- 著者
-
中島 武三志
- 出版者
- 特定非営利活動法人 日本バーチャルリアリティ学会
- 雑誌
- 日本バーチャルリアリティ学会論文誌 (ISSN:1344011X)
- 巻号頁・発行日
- vol.28, no.2, pp.71-79, 2023 (Released:2023-06-30)
- 参考文献数
- 45
In sound art, an art style that uses sound, the device that generates sound is the core of the work and one of the elements in which the artist’s originality is most pronounced. There is also sound art in which sound is generated and received by touching the work itself. This paper calls sound art, in which tactile sensation is one of the elements of the work experience, “Hapsonic art” and pursues its possibilities as an art style. First, this paper discusses the characteristics of hapsonic art from the perspectives of somatosensory aspects, properties of tactile objects, and activeness of appreciation. Next, while citing other art styles related to hapsonic art, such as musical instruments/musical tools, art for disabilities, kinetic art, and interactive art, this paper organizes similarities and differences from hapsonic art. In addition, while citing other academic research areas related to hapsonic art, this paper makes a proposal for the future development of hapsonic art from the perspectives of somatosensory aspects, materiality, kinetic nature, and activeness/interaction as the characteristics of hapsonic art.