文献一覧: 市川秀和 (著者)

7 0 0 0 日本古典文学にみる「住まうこと」の建築論的考察:- 住まうことの3様態(住・旅・漂泊)とその風景をめぐって -

著者: 川本豊市川秀和
出版者: 日本建築学会
雑誌: 日本建築学会計画系論文集 (ISSN:13404210)
巻号頁・発行日: vol.86, no.787, pp.2388-2398, 2021

The purpose of this study is to examine the problems about the theory of architecture, using Japanese classical literature as a text, we have taken up representations of dwelling and have conducted architectural discussions of the aspects of spatial phenomena that appear in texts, while taking the previous research by the so-called Kyoto School of architectural theory, led by Masuda Tomoya. Masuda argues that "A house must first be positioned in its landscape". Tanaka Takashi, Masuda's disciple, applied the word "utsusukoto" to the phenomenon of dwelling, and aimed to open up the phenomenon of "scenery" from a new perspective that included the Oriental theory of the body and mind. In this context, Tanaka took up Saito Mokichi and others. First in this paper, we would like to begin with the poetry of Tachibana Akemi, a Fukui poet lived at the end of the Edo period, about "dwelling" in own house. Akemi wrote 52 poems titled Dokurakugin, about the joy of living with his family. It can be said that the words in the poems capture the real scenery of the family's poor but peaceful life. We must not overlook the common thread between "dwelling" and "scenery". Next, we would like to take up Kaidouki, author unknown, a travelogue of Kamakura period. Here, travel is defined as an act of leaving one's house, and returning to it. The author's view of dwelling could be outlined in his way of life, through the descriptions of the scenery he saw with his own eyes on the way, and the scenes of people's lives, as well as through Kaidouki that expresses self-referentiality in the extraordinary place of travel. Even in the midst of a travel, the author's thought of Miyako as his hometown, his home there, and his family, are a chain of scenery. Then the third, take up the Haiku of Inoue Seigetsu, who wandered around Shinano at the end of the Edo period. He is said to have come from a samurai, but lost his family in a disaster. He eventually entered Inadani and stayed there for the rest of his life. It is thought that he is adrift not only in the spatial existence of own dwelling, but also in the temporal existence of his life. The word "wandering " is taken to mean the act of drifting away from one's dwelling, also of moving one's body and mind. So most of Seigetsu's poems are written from the outside of the house to the inside, and it can be said that he wrote about the scenery of the house as seen through shoji and windows. There are also a few poems that depict the inside of a house, which must have been a real scene that shows how much he appreciated his home that he could not have. Three phenomena can be contrasted and placed into "housing/dwelling", "travelling/not-dwelling" and "wandering/non-dwelling". Although we usually consider only "dwelling", but we can point out that the depth of "dwelling" becomes clearer by taking up contrasting phenomena such as "travelling" and "wandering ". In this paper, we clarify the multidimensional reality of "dwelling" from the perspective of architectural theories of three phenomena, "dwelling", "not-dwelling" and "non-dwelling" in order to comprehensively reveal some aspects of the scenery of dwelling.

2021-10-14 22:13:59
7 + 6 Twitter

2 0 0 0 OA 戦時体制下の造園思潮と田村剛の「国民庭園」提唱近代日本の造園界にとって大東亜戦争は何だったのか

著者: 市川秀和
出版者: 日本庭園学会
雑誌: 日本庭園学会誌 (ISSN:09194592)
巻号頁・発行日: vol.2005, no.13, pp.17-22, 2005-12-30 (Released:2011-05-20)
参考文献数: 3

近代日本の造園界に大東亜戦争がもたらしたものとは、何だったのか。既に建築や絵画、映画、文学等では、戦争遂行に当たっての役割や戦後の評価をめぐる多角的な学術研究が進められている現在、このような視座から近代日本における造園史あるいは庭園史ヘアプローチするのも有効であろうと考える。従って、かかる課題を究明する一つの試みとして、これまでの大正期の田村剛による庭園改善運動に関する研究成果を基に、続く戦時下での田村の「国民庭園」提唱を、時局の造園思潮と合わせて着目したい。

