著者
秦 玲子
出版者
日本ニュージーランド学会
雑誌
日本ニュージーランド学会誌 (ISSN:18839304)
巻号頁・発行日
vol.18, pp.53-66, 2011-06-18

The purpose of this paper is revealing how people revitalized Moko/Maori Tattoo. Maori people have strongly revitalized many cultural aspects in New Zealand from 1960s-70s. Moko is one of the cultural aspects revitalized, and now Moko, especially facial Moko, is acknowledged as an important cultural aspect of Maori and often symbolizes Maori on TV or in Magazines. However, the process of the revitalization of Moko/Maori Tattoo and Ta Moko/Maori Tattooing is unveiled. From the early contact period, the 18th-19th century, Moko have always attracted people's attention. There are many Europeans' writings and drawings on Moko, and some researches which examine those historical records. However, the research on the revitalization is not fully advanced. Though there are some photographic works and academic researches on the revival, it is still unclear that how the revitalization has been progressed and how Ta Moko is practiced now. This paper examines and put in order the history of the revitalization. The main materials to draw the picture are local magazines, news papers and interviews with artists. The key aspect of the revitalization is detaching "Maori Moko" from marginality or stigmatism of "tattoo", which is also parallel to making more positive public view on Maori. After the practice of Ta Moko stopped in the middle of 20th century, tattooing practice was carried out by local gangs and activists. Though gang and global tattoo culture played a great roll to keep the practice, Moko was added marginality. The people who got rid of the stigmatism from Moko are the artists who came in the late 1980s-90s from Maori Arts. Through Ta Moko Wananga/Ta Moko learning or seminar and Ta Moko events, they educated people and reclaimed the positive view of Moko within Maori Culture.
著者
長谷川 健治 秦 玲子 秦 玲子
出版者
横浜国立大学
雑誌
横浜国立大学留学生センター教育研究論集 (ISSN:13406493)
巻号頁・発行日
vol.14, pp.191-216, 2007

This oral history focuses on the experiences of Togawa Yoshio as a student member of the JCP during its military interlude in Korean War period Japan. Although the effect of the Korean War as an economic boon has been well-emphasized, narratives of postwar Japanese history tend to treat activities by the JCP during this period as a minor footnote to the period. This is not surprising. Even specialized histories of those who conducted these activities-the JCP, zainichi Koreans, and the student movement-pass over this period as an unfortunate mistake. By introducing the experiences of Togawa Yoshio, this oral history seeks to contribute to the process of giving voice to this long-silenced history.
著者
秦 玲子
出版者
日本文化人類学会
雑誌
日本文化人類学会研究大会発表要旨集
巻号頁・発行日
vol.2013, 2013

本発表は、ニュージーランド・マオリ(以下、マオリ)の伝統的タトゥーであるモコ復興の過程について、モコを刻む彫師、そしてモコをまとう人々、個々人の経験に注目して報告するものである。個々人の経験に注目することで、マオリ文化復興への理解を深めると共に、各地の文化復興運動をめぐる議論に貢献したい。
著者
秦 玲子
出版者
京都大学
雑誌
特別研究員奨励費
巻号頁・発行日
2012

平成24年度には、年次計画に基づき、ニュージーランドの先住民マオリの伝統的タトゥー、モコについて、(1)ニュージーランド国内におけるフィールド調査を行ったほか、昨年度の研究成果を引き継ぎ、(2)地域エリアの領域に焦点を当てた現地稠査、(3)文献資料の収集と調査を行った。また、(4)研究大会やシンポジウムに参加し、成果発表や情報収集を行った。(1)ニュージーランド国内における現地調査モコが彫られる場、そしてモコと非マオリのタトゥーとの接触を考察するため、ニュージーランド国内における長期調査を予定していたが、これを変更して短期の調査を行い、施術の観察とインタビューを行った。今年度の調査における最大の成果は、特に①30代の若い世代の彫師たちの活動と②彫師たちの国内外の客獲得のための宣伝活動について調査を深めることができた点である。(2)地域エリアの領域に焦点を当てた現地調査昨年度ソロモン諸島における太平洋芸術祭の調査を通じて明らかになった、太平洋地域のタトゥーとモコの関わりをより詳細に検討するため、サモアとクック諸島を訪れてフィールド調査を行った。(4)研究大会・シンポジウムへの参加6月の文化人類学会での研究発表のほか、3月のオセアニア学会や日本国内のタトゥー関連シンポジウムに参加し、文化人類学、オセアニァ、タトゥーについての理解を深めた。
著者
長谷川 健治 秦 玲子 秦 玲子
出版者
横浜国立大学
雑誌
横浜国立大学留学生センター教育研究論集 (ISSN:13406493)
巻号頁・発行日
vol.15, pp.93-129, 2008

This is the second half of the 2-part oral history focusing on the experiences of Togawa Yoshio as a student member of the JCP during its military interlude in Korean War period Japan. Although the effect of the Korean War as an economic boon has been well-emphasized, narratives of postwar Japanese history tend to treat activities by the JCP during this period as a minor footnote to the period. This is not surprising. Even specialized histories of those who conducted these activities - the JCP, zainichi Koreans, and the student movement - pass over this period as an unfortunate mistake. By introducing the experiences of Togawa Yoshio, this oral history seeks to contribute to the process of giving voice to this long-silenced history. An appendix to part 2 reproduces a short heretofore unpublished memoir written by Togawa Yoshio on the period leading up to his employment.