著者

二階堂 善弘

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

no.14, pp.535-541, 2021-03

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内田慶市教授古稀記念号

著者

大槻 暢子 岡本 弘道 宮嶋 純子

出版者

関西大学文化交渉学教育研究拠点(ICIS)

雑誌

東アジア文化交渉研究 (ISSN:18827748)

巻号頁・発行日

no.2, pp.289-311, 2009-03

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This report shows the summary of the field survey on tea culture in Okinawa island conducted as part of the collaborative research by the young members of our institute. In pre-modern age, a series of islands including Okinawa island, so-called Ryukyu Arc, had undergone a historical transition different from the areas of Kagoshima and northward in Japan. In the process of adoption of tea culture, Ryukyu Arc showed its individual development while it is affected by Japan and China as a peripheral area of both sides. The tea culture of Okinawa contains Japanese elements, such as tea ceremony (Chanoyu) culture and Furi-Cha culture remaining as Buku-buku tea, and Chinese elements, such as massive import and consumption of Chinese tea from early modern age to modern age. It is indicated by the historical accumulation, so it can be an attractive subject in considering cultural interaction.

著者

グエン テイ テゥエット ニュン

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

vol.13, pp.277-288, 2020-03-31

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In Vietnam, many stories tell about the marriage of the snake and the human where the snakes appeared as grooms. These stories developed in various patterns, but most of them end with a happy ending where the snake and the human woman have a happy life. These marriages represent the Vietnamese dreams of an ideal marriage and their view of animals and nature. Snakes symbolize perfect marriage partners, and the marriage with snakes represents a dream of getting closer to nature so that the Vietnamese can live a better life. These stories also reflect the Vietnamese idea that bad people learn a lesson for themselves, contrary to the fact that good people can always have a good ending.

著者

岡部 美沙子

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

no.10, pp.279-297, 2017-03

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文部科学省グローバルCOEプログラム 関西大学文化交渉学教育研究拠点松浦章教授古稀記念号[東アジアの言語と表象]"Hakutaku (Baize 白澤)" is a divine animal that appears in ancient Chinese mythology. In China, Hakutaku's icon has been expressed like "tiger's head and dragon's body" or "dragon's head and animal body". This icon spreaded from China to Korea. And it has been handed down. In contrast, Hakutaku icon is expressed like "human face and ox body" in both Japan and Ryukyu(琉球). Xian(西安) Huxian(戸県) 's Hakutaku statue show us two kinds of possibility. The one can provide the evidence for the ox body Hakutaku, which appears in China, the other can show the possibility Hakutaku and Kirin (Qilin 麒麟) that is made up a pair.

著者

王 勇

出版者

関西大学

雑誌

東アジア文化交渉研究 (ISSN:18827748)

巻号頁・発行日

vol.1, pp.105-112, 2008-03-31

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There are already many researches about Jianzhen's arrival in Japan. Therefore, this paper described his motives for going to Japan as being related to Taoism in the Tang era. Early return of Japanese dispatched priests and Jianzhen and the others' obsessive passion for going to Japan is due to the Chinese circumstances which prosperity of Taoism reached its peak in the period of Xuanzong, and as well as Japanese circumstances, "Japanese emperor did not worship principles of Taoist priest". There were no evidence that Tang era's Taoism were taken into Japan, as a religious community which had facilities, officers, and organizations; however, Taoism among the Tang cultural things which are mixed into rituals, folk beliefs, and annual events would be brought to Japan by various routes in the era of Japanese envoy to the Tang Dynasty.

著者

松浦 章

出版者

関西大学

雑誌

東アジア文化交渉研究 (ISSN:18827748)

巻号頁・発行日

vol.5, pp.327-342, 2012-02-01

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In the mid-19th century, many European and American ships began to appear in Southeast Asia. Some of these ships belonged to the Peninsular and Oriental and Steam Navigation Company – a company founded in London during the early 19th century and commonly known as P.&O. – as part of the company's development of the shipping industry in Asia. Soon after the European establishment of trade with Japan, the P.&O. Company founded the Shanghai, Hong Kong and Japan route, which began operating in 1864. The shipping company's activities in East Asia also contributed greatly to population movement. This thesis describes the late 19th-century East Asian Seas, the P.&O. Shipping Company's activities and the resulting regional cooperation.

