著者
後藤 一樹
出版者
慶應義塾大学大学院社会学研究科
雑誌
慶應義塾大学大学院社会学研究科紀要 : 社会学・心理学・教育学 : 人間と社会の探究 (ISSN:0912456X)
巻号頁・発行日
no.78, pp.109-137, 2014

This study examines amateur film, filmmaking, and equipment from the 1920s to the 1930s in Japan, focusing on the spread of Pathé Baby film system and 16mm film. In addition, the study analyses the social practices of amateurs from the perspectives of private life and publicness.論文
著者
寺前 典子
出版者
慶應義塾大学大学院社会学研究科
雑誌
慶應義塾大学大学院社会学研究科紀要 : 社会学・心理学・教育学 : 人間と社会の探究 (ISSN:0912456X)
巻号頁・発行日
no.74, pp.19-32, 2012

論文Classical music, which is western ethnic music from one among several periods in the history of music, has had a greater impact than other kinds of music. According to Weber, one reasons for its impact is the rationalization of notation. Why has the West invented rationalized notation?This study examines Weber's studies of notation to investigate this issue, relating societal time consciousness to rationalizations of notation on the basis of Schutz and Husserl's theories.According to Schutz, people connect with others through a "mutual tuning-in relationship" that underpins all communication to form not only face-to-face relationships but also quasi-simultaneity that is separated by hundreds of years via music. First, this study analyzes the notation of Japanese traditional music in terms of quasi-simultaneity. Further, it describes the process of development of societal time consciousness in the West—from the Roman to the Gregorian calendar and Greenwich Mean Time—and western music's process for rationalization of notation—from neumatic to modern notations. The study finds a parallel relationship between both processes, which are eventually connected by the invention of the metronome. Maki asserted that activities in modern society must be controlled by "universal time," which in western music means the note that represents abstract time and the beat of modern notation. Husserl philosophically analyzed processes of consciousness in inner time expressed in his time chart. This study also analyzes people's processes of consciousness in a musical environment by collectively using a time chart and notation and identifies the distinctions as well as limitations of universal time. Elias took a contrary position and noted that humankind develops ideas through experience and learning. This study demonstrates that philosophical approaches are effective in sociologically explaining time.These analyses explain why rationalized notation has been invented in the West. Such notation satisfied the societal demand of connecting people in quasi-simultaneity by abstracting time, as it represents the process of developing societal time consciousness.
著者
寺前 典子
出版者
慶應義塾大学大学院社会学研究科
雑誌
慶應義塾大学大学院社会学研究科紀要 : 社会学・心理学・教育学 : 人間と社会の探究 (ISSN:0912456X)
巻号頁・発行日
no.72, pp.157-160, 2011

平成22年度博士課程学生研究支援プログラム研究成果報告1.はじめに2.楽器の合理化3.フルートの発展と"身体感覚"
著者
阪井 裕一郎
出版者
慶應義塾大学大学院社会学研究科
雑誌
慶應義塾大学大学院社会学研究科紀要 : 社会学・心理学・教育学 : 人間と社会の探究 (ISSN:0912456X)
巻号頁・発行日
no.81, pp.109-117, 2016

書評1. はじめに2. 論点 2-1. 論点① 「複数愛」とは何か 2-2. 論点② ポリアモリストにとって「所有」とは何か 2-3. 論点③ 愛という言葉について 2-4. 論点④ ポリアモリストになる契機 2-5. 論点⑤ ポリアモリストの属性について 2-6. 論点⑥ ポリアモリーの法制化をめぐって 2-7. 論点⑦ オープン・マリッジをめぐるジェンダー 2-8. 論点⑧ ポリアモリーを通じてモノガミー社会を問いなおす 2-9. 論点⑨ 親密関係における民主主義 2-10. 論点⑩ オープンな関係について3. おわりに
著者
小田切 祐詞
出版者
慶應義塾大学大学院社会学研究科
雑誌
慶應義塾大学大学院社会学研究科紀要 : 社会学・心理学・教育学 : 人間と社会の探究 (ISSN:0912456X)
巻号頁・発行日
no.76, pp.43-59, 2013

