著者
酒井 利信
出版者
Japanese Academy of Budo
雑誌
武道学研究 (ISSN:02879700)
巻号頁・発行日
vol.23, no.1, pp.36-44, 1990

The thought that recognizes swords to be transcendent existed in the ancient times, and the swords had the character of ceremonial outfit. In the Middle Ages, common swords that were used as a practical weapon, also had this thought.<br>The purpose of this study is to consider a view of swords in the Middle Ages from &ldquo;GUNKIMONOGATARI&rdquo;, and to make it clear what existed in the bottom of people's consciousness that formed this view, and what is features of this view.<br>The results can be summarized as follows.<br>1. Image of the myth, that existed in the bottom of people's consciousness, formed a view of swords in the Middle Ages.<br>2. In the Middle Ages, swords themselves suggested the metaphorical God that existed behind.
著者
林 伯原
出版者
Japanese Academy of Budo
雑誌
武道学研究 (ISSN:02879700)
巻号頁・発行日
vol.46, no.2, pp.59-75, 2014

Prior to the times of Jiajing (A.D.1521-1566), Japanese swords were often imported into China as tributes, trading goods and complimentary gifts, but there was no record that Chinese troops or civilians had learned and widely used Japanese swordplay, except for the imperial guards. Since the year of Jiajing 31 (A.D.1552), the massive Japanese invasion of the southeast coast of China made Chinese people notice the advantage of Japanese swordplay. Meanwhile Chinese army and civilians who loved Chinese wushu needed better sword skills,therefore Japanese swordplay became rapidly known and absorbed by them and spread among the folk people. At that time some members of the Chinese army were equipped with Japanese long swords; the warriors used cane shields, and the archers and the cavalry were equipped with Japanese waist broadswords. Training involved the repetition of solo patterns or routines first, followed by matches with other people. Some civilians who learned Japanese swordplay exercised mainly the routines, others mainly practiced a single pose or stance. The kind of Japanese swordplay that spread among civilians could be divided into two types: in one, people were trained by original Japanese swordplay; in the other one, people practiced Japanese swordplay with Chinese swordsmanship together, integrating Chinese swordplay and Japanese swordplay into a new kind of swordplay. In both cases, the practice of Japanese swordplay introduced into China was characterized by the use of patterns or routines.But the routines used by the Chinese army and the folk people were greatly different. In the army, the routine was laid out from the perspective of group training, so it was brief and simple; while the folk routine was laid out from an individual point of view, so it was long and complicated.
著者
石田 肇
出版者
Japanese Academy of Budo
雑誌
武道学研究 (ISSN:02879700)
巻号頁・発行日
vol.20, no.1, pp.18-23, 1987

The aim of this study is to demonstrate logically that Anko Itosu (born in Okinawa in 1830 and died in 1914) formed a nodal point from traditional Karatedo to modern Karatedo by the basis of 2 guideposts.<br>1. The first guidepost, Mr. Itosu's manuscript (10 articles)-3 Elements which form his view of Karatedo<br>(1) Spiritual element The concept of Budo which forms the basis of his Karatedo.<br>(2) Bujyutsu element The concept of Budo which forms the basis of his Karatedo.<br>(3) Physical element-The new viewpoint which forms the foundation of his Karatedo.<br>2. The second guidepost, Itosu's Karatedo-Kata<br>-His parts in the establishment of modern Karatedo<br>(1) He mastered and critically succeeded most of the traditional Karatedo-Kata-then he acquired the materials of his modern Karatedo.<br>(2) He adapted the many traditional Karatedo-Kata and recorganized some medern Karatedo-Kata from them----The period of transition to the modern Karatedo.<br>(3) He created the original modern Karatedo-Kata &ldquo;Pin-An Syodan-Godan&rdquo;, spread Karatedo widely and established the teaching method of modern Karatedo.
著者
和田 哲也
出版者
Japanese Academy of Budo
雑誌
武道学研究 (ISSN:02879700)
巻号頁・発行日
vol.25, no.2, pp.13-23, 1992

Sekiguchi-ryu of Takeda family was a kenjyutsu-school transmitted in the Yoshino-river area in the province of Awa. In this school &ldquo;taryu-jiai&rdquo; was practiced vigorously with the new training method, &ldquo;shinai-uchikomi-geiko&rdquo;, in the latter period of Edo era. Almost all of the &ldquo;densho-rui&rdquo;, the traditional writings, of the Sekiguchi-school are owned by the descendants now. There were many martial arts schools whose &ldquo;densho-rui&rdquo; have been lost by now, so the Sekiguchi-school seems to be a quite important case for us to know the whole &ldquo;densho-rui&rdquo; of martial arts school. In this paper I intended to clarify the kind of &ldquo;densho-rui&rdquo;, their awarding order, and the relation berween the new training method and the traditional awarding order of the Sekiguchi school during the period of shifting from the old training method to the new one. The results can be summarized as follows: (1) The number of the kind of &ldquo;densho-rui&rdquo; in this school which are confirmed by now is about fifty. Among these, eleven kinds of &ldquo;denjyu-jyo&rdquo; and &ldquo;sho-jyo&rdquo; which were from &ldquo;Sekigwchi-ryu-hachikajyo&rdquo;to &ldquo;Injyu&rdquo;, formed the traditional awarding order of this school, and were transmitted orderly to the disciples. (2) Six Kinds of &ldquo;senkyo-jyo&rdquo; were &ldquo;sho-jyo&rdquo; to recognize the six classes of this school which were established at the end of the 18th century. The skillfullness of the technique of the new training method regarded considerably important object to recognize the classes. (3) The traditional awarding order of the Sekiguchi-school was not changed or abolished after the establishment of the six classes. Nevertheless the significance of the traditional &ldquo;waza&rdquo; and awarding order based on it disapeared gradually. (4) &ldquo;Toritate-seido&rdquo; of the Sekiguchi-school was a characteristic form to instruct the disciples and to operate the martial arts school, and had a kind of character of &ldquo;iemoto-seido&rdquo;. &ldquo;Toritate-seido&rdquo; had been made because the new trainning method came to be practiced mainly in the Sekiguchi-school.
著者
阿部 忍
出版者
Japanese Academy of Budo
雑誌
武道学研究 (ISSN:02879700)
巻号頁・発行日
vol.13, no.2, pp.59-60, 1981