竹野 学

出版者

北海道大学大学院文学研究院北方研究教育センター

雑誌

北方人文研究 = Journal of the Center for Northern Humanities (ISSN:1882773X)

巻号頁・発行日

no.13, pp.99-119, 2020

著者

東 俊佑

出版者

北海道大学大学院文学研究院北方研究教育センター

雑誌

北方人文研究 = Journal of the Center for Northern Humanities (ISSN:1882773X)

巻号頁・発行日

no.13, pp.61-97, 2020

著者

中山 大将

出版者

北海道大学大学院文学研究院北方研究教育センター

雑誌

北方人文研究 = Journal of the Center for Northern Humanities (ISSN:1882773X)

巻号頁・発行日

no.13, pp.165-170, 2020

著者

片桐 保昭

出版者

北海道大学大学院文学研究科北方研究教育センター

雑誌

北方人文研究 = Journal of the Center for Northern Humanities (ISSN:1882773X)

巻号頁・発行日

no.1, pp.69-85, 2008-03

著者

加藤 博文

出版者

北海道大学大学院文学研究科北方研究教育センター

雑誌

北方人文研究 = Journal of the Center for Northern Humanities (ISSN:1882773X)

巻号頁・発行日

no.1, pp.87-103, 2008-03

著者

蔡 熙鏡

出版者

北海道大学大学院文学研究科北方研究教育センター = Center for Northern Humanities, Graduate School of Letters, Hokkaido University

雑誌

北方人文研究 = Journal of the Center for Northern Humanities (ISSN:1882773X)

巻号頁・発行日

vol.6, pp.129-135, 2013-03-31

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This folktale was told by Mrs. Valentina Nikolaevna Sachgun who was born in the village Ygbo (Nogliki District) in 1935. The folktale was recorded in February 27, 2011 during my fieldwork in the village of Nogliki. Then I transcribed the folktale with the help of Mrs. Galina Ivanova Paklina, another speaker of the East-Sakhalin Dialect of Nivkh, in September 14, 2012. Caror and Rabbit In the old days, People took some of rabbit skins and brought it with them when they go to Pot for hunting. When they were in Pot, ducks appeared at night and were fluttering over them and making noise while crying. They made a fire, when my friend had been making a fire they (the ducks) were fluttering over them. The ducks came down with the wings and hit on the ice of the ground and then they changed into a person. They (the ducks) changed into a person, the Caror. Then those people who are the people of water said. It is said that they have long legs and the body is short. Then, asked to my friend. “What kinds of flesh of animals do you eat in your village?” My friend answered. “We eat only the animals bouncing far away”. (and then) he took the rabbit skin on the hand and showed it to them. At the sight of the skin of a rabbit, all of the Caror jumped on the water and changed into the birds, and they flew away. In the old days, Caror is said to have lived in the water but in the land. When they killed the rabbits and were eating them, other rabbits gathered and drove out Caror. The rabbits drove out Caror into the water. That’s why Caror hate rabbits. It is said that they fear even rabbit skins because they fear rabbits. The end, the end

著者

周 菲菲

出版者

北海道大学大学院文学研究科北方研究教育センター = Center for Northern Humanities, Graduate School of Letters, Hokkaido University

雑誌

北方人文研究 = Journal of the Center for Northern Humanities (ISSN:1882773X)

巻号頁・発行日

vol.6, pp.29-46, 2013-03-31

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This article deals with the destination image of Otaru, which has several sides and is changing because of the visiting of Chinese tourists. Tourism is planned on the destination image, and is centered on the consumption of the image. Tourists confirm and renew the image on the trip, and finally, will create new image which would affect the tourists’ image reflectively. Internet has especially great influence to the destination image during the process nowadays. Aiming to clarify the destination image of Otaru, the writer uses the actor-network theory and finds Chinese tourists consuming different images from China. The writer will show how the images are consumed and re-produced in tourism examining three cases. Moreover, as seeing new sides of the images, we will figure out the consumption of the destination image works as a network which links the people, things and informations around.

著者

今村 信隆

出版者

北海道大学大学院文学研究科北方研究教育センター = Center for Northern Humanities, Graduate School of Letters, Hokkaido University

雑誌

北方人文研究 = Journal of the Center for Northern Humanities (ISSN:1882773X)

巻号頁・発行日

vol.6, pp.1-27, 2013-03-31

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It is often said that since the modern art theories and oil paintings had been introduced into Japan in the beginning of the Meiji era, animal paintings by Japanese oil painters have been relatively rare. From the 1930s to the early 1940s, however, animal subjects in Japanese oil paintings have exceptionally increased both in quality and quantity. Mainly discussing this period, the argument of this paper shows that for some oil painters who were born in Hokkaido, animal subjects were one of the chief ways to meet the requirement of “local color”. IGUSHI Kaichi (1911-1955), born in the north-east part of Hokkaido prefecture, often painted animals of his homeland. Some of his works in the 1930s, paintings of seals or foxes, were interpreted by his contemporaries as a typical representation of his homeland, and the painter himself referred to his own ambition to depict some “local color”. KUNIMATSU Noboru (1907-1994), one of the most famous animal painters in Hokkaido, also has included animals such as birds and dogs in his works since the 1930s. OGAWARA Shu (1911-2002) started his career as a surrealist. But in the early 1940s, as his style was shifted to more north conscious one, he depicted some animals. In order to paint wild cranes from life, UENOYAMA Kiyotsugu (1889-1960) explored frozen fields in the east coast of Hokkaido from the mid 1930s onward. His Japanese crane paintings show disconnection from traditional crane subjects in Japanese-style paintings. Hokkaido prefecture, the northernmost part of Japan, has not only the unique fauna but also some prominent painters who have frequently depicted animal subjects.

著者

白 尚燁

出版者

北海道大学大学院文学研究科北方研究教育センター = Center for Northern Humanities, Graduate School of Letters, Hokkaido University

雑誌

北方人文研究 = Journal of the Center for Northern Humanities (ISSN:1882773X)

巻号頁・発行日

vol.6, pp.103-119, 2013-03-31

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Most of the Tungusic languages have two forms (inclusive/exclusive) in the first plural pronoun, depending on whether it includes the addressee or not. It is possible to divide the previous works on the morphological analysis of Tungusic inclusive forms into the following two ways: 1) Tungusic inclusive consists of the first and second person pronoun, 2) it is composed of the first person pronoun with plural suffix in it. Reexamining these two studies above, this paper aims to clarify the morphological structure of inclusive in Tungusic by focusing on inclusive forms in the personal pronoun, declension and personal suffix. In conclusion, it is presumed to be difficult to determine how to reconstruct the base element of Old Tungusic inclusive forms since there is no solid phonological correspondence to prove it at the present stage. However, the chance that Tungusic inclusive has the plural suffix in it is considered to be high like some previous works mentioned. In addition, there have been some previous studies on inclusive or inclusive-like function with plural suffix in other Altaic (Mongolic, Turkic). Therefore, there may be a possibility in composing inclusive or inclusive-like function of using the plural element in the Altaic languages.