論文This paper examines the transition from critical sociology to the sociology of critique and its synthesis in contemporary French sociology according to two overall goals. First, to understand what has caused the increasing interest in its normativity after constructionist sociology, this paper focuses on Pierre Bourdieu's sociology as an example of constructionist sociology and explores it from the perspective of Luc Boltanski. According to Boltanski, Bourdieu's critical sociology devotes itself to unmasking and criticizing unequal structures and the power relations on which these structures are based, without explicitly constructing a normative basis to justify its critique. Such ambiguity regarding its normativity prevents critical sociology from contributing to its emancipation. In addition, this lack of emancipatory potential is considered as one of the factors that direct sociology after constructionism toward its normativity. Second, this paper discusses what attitude should be taken toward the tendency in which sociology after constructionism thematizes normativity. Boltanski's transition from the sociology of critique to the synthesis between critical sociology and the sociology of critique shows that normative sociology includes less critical potentialities than constructionist sociology. Based on the findings, this paper proposes that sociology should attempt to synthesize constructionism and normative sociology, which is in contrast to Manabu Akagawa, who believes in constructionist sociology, and Kazuo Seiyama, who completely abandons constructivist sociology and insists on the need for sociology as a normative inquiry into the community.
著者
鳥越 信吾
出版者
慶應義塾大学大学院社会学研究科
雑誌
慶應義塾大学大学院社会学研究科紀要 : 社会学・心理学・教育学 : 人間と社会の探究 (ISSN:0912456X)
巻号頁・発行日
no.79, pp.83-97, 2015

In this study, I aim to historically reconstruct the sociology of time from the perspective of how its authors have grasped time conception peculiar to modern society. Thus, the following two findings can be deduced ; first, the history of sociology of time can be described as the history of "two-step relativization" against the modern conception of time. In short, until the 1960s, theorists such as Émile Durkheim attempted to relativize modern time conception by revealing other temporalities. Since the 1970s, theorists such as Anthony Giddens and Eviatar Zerubavel have attempted to elucidate the conception itself. Second, I clarify that authors of the sociology of time have described the following three characteristics of modern time conception—measurability, abstractness, and linearity. Simultaneously, however, in considering these characteristics, sociology of time has lacked a theoretical framework. On the basis of implications from Barbara Adam, Warner Bergmann, and Hartmut Rosa's works, I consider this absence as the primary problem of sociology of time. Consequently, I introduce Yusuke Maki's four-quadrant schema, which can explain modern time conception's three characteristics through a single theoretical framework as a solution to the aforementioned problem.論文
著者
柏原 勤
出版者
慶應義塾大学大学院社会学研究科
雑誌
慶應義塾大学大学院社会学研究科紀要 : 社会学・心理学・教育学 : 人間と社会の探究 (ISSN:0912456X)
巻号頁・発行日
no.72, pp.89-107, 2011

論文This research examines the relationship between motives and frequency of Twitter use from theoretical framework of Uses and Gratifications. Twitter is an internet social service that makes it possible to send 140-charactaristics messages, called Tweets, to many and unspecific users or people, to read and receive Tweets of specific users which the individual chooses to follow in real-time (Tsuda, 2009). These past few years, Twitter has gained notability and popularity worldwide, especially in Japan.On the one hand, Twitter has many features similar to other internet services or applications, particulary SNS, but on the other hand shows the uniqueness of its architecture and the way of use such as live-reporting (jikkyou). It must be emphasized that Twitter visualizes the number, which means the number of other users by whom a user is followed and ReTweets (RTs). It anticipates that user's appraisal of this number may influence Twitter use because users can be gratified by increasing of it. Therefore, I apply user's appraisal of the number to framework of this research.Factor analysis of survey 314 Twitter users discovered the five types of motives for Twitter uses, communication/self-expression, keeping existing interpersonal relations, live-reporting (jikkyou)/information-seeking, self-presentation, relaxation. The motives for live-reporting (jikkyou)/information-seeking and self-presentation have not been identified in existing internet usage research based on Uses and Gratifications approach. Appraisal of the number is classified into two dimensions, gratification by the number and needs for the number by factor analysis. Four multiple regression model whose dependent variable is a variety of Twitter use, reading-TL, reading-except TL, Tweet, conversation found that communication/self-expression, keeping existing interpersonal relations, live-reporting (jikkyou)/information-seeking and relaxation positively predict the frequency of each Twitter use but self-presentation negatively predicts it. The reason why self-presentation shows negative effect on the frequency of Twitter use is presumed that this motive is difficult to achieve or diminishes as period of time of Twitter use is longer. However, neither gratification by the number nor needs for the number shows significant effect on the frequency of Twitter use. This result suggests that user's subjective and goal-oriented motives are more effective predictor than their appraisal of the number visualized in Twitter. This research is meaningful in terms of discovering live-reporting (jikkyou)/information-seeking as the motive and the way of internet use which were not conceptualized in previous internet studies.
著者
安田 崇子
出版者
慶應義塾大学大学院社会学研究科
雑誌
慶應義塾大学大学院社会学研究科紀要 : 社会学・心理学・教育学 : 人間と社会の探究 (ISSN:0912456X)
巻号頁・発行日
no.75, pp.1-13, 2013

