- 著者
-
福江 充
- 出版者
- 北陸大学
- 雑誌
- 北陸大学紀要 = Bulletin of Hokuriku University (ISSN:21863989)
- 巻号頁・発行日
- no.49, pp.97-141, 2020-09-30
Tateyama in Etchū province was well known by Heian-era Japanese people as a sacredmountain that contained an actual hell. It was believed that all Japanese who committedsins during their lifetimes would fall into Tateyama’s hell, and that Tateyama was a sacredsite where the living could meet the dead.Among the many works published during the second half of the Edo period by the popularand prolific playwright and novelist Jippensha Ikku (1765~1831) are two that took upthe theme of Etchū’s Tateyama. Ikku published Etchū Tateyama Yūrei-mura Adauchi in1808 and “Etchū Tateyama sankei kikō” in the eighteenth volume of Shokoku dōchū kaneno waraji in 1828.The latter work has been transcribed and annotated by a number of scholars, and somehave studied it in the context of Tateyama belief; to some extent it has been introduced tothe academic world. The former work, however, has not received the same attention interms of transcription--it has only been quoted by a few scholars--and there has been nointroduction or analysis of the work as a whole.It is thought that Ikku travelled to Echigo, Etchū, and Kaga in 1826, and that he basedShokoku dōchū kane no waraji (1828) on that experience. Like one of his most famousworks, Tōkai dōchū hizakurige , it is comedic. By contrast, Etchū Tateyama Yūrei-muraAdauchi of 1808, published twenty years earlier, was composed with then-popular revengenovels in mind, as Ikku himself indicated at the beginning of the volume. In Ikku’s novel,a young couple falls in love, the woman gets pregnant out of wedlock, they elope, the manis murdered by a middle-aged male stalker, and the victim appears as a ghost to thewoman he loves. Ikku further incorporated an old story about Tateyama’s ghost town. Hethereby combined various motifs and genres to create this popular and entertaining novel.Ikku’s two Tateyama-related works can be classified into different genres, but bothindicate a shift in perception of Tateyama from a sacred site of intense religious practiceduring the classical period to a mountain that welcomes tourism and offers entertainmentduring the Edo-period.In 1814, six years after the publication of Etchū Tateyama Yūrei-mura Adauchi, while under the rulership of Kaga domain’s Maeda family, what had long been Tateyama’smountain-meditation route was circumvented. At the same time, the facilities at theTateyama hot-springs (close to the mountain’s caldera and the many mountain peaks in thearea) were restored and a direct route was established from the mountains to the hotsprings.It was the start of a thriving hot-springs business. As a result of thesedevelopments, priests of the town Ashikuraji in Tateyama’s foothills, who until then hadhosted pilgrims who climbed the mountain as religious practice, had to adjust to an increasein secular tourists and pleasure hikers. The sudden decrease in pilgrims put Ashikurajipriests into a very difficult practical and economic position. They had to rethink theirdoctrinal teachings and customs, such as appealing to women who had been excluded fromthe sacred mountain. Kaga domain’s strategies for stimulating the local economy duringthe latter half of the Edo period threatened the older economy of Tateyama as a sacred site.Etchū Tateyama Yūrei-mura Adauchi reveals that Ikku witnessed these socio-economicchanges and that he was aware of--and poked fun at--Tateyama’s traditional sacredcharacter. We also sense from this work that Ikku was prescient about the mountain’s future.In this article I first transcribe and introduce Etchū Tateyama Yūrei-mura Adauchi .Then I analyze its contents and contribute to a deeper understanding of this work as ahistorical source important to research of Tateyama’s religious history.