著者

砂田 徹 Sunada Toru

出版者

名古屋大学文学部

雑誌

名古屋大学文学部研究論集 (ISSN:04694716)

巻号頁・発行日

no.113, pp.p23-40, 1992

著者

三鬼 清一郎

出版者

名古屋大学文学部

雑誌

名古屋大学文学部研究論集. 史学 (ISSN:04694716)

巻号頁・発行日

no.42, pp.209-241, 1996-03-31

著者

高橋 公明 Takahashi Kimiaki

出版者

名古屋大学文学部

雑誌

名古屋大学文学部研究論集 (ISSN:04694716)

巻号頁・発行日

no.113, pp.p239-251, 1992

著者

佐藤 誠 SATO Makoto

出版者

名古屋大学文学部

雑誌

名古屋大学文学部研究論集 (ISSN:04694716)

巻号頁・発行日

no.94, pp.p79-113, 1986

著者

田中 末男 TANAKA Sueo

出版者

名古屋大学文学部

雑誌

名古屋大学文学部研究論集 (ISSN:04694716)

巻号頁・発行日

no.114, pp.p17-33, 1992

著者

筧 敏生

出版者

名古屋大学文学部

雑誌

名古屋大学文学部研究論集 (ISSN:04694716)

巻号頁・発行日

no.128, pp.93-112, 1997

著者

名古屋大学文学部編

出版者

名古屋大学文学部

巻号頁・発行日

1968

著者

周藤 芳幸 SUTO Yoshiyuki

出版者

名古屋大学文学部

雑誌

名古屋大学文学部研究論集. 史学 (ISSN:04694716)

巻号頁・発行日

vol.57, pp.1-17, 2011-03-31

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Since 2005 the author has been conducting archaeological investigations at the open-air limestone quarry at Zawiat al-Sultan in Middle Egypt on the east bank of the Nile, where an impressive Ptolemaic quarry is located. These surveys led to the discovery of vast number of Greek and Egyptian demotic, often bilingual, graffiti left on the walls and ceilings of the quarry. The chronological sequence of graffiti on the upper part of the valley indicates that these sections were quarried under the last years of Ptolemy II and the beginnings of the reign of his successor Ptolemy III. As for the lowest level of the quarry, the sequence of graffiti strongly suggests that the activities here should be dated to the last years of Ptolemy III and the early years of Ptolemy IV. This chronological observation of the graffiti reveals that the phenomenon of linguistic Hellenization seems to have advanced in relatively short time in third-century BCE Middle Egypt. Although we must appreciate the long process of cultural contact between Greeks and Egyptians beginning with the Saite restoration, the pace of cultural change in the local society seems to have been not so much constant as highly variable, and there must have been several cataract where Hellenization progressed rather drastically.

著者

周藤 芳幸 SUTO Yoshiyuki

出版者

名古屋大学文学部

雑誌

名古屋大学文学部研究論集. 史学 (ISSN:04694716)

巻号頁・発行日

no.57, pp.1-17, 2011-03-31

---

Since 2005 the author has been conducting archaeological investigations at the open-air limestone quarry at Zawiat al-Sultan in Middle Egypt on the east bank of the Nile, where an impressive Ptolemaic quarry is located. These surveys led to the discovery of vast number of Greek and Egyptian demotic, often bilingual, graffiti left on the walls and ceilings of the quarry. The chronological sequence of graffiti on the upper part of the valley indicates that these sections were quarried under the last years of Ptolemy II and the beginnings of the reign of his successor Ptolemy III. As for the lowest level of the quarry, the sequence of graffiti strongly suggests that the activities here should be dated to the last years of Ptolemy III and the early years of Ptolemy IV. This chronological observation of the graffiti reveals that the phenomenon of linguistic Hellenization seems to have advanced in relatively short time in third-century BCE Middle Egypt. Although we must appreciate the long process of cultural contact between Greeks and Egyptians beginning with the Saite restoration, the pace of cultural change in the local society seems to have been not so much constant as highly variable, and there must have been several cataract where Hellenization progressed rather drastically.