論文This study examined the relationship factor of burnout and visiting stress among newly recruited care managers in home care.A questionnaire survey was conducted among 140 care managers. The results of hierarchal regression analysis revealed that occupational satisfaction (i.e., factors related to work environment/compensation/job content) and the human environment (i.e., factors related to a sense of workplace solidarity/satisfying work relationships) are important determinants of burnout and visiting stress.The work compensation factor of occupational satisfaction and a sense of solidarity/satisfaction factors of human environment showed an effect on burnout, and all the factors of occupational satisfaction and human environment showed an effect on visiting stress. This effect was further enhanced by the addition of human environment as a relevant factor.Overall, these results suggested that the effect factors concerning occupational satisfaction and human environment are important contributors to burnout and visiting stress; thus, confirming the findings of previous studies.
著者
深田 愛乃
出版者
慶應義塾大学大学院社会学研究科
雑誌
慶應義塾大学大学院社会学研究科紀要 : 社会学・心理学・教育学 : 人間と社会の探究 (ISSN:0912456X)
巻号頁・発行日
no.91, pp.17-33, 2021

This paper aims to clarify the relationship between the conversion of Kenji Miyazawa (1896–1933) from Jodo Shinshu (the True Pure Land Sect of Buddhism) to the Lotus Sutra (Hokekyo) and how his educational thoughts were formed by analyzing the process of his separation from the ideology of Haya Akegarasu (1877–1954), a monk of Jodo Shinshu. Previous studies indicate that the educational thoughts of Kenji Miyazawa, a teacher of an agricultural school, were based on his faith. However, it has not been clear how his educational thoughts were influenced by the wanderings of his faith from Jodo Shinshu to the Lotus Sutra and Nichiren-ism. Therefore, this paper first discusses the relationship between Kenji Miyazawa and Haya Akegarasu, who formed a friendship with the Miyazawa family. Then, by reviewing Fukkatsu-no-mae and Souringensou, Kenji Miyazawa's literary works referring to Haya Akegarasu, this paper examined why Kenji was dissatisfied with Jodo Shinshu and felt attracted to the Lotus Sutra and how such processes affected his mindset as a teacher. Fukkatsu-no-mae was published in spring when Kenji was graduating from Morioka Higher School of Agriculture and Forestry. By analyzing Haya Akegerasu's words quoted in the work, his thoughts were clearly characterized as an acceptance of reality with resignation. Kenji Miyazawa was dissatisfied with such thoughts, which consequently led to his conversion to the Lotus Sutra, which is oriented toward the reformation of reality. Souringensou refers to the Haya Akegarasu's tanka, that is, a short Japanese poem comprising 31 syllables. By examining the revision process and Haya Akegarasu's work, it is suggested that his tanka depicted real life as it was. In contrast, Kenji Miyazawa's literary works were transformed from tanka to free verses in spoken language and fairy tales, which were called Shinshou-sketch (Mental Sketch Modified). He regarded having questions about the structure of the world and how you see the society as an important factor in Shinshou-sketch. In conclusion, the present findings suggest that the transformation of Kenji's faith and literary works was connected to his educational thoughts, with which he entrusted the ideology of the reformation of reality to his students.論文
著者
齋藤 誠子
出版者
慶應義塾大学大学院社会学研究科
雑誌
慶應義塾大学大学院社会学研究科紀要 : 社会学・心理学・教育学 : 人間と社会の探究 (ISSN:0912456X)
巻号頁・発行日
no.82, pp.75-92, 2016