著者

馬 成芬

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

vol.10, pp.573-592, 2017-03-31

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文部科学省グローバルCOEプログラム 関西大学文化交渉学教育研究拠点松浦章教授古稀記念号[東アジアの歴史と動態]There were 151 kinds of Chinese calligraphy rubbings, totally 3797 volumes, being imported to Japan in Edo period. But all these rubbings could not be considered to be authentic works, and some of them couldn't be distinguished if they were authentic works or not. In that case, how about the condition of those counterfeited rubbings which were imported to Japan? In this paper, I will focus on these counterfeited rubbings of being imported to Japan, then explored the condition of it and the influence to the area of calligraphy of Japan.

著者

森部 豊

出版者

関西大学

雑誌

東アジア文化交渉研究 (ISSN:18827748)

巻号頁・発行日

vol.5, pp.351-357, 2012-02-01

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This paper introduces the Nestorian Stone Pillar "discovered" in Luoyang, Henan Province, China in 2006, and also introduces the present state of research on this object. Also included is a discussion of the pillar and its value in the history ofcultural negotiation. Nestorianism entered China during the Tang Dynasty, which can be interpreted as a concrete example of cultural negotiation in East Asia. Information concerning the recent discovery of this new historical source needs to bemade available to the world of Cultural Negotiation Studies and incorporated asshared knowledge. This pillar has two inscriptions ‒ Daqin jingjiao xuanyuan zhiben jing 大秦景教宣元至本経 and Jingchuangji 経幢記 ‒ the second inscription being of great value inthe fi eld of cultural negotiation. It attests to the presence of a Nestorian Temple, Nestorianism being a branch of Christianity, at the beginning of the ninth century in Luoyang: the name of the temple was Daqinsi 大秦寺. It also attests to the presence of Sogdian who served as the priests at the Luoyang Daqinsi. It also suggests that there was group of Nestorian Sogdian living in Luoyang. It fi nally attests to the presence of a settlement of Sogdian outside of Luoyang during the Tang Dynasty.

著者

陳 莉莉

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

no.14, pp.435-447, 2021-03

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内田慶市教授古稀記念号

著者

二階堂 善弘

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

vol.10, pp.423-429, 2017-03-31

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In 2016-2017, I stayed at Singapore, and researched many Chinese temples. Some temples worship Huaguang Dadi as Fujian and Guangdong God. But nowadays very few of temples worship Huaguang Dadi in Mainland China. In Singapore, I researched to fieldwork for Tiong Ghee Temple, Shuang Lin Cheng Huang Miao, Thomson Combined Temple, Sheng Hong Temple, and Leong San See Temple. They all have Huaguang's statues. And there is temple guardian god of Huaguang at Lian Shan Shuang Lin Monastery. It’s very rare case.

著者

董 伊莎

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

vol.10, pp.749-762, 2017-03-31

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This work looks at a relation of ancient Japan's and China's ideas of ritual centering on rei. The etiquette that was inseparable from law should have been transmitted with Chinese legal codes, but the expression wasn't always limited to the legal codes text. Especially in the case of the ideas of ritual, It was considered that fixed change occurred due to the difference in the consept of ghost and god between the two countries. And after examinating of records about rei, it was found that there were rei of the spirit who brought an epidemic and rei of the ghost who had no heir in the ancient China. New development of beliefs to rei in the late of Han Dynasty and the Six Dynasty was a result that these two kinds of rei were connected under the condition of the deaths in hatred. That's the customs which worship the vindictive spirit who was a concrete person to a god. These customs can be considered to have an impact on Japan. In addition, This work also looked at the first Goryō ceremony and subsequent Goryō ceremony and pointed out that the origins of both were different, and speculated that the former possibly imitated Chinese ritual of rei for political purposes.