著者

伊藤 伸幸 ITO Nobuyuki

出版者

名古屋大学文学部

雑誌

名古屋大学文学部研究論集. 史学 (ISSN:04694716)

巻号頁・発行日

vol.63, pp.47-71, 2017-03-31

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En Mesoamérica, es común encontrar ejemplos de varias combinaciones de animales representados en el arte prehispánico. Se considera más acertado interpretar la presencia de una criatura sagrada dentro de su contexto cultural, como en la Costa Sur de Mesoamérica, a la cual región cultural pertenecen las Cabezas de Jaguar Estilizado, debido a que hay varios complejos de una amplia gama de este tipo de fauna, representada en forma de una criatura sagrada. El concepto ideológico de la Cabeza de Jaguar Estilizado se ha identificado en el área Occidental de El Salvador. La mayoría de estas esculturas comparte las mismas características, como los ojos huecos, y un objeto saliente en las fauces. Por esta razón, es de esperarse que el Occidente de El Salvador pudo formar una región homogénea en la cual la sociedad compartía una misma ideología del cosmos plasmada por medio del concepto de la Cabeza de Jaguar Estilizado. Por otra parte, en la zona arqueológica de Chalchuapa se mantenía para ese entonces una tecnología de alta calidad y un sistema de escritura estructurado, que también destacaba políticamente en el Occidente de El Salvador, por la presencia del denominado “Altar Tetrápodo” o trono. A través de esta visión de las esculturas que representaron el poder y la ideología, Chalchuapa pudo haber sido la capital del territorio Occidental de El Salvador.

著者

伊藤 伸幸 ITO Nobuyuki

出版者

名古屋大学文学部

雑誌

名古屋大学文学部研究論集. 史学 (ISSN:04694716)

巻号頁・発行日

vol.62, pp.101-123, 2016-03-31

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En la zona arqueológica de Chalchuapa, hasta la fecha, se han encontrado más de 30 monumentos, y en ellos, se puede observar varios estilos escultóricos, tales como olmeca, Izapa-Kaminaljuyu, Maya, Tolteca o Azteca entre otros. También se encuentra un estilo local de Cabeza de Jaguar Estilizado. Durante la 2ª Temporada de Campo, se encontraron dos cabezas del mismo estilo en el área de El Trapiche, Chalchuapa. Estas esculturas de piedra estaban colocadas o incrustadas al frente de la estructura E3‒1, en el piso con la cara hacia el cielo. En la parte inferior de la Cabeza 1 se encuentran diferentes características. Y en la parte superior de la Cabeza 2, se tienen distintos ojos, como muerte y vida. La Cabeza 1 tiene diferencias en la parte inferior o hacia abajo, mientras la Cabeza 2 en la parte superior. La colocación de la Cabeza 2 sugiere tener relación u orientación hacia el sol naciente y la Cabeza 1 hacia el sol poniente u ocaso. En ambas cabezas, se puede observar una representación de la dualidad en el período de Preclásico.

著者

清水 純夫 SHIMIZU Sumio

出版者

名古屋大学文学部

雑誌

名古屋大学文学部研究論集. 文学 (ISSN:04694716)