論文This research uses the KJ method to evaluate viewers' criticisms of Japanese TV programs through an examination of viewers' opinions appearing on the Broadcasting Ethics & Program Improvement Organization (BPO) website.The research indicated that : (1) viewers criticized the partiality of the news content in news programs and the modus operandi adopted for the reporting (2) ; viewers believed entertainment programs were coarse and harmful for young people and had no morality ; and (3) viewers criticized the lack of consideration for the cast and reliability of the information. However, few viewers expressed their opinions regarding television dramas and animation shows.Therefore, this research confirmed that : (1) owing to the extensive use of the Internet, TV viewers are aware of the strong criticism that TV programs are prone to ; (2) TV viewers and the Broadcasting station experience a "moral panic ; " and (3) TV viewers do not tend to criticize television dramas or animation programs because these are fictional in nature.It is essential that future research examines the relation between viewers' criticisms and psychological factors, such as the third-person effect and the hostile media effect, and explore various theories to understand this relation.
著者
間篠 剛留 原 圭寛 翟 高燕 塔 娜
出版者
慶應義塾大学大学院社会学研究科
雑誌
慶應義塾大学大学院社会学研究科紀要 : 社会学・心理学・教育学 : 人間と社会の探究 (ISSN:0912456X)
巻号頁・発行日
no.79, pp.1-14, 2015

This paper examines how concepts of scholarship, especially scholarship of teaching and learning (SoTL) and scholarship of engagement (SoE), have developed among academic theorists based on Ernest L. Boyer's Scholarship Reconsidered (1990).To break out of the monotonous old debate of teaching versus research, Boyer attempted to redefine the meaning of scholarship. He proposed four types of scholarship -discovery, integration, application, and teaching— and insisted that they be equally respected. Since Boyer's proposition, many scholars have actively debated what scholarship is, and new concepts of scholarship, such as SoTL and SoE, have been developed.Recently, American scholarship has had two important tendencies: one is disaggregated, specific, and concrete; the other is aggregated, holistic, and abstract. Advocates of the former regard the new types of scholarship, such as SoTL and SoE, as extensions of one of Boyer's original four types. Hence, these advocates believe SoTL to be an extension of scholarship of teaching and SoE to be an extension of scholarship of application. These arguments provide concrete representations of scholarship, something that Boyer did not provide, and this helps people recognize the significance of teaching and learning or service and outreach. SoTL and SoE programs are useful in helping convince people that the work of teaching and learningshould be evaluated. Because the call for accountability is strong today and certain specialized appointees typically focus their energies on only one of the traditionally integrated faculty functions, administrators and scholars are likely to welcome new types of scholarship. This specific and concrete concept has succeeded in appropriately evaluating work that Boyer had earmarked for evaluation.However, this concept of scholarship contains a weakness that disregards Boyer's principles. If one sees SoTL and SoE as merely developmental ideas of the scholarship of teaching and the scholarship of application, and as programs or activities concerning them, the possibility of conflict among research, teaching, and service arises anew. Hence, another conceptual type of scholarship has emerged: the comprehensive type, which advocates regard as a construction of Boyer's four forms of scholarship or a principle for constructing them. In this way, scholars regard SoTL as scholarship that emphasizes teaching and learning and SoE as a form that emphasizes service. This new, comprehensive type of scholarship yields a critical perspective on specific types. Boyer offers the four types of scholarship as a common ground concept that all academic professions must share, and comprehensive scholarship advocates the importance of the types of thinking inherent in those four original types. Advocates of comprehensive scholarship attempt to reconstruct Boyer's four types flexibly, so that American academic professions can foster diversity and share common ground.論文
著者
中原 逸郎
出版者
慶應義塾大学大学院社会学研究科
雑誌
慶應義塾大学大学院社会学研究科紀要 : 社会学・心理学・教育学 : 人間と社会の探究 (ISSN:0912456X)
巻号頁・発行日
no.73, pp.57-77, 2012
被引用文献数
2