著者

田野村 忠温

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

no.11, pp.3-26, 2018-03

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文部科学省グローバルCOEプログラム 関西大学文化交渉学教育研究拠点[東アジアの言語と表象]

著者

黒田 舞子

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

no.10, pp.783-802, 2017-03

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文部科学省グローバルCOEプログラム 関西大学文化交渉学教育研究拠点松浦章教授古稀記念号[研究ノート]In the relationship between Tang and Tibet, you can see that the principal offender was the basis of important diplomatic relations. About the Tang and Tibet in the 7th century - the first half of the 8th century, the whole history of Tibet has been revealed by many previous studies. Therefore, in this paper, in the history of Tibet, which mainly includes Chinese historical documents such as "Old Tang Book" and "New Tang Book", the relationship between Tang and Tibet in the history of Tibet, ~ The relationship between Tang and Tibet in the first half of the 8th century, the historical background of the lord's principal, will clarify the meaning that the principal owner of bride's wife married to Tibet and the impact on current.

著者

曹 悦

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

no.12, pp.81-101, 2019-03-31

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文部科学省グローバルCOEプログラム 関西大学文化交渉学教育研究拠点[東アジアの言語と表象]

著者

馮 赫陽

出版者

関西大学

雑誌

東アジア文化交渉研究 (ISSN:18827748)

巻号頁・発行日

vol.4, pp.447-465, 2011-03-31

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The damp and mild climate of East Asia provides the ideal environment forvarnish trees, and it is no surprise that the art of lacquer originated in this region.Chinese and Japanese lacquer work represent the highest level of this art; however, whenfocusing on the interaction of lacquer technique between China and Japan, the rolevarnish played should not be ignored.Japan is famous for its lacquer work. From the Edo period, the Japanese varnishmerchants actively sought Chinese varnish from the Chinese merchants trading inNagasaki. With the expansion of the Japanese lacquer industry during Meiji period, thedemand for varnish became increasingly urgent, a result of which was the importanceattached to the importation of Chinese varnish by the Japanese lacquer industry.

著者

氷野 善寛

出版者

関西大学文化交渉学教育研究拠点(ICIS)

雑誌

東アジア文化交渉研究 (ISSN:18827748)

巻号頁・発行日

no.5, pp.253-265, 2012-02

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Recent public access to various on-line research databases in the humanities hasfacilitated access to the on-line university and non-university materials. This essayprovides an outline to databases that primarily contain documents, digital archives, and digital data incidental to these two on-line sources. Consequently, it is my intention to question how documents should be preserved and digitalized for public access.

著者

末吉 佐久子

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

vol.13, pp.119-136, 2020-03-31

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During the history of ceramics in Japan, the group of tea potteries that developed from the Azuchi-Momoyama period to the early Edo period was called Momoyama tea potteries. These primarily consisted of Shino ware, Seto ware, Oribe ware, Bizen ware, Iga ware, Shigaraki ware, Karatsu ware, and Raku ware. One of the characteristics of the Momoyama tea potteries was "imperfection." Momoyama tea potteries have been studied in various ways, including from the perspectives of the history of ceramics and the history of the tea ceremony. However, there have not been many studies that have focused on the form of imperfection to consider its aesthetic elements. This paper will examine why imperfection, which is considered a negative element in design terms, can be an aesthetic. In particular, this paper will focus on two Momoyama tea potteries characterized by imperfection that have been handed down through generations : the Gray Shino Tea Bowl called "Mine no Momiji" (or "Maple on the Peak"), Mino ware (16th–17th c.), the Gotoh Museum; and the Freshwater Jar called "Yaburebukuro" ("Torn pouch"), Iga ware, natural ash-glazed stoneware (17th c.), the Gotoh Museum. The design elements of line, surface, volume, texture