巻号頁・発行日

no.57, pp.15-25, 2011-03-31

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Kandaules, der König von Lydien, genießt nur dann die Ehrfurcht seines Volkes, wenn er die alte Krone und das alte Schwert seines Ahnen Herakles achtet. Er wünscht aber, dass das Volk ihn auch ohne die beiden Erbstücke aufgrund seiner tatsächlichen Fähigkeiten als König anerkennt. Er führt deshalb eine neue Krone und ein neues Schwert ein. Er ersetzt sozusagen den Gebrauchswert durch den Tauschwert. Darin erweist er sich als Vorläufer kapitalistischen Denkens und ist deshalb ein Quasiprogressist. Das Volk aber erkennt den Wert dieser traditionslosen neuen Insignien nicht an und bedroht ihn. Kandaules' Stellung fängt an zu schwanken. Er braucht die Hilfe seiner Frau. Indem er Gyges ihren nackten Körper sehen und sich von ihm ihre absolute Schönheit bestätigen lässt, beabsichtigt er, seine Stellung abzusichern. Er glaubt nämlich, dass man ihn um den Besitz der absoluten Schönheit beneiden und ihn als deren Besitzer folglich hochachten wird. Dabei missachtet Kandaules den Wunsch seiner Frau, dass kein anderer sie erblicken darf, und verletzt ihr Sittlichkeitsgefühl. Diese Tat ist sicher ein schweres Vergehen, aber sie hat auch eine positive Seite:Sie kann die Beseitigung patriarchalischer Sitten und der Ungleichbehandlung der Geschlechter herbeiführen sowie das Problem lösen, dass Rhodope die Kommunikation mit Männern verweigert, zu der sie als Königin die Pflicht hat. Die Verschleierung des Gesichtes ist auch ein aktuelles Problem, wie man in Frankreich erst kürzlich wieder erleben konnte. Den Schleier mit Gewalt zu lüften, ist trotzdem ein schweres Verbrechen, eine Verletzung der Menschenrechte, und deshalb ist das, was Kandaules getan hat, ein verwerflicher Machtmissbrauch. Seine Tat ähnelt den illegalen Lauschangriffen und verborgenen Abhöraktionen durch die Polizei heutzutage. Das heimliche Beobachten durch den Machthaber ist weitaus verwerflicher als die Missachtung der Sitten, weil diese Tat zur Voraussetzung hat, dass man den Menschen als Ding behandelt. Andererseits wird sich Rhodope wegen der Beleidigung zum erstenmal ihrer Menschenrechte bewusst und will sich an Kandaules rächen. Wie bei Judith hat diese Tat ihren Grund in ihrem heftigen Zorn. Sie nimmt dabei keinerlei Rücksicht auf ihre angestammten Sitten. Das heißt, sie ist von den Sitten unabhängig. Würde sie sich nach diesen Sitten richten, ließe sich ihr früheres Verhältnis zu Kandaules wiederherstellen, falls er Gyges im Kampf besiegte. Aber dieser Weg zur Versöhnung scheint ihr keinesfalls begehbar. Das zeigt, dass für sie ihre Menschenrechte Vorrang vor den Sitten haben. Rhodope facht die Begierde des Gyges nach ihr an und hetzt ihn zum Zweikampf mit Kandaules auf. Mit dessen Tod ist Rhodopes Rache befriedigt. Aber kurz nach der Trauung ersticht sie sich, um die Schuld am Gattenmord und an der Missachtung der Sitten zu sühnen und Gyges wegen seines heimlichen Beobachtens zu bestrafen. Obgleich sie sich dessen nicht bewusst ist, hat sie am Ende Kandaules und Gyges wegen ihres inhumanen Handelns verurteilt.

著者

青山 幹哉 Aoyama Mikiya

出版者

名古屋大学文学部

雑誌

名古屋大学文学部研究論集. 史学 (ISSN:04694716)

巻号頁・発行日

vol.44, pp.233-245, 1998-03-31

著者

宮治 昭

出版者

名古屋大学文学部

雑誌

名古屋大学文学部研究論集 (ISSN:04694716)

巻号頁・発行日

no.120, pp.p189-212, 1994

著者

神塚 淑子 KAMITSUKA Yoshiko

出版者

名古屋大学文学部

雑誌

名古屋大学文学部研究論集. 哲学 (ISSN:04694716)

巻号頁・発行日

vol.60, pp.57-83, 2014-03-31

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At the beginning of the Tang Dynasty (the mid-7th century), the disputes between Taoism and Buddhism has been actively carried out. At that time, as against Buddhist scripture “Wenshi jing (温 室経)”, Taoist scripture “Xiyu jing (洗浴経)” was created by Taoist Li Rong (李栄). In Chapter 1, I examine the contents of “Wenshi jing” and the custom of xiseng (洗僧) in the Tang Dynasty which was based on the teachings of the scripture. In Chapter 2 and Chapter 3, the contents of Dunhuang manuscript “Taishang lingbao xiyu shenxin jing (太上霊宝洗浴身心経)”, which is estimated “Xiyu jing (洗浴経)”, are examined and I make it clear that they stand on the Taoist thought of the Six Dynasties and Sui Dynasty. In Chapter 4, I consider Taoist scripture “Taishang xuandu miaoben qingjing shenxin jing (太上玄都妙本清静身心経)”, which includes similar contents as “Taishang lingbao xiyu shenxin jing (太上霊宝洗浴身心経)”.