論文The purpose of this study is to clarify how they have promoted the traditional art performance, which is created in a city. For this purpose, I have selected one of the five Geisha Community of Kyoto known as Kamishichiken. By reviewing information on the history through interviews with hosts and guests, I analyzed the dance performance and the aspects of Geisha Community which were devoted to the culture of hospitality.Kamishichiken is small scale, self-enclosed but focused on quality of arts, and has a close relationship with Nishijin merchants in Kyoto. Mainly By this close relationship was with Nishijin, an excellent textile maker and primary patrons of these arts, after WW II in 1952 during the important festival of Kitano shrine, Kamishichiken disclosed the performances.It was an excellent opportunity for them to show their new arts. However, they had to develop new performances to suite the changing society.Their performances were created under the direction of a movie director, Tamizo Ishida (1901‒1972) with a respectable knowledge of dance performances, he worked out new plans. By caring not to spoil the traditional dance of the Hanayagi school,Ishida created continuous hybrid performances with another dance schools and with a new type of music.In this thesis, Iwill clarify how the hybrid performances opened to the new audiences and the difficulties in promoting these new performances in a changing society.
著者
本間 千尋
出版者
慶應義塾大学大学院社会学研究科
雑誌
慶應義塾大学大学院社会学研究科紀要 : 社会学・心理学・教育学 : 人間と社会の探究 (ISSN:0912456X)
巻号頁・発行日
no.74, pp.33-54, 2012

論文Bourdieu's "cultural capital" is recognized as high culture. He states that cultural hierarchy corresponds to social hierarchy, noting that the piano is an aristocratic instrument and playing it is related to people's original social class. Therefore, the piano is considered the cultural capital. However, many people now play piano, and its popularity is growing in Japan.This study focused on the popularization of piano culture in Japan. Researchers have found that piano culture became popular during a period of high economic growth, but we examine how it achieved this popularity. Before World War II (WWII), piano culture was enjoyed only by the wealthy classes. However, after the war, it expanded and was modified by the music schools that were established by the piano manufacturer.Simultaneously, the number of women hoping to work increased during the high economic growth period, and learning to play piano enabled them to have a career in music.I analyzed the popularization of piano culture through oral history. This study found that during the high economic growth period, piano culture was a symbol that raised the player's class, and that popularization in this period was a prologue to the greater popularity that followed.
著者
ミュラー ハンス=リューディガー 伊藤 敦広 眞壁 宏幹
出版者
慶應義塾大学大学院社会学研究科
雑誌
慶應義塾大学大学院社会学研究科紀要 : 社会学・心理学・教育学 : 人間と社会の探究 (ISSN:0912456X)
巻号頁・発行日
no.80, pp.73-84, 2015

[訳者解題]序論教育的タクト言説の主要な三つの筋書き 1. 教授的・方法的原理としての, つまり理論的・一般的なものと, 教育実践ごとに特殊なものとを媒介する道具としての「教育的タクト」 2. 緊張の場において行為を方向づけるものとしての「教育的タクト」 3. 教育的合理性と教育的要求の自己制限としての「教育的タクト」結論論文
著者
東島 宗孝
出版者
慶應義塾大学大学院社会学研究科
雑誌
慶應義塾大学大学院社会学研究科紀要 : 社会学・心理学・教育学 : 人間と社会の探究 (ISSN:0912456X)
巻号頁・発行日
no.89, pp.33-53, 2020

This paper aims to reconsider the notion of Zen by describing participants' interpretations of Zazen practice within the modern Buddhist framework called Zazen-kai (坐禅会). Zen has been studied both philosophically and through Shû-gaku (宗学) study into each sect, as a pure concept and as traditional training. However, many Koji (居士), secular practitioners, undertake Zazen, the main training of Zen sects, for short periods as a practice separated from traditional Buddhist hierarchy or ritual. These practitioners do not feel it necessary to become a monk. This practice lies outside the spheres traditionally encompassed by Zen philosophy and Shu-gaku. Accordingly, this research employed participant observation and semi-structured interviews to explore and interpret the behavior of participants. Zazen-kai at the Engakuji temple, one of the major Zen temples in Eastern Japan, is ideal for this research because the interaction of traditional Buddhism and secularity produces complex interpretations of participants' practices. There were positive interpretations and borrowings from traditional Buddhism, but participants expressed a division between professionals and beginners. As the context of each encounter with traditional Zen is different, some conflict arose among participants. Although some only engaged with Zen and traditional religion on a superficial level, there were diverse and subtle differences in behavior.論文