2022-10-12 22:19:28
1 + 1 Twitter
1 + 1 Wikipedia

1 0 0 0 OA 越前市武生の芦山公園の成立に関する基礎的考察 : 造園家・本多静六の設計説明書(1925)について

著者: 市川秀和平野忍
出版者: 福井大学地域環境研究教育センター
雑誌: 福井大学地域環境研究教育センター研究紀要「日本海地域の自然と環境」 (ISSN:1343084X)
巻号頁・発行日: vol.26, pp.91-97, 2020-03-01

2022-11-26 17:53:53
1 + 1 Wikipedia

http://hdl.handle.net/10098/10888

1 0 0 0 啓蒙都市デッサウと古典学者A.v.ローデ : 十八世紀ドイツにおけるウィトルウィウス主義について(1)(歴史・意匠系)

著者: 市川秀和
出版者: 日本建築学会
雑誌: 日本建築学会北陸支部研究報告集 (ISSN:03859622)
巻号頁・発行日: no.46, pp.411-414, 2003-07-19

西洋における「ウィトルウィウス主義Vitruvianism」とは、古代ローマの建築家ウィトルウィウスが著した『建築十書』の受容・展開による広範な古典主義建築思潮の変遷史を指しており、おおよそ十五世紀ルネサンス期から十九世紀歴史主義・世紀末期までの時代がこれに相当する。本研究は、十八世紀ドイツ啓蒙都市デッサウの宮廷建築家エルドマンスドルフがウィトルウィウス建築書の独訳に着手し、古典学者ローデによって完訳・出版(1796)されたことに注目して、その歴史的経緯を明らかにするとともに、建築思潮史的意義についても考察するものである。本稿(1)では、啓蒙都市デッサウの古典主義動向と古典学者ローデの生涯について論究する。

2021-03-28 21:43:37
1 + 1 Twitter

https://ci.nii.ac.jp/naid/110006888555

1 0 0 0 OA 森田慶一『建築論』の「全一」概念について : ヴァレリー『エウパリノス』との関わり(第六十三回美学会全国大会発表要旨)

著者: 市川秀和
出版者: 美学会
雑誌: 美学 (ISSN:05200962)
巻号頁・発行日: vol.63, no.2, pp.117, 2012-12-31 (Released:2017-05-22)

2021-01-27 20:03:00
1 はてなブックマーク

1 0 0 0 OA ウィトルウィウス美学の受容と京都学派の建築論(第六十一回美学会全国大会発表要旨)

著者: 市川秀和
出版者: 美学会
雑誌: 美学 (ISSN:05200962)
巻号頁・発行日: vol.61, no.2, pp.116, 2010-12-31 (Released:2017-05-22)

2021-01-27 16:27:00
1 はてなブックマーク

1 0 0 0 室生犀星の"終の住まいと庭"

著者: 市川秀和
出版者: 日本庭園学会
雑誌: 日本庭園学会誌 (ISSN:09194592)
巻号頁・発行日: no.17, pp.93-98, 2007-08-31
参考文献数: 18

2020-05-21 22:53:48
1 + 0 Twitter

1 0 0 0 OA 近代日本庭園史における西洋プロポーション理論の受容について

著者: 市川秀和
出版者: 日本庭園学会
雑誌: 日本庭園学会誌 (ISSN:09194592)
巻号頁・発行日: vol.2006, no.14-15, pp.43-48, 2006-03-31 (Released:2011-05-20)
参考文献数: 15

2020-02-11 10:34:42
1 + 2 Wikipedia

1 0 0 0 IR C.-N.ルドゥ-のカッセル凱旋門計画案をめぐって--C.-N.ルドゥ-とS.L.デュ・リ-

著者: 市川秀和白井秀和 ICHIKAWA Hidekazu SHIRAI Hidekazu
出版者: 福井大学工学部
雑誌: 福井大学工学部研究報告 (ISSN:04298373)
巻号頁・発行日: vol.45, no.1, pp.101-115, 1997-03
被引用文献数: 3

Claude-Nicolas Ledoux (1736 --1806) is one of the visionary architects in the18th century France. Recently, the studies on the architect Ledoux are progressing inside and outside the ccountry. Accordingly,the Ledoux's whole figure is making itself clear gradually. In this paper,we chiefly describe the details about the Ledoux's project "a triumphal arch in Kassel". We publish it as introduction to minute research into one of the most impotant architects in the age of French Revoltion, and more profound investigation of the transformation in architectural thought between France and Germany.