著者

高橋 公明 Takahashi Kimiaki

出版者

名古屋大学文学部

雑誌

名古屋大学文学部研究論集 (ISSN:04694716)

巻号頁・発行日

no.98, pp.p175-194, 1987

著者

小川 正廣 OGAWA Masahiro

出版者

名古屋大学文学部

雑誌

名古屋大学文学部研究論集. 文学 (ISSN:04694716)

巻号頁・発行日

vol.59, pp.1-33, 2013-03-31

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In 1956 more than 1,000 Japanese soldiers who had been detained for six years in the Fushun and Taiyuan War Criminals Management Centres of the People's Republic of China were released without any punishment after their painful confessions of all the sinful acts committed in China during the Second World War and their heartfelt apologies to the Chinese. This unusual event has been called the Miracle in Fushun. The present paper discusses the process of how these typical Japanese Devils (Riben guizi in Chinese) were mentally rehabilitated and morally reformed to be ordinary human beings, by closely comparing their case with that of another most devilish character who appears in Virgil's Aeneid and is also spiritually regenerated after the death of his son: Mezentius, the Etruscan cruel tyrant and terrible warrior. In conclusion it will be pointed out that, although the Japanese war criminals were legally forgiven by the Chinese government and Mezentills, having no more intention than opportunity of seeking forgiveness, punishes himself by facing death resolutely, the difference does not affect the sincerity of the ex-Japanese soldiers' repentance, especially because they have been feeling and even trying hard to show publicly, since the unexpected merciful judgement of the Chinese, all the deeper remorse for their past crimes and the stronger desire for lifelong atonement to the victims who were sacrificed by them to the Japanese invasion of China and their own brutality.

著者

田村 均 Tamura Hitoshi

出版者

名古屋大学文学部

雑誌

名古屋大学文学部研究論集. 哲学 (ISSN:04694716)

巻号頁・発行日

vol.59, pp.1-34, 2013-03-31

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This paper has two purposes. One is to introduce Kendall Walton's theory of representational arts to the Japanese philosophical community. His theory is highly original in that it reveals the fact that the representational works of arts, such as paintings, sculptures, films, plays and novels, are to be regarded as being functionally the same as playthings, such as dolls, hobbyhorses, toy trucks and teddy bears. The theory depends on distinctive use of such concepts as games of make-believe, props, and representations. I try to make it clear what these concepts are meant to serve for. In doing this, I also try to give an overview of the role of imaginative activities as the foundation for our intellectual and emotional understanding of the world. This is the other purpose of this paper. According to Walton's view, dolls, toy trucks and works of arts, which serve for props of our games of make-believe, prompt us to imagine a fictional world where we have them as real things. An object in the real world can be turned into an item in an imaginary world that is different from itself-in-the-real-world. It should be real, however, in this fictional world. So we can take ourselves living with multiple realities in view of a Waltonian theory of make-believe. We would have an unexpected revelation of reality by artistic appreciation regarded as a kind of children's games of make-believe. In this sense, fiction-making capacity emerges as something very important and essential to human beings.

著者

梶原 義実 KAJIWARA Yoshimitsu

出版者

名古屋大学文学部

雑誌

名古屋大学文学部研究論集. 史学 (ISSN:04694716)

巻号頁・発行日

vol.63, pp.25-45, 2017-03-31

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In this paper, I carry out research as part of an integrated study on the roof-tile organization of old Japanese provincial temples. In it, I focus on the three provinces of Shinano, Echigo, and Sado, which have a deep geographical relationship, and discuss the formation and development of roof-tile organization. With respect to the Shinano provincial temple, although the construction of its buildings took place around the year 770, which is considerably later than in other provinces, I argue that perhaps prior to that time, temporary structures were built that used the same variety of temple roof-tiles as found in the local area. Regarding the tiles of the Echigo provincial temple, because there are not many related materials, I only introduced the specific characteristics of its roof-tile manufacturing technique. As for the roof-tiles of the Sado provincial temple, I organized their many types by lineage, and presented the possibility that the founding roof-tiles may have originally come along with the Sue pottery makers from Owari via Shinano and Echigo. I also pointed out the possibility that its founding period dates back to the late eighth century.

著者

篠田 知和基 SHINODA Chiwaki

出版者

名古屋大学文学部

雑誌

名古屋大学文学部研究論集 (ISSN:04694716)

巻号頁・発行日

no.109, pp.p285-307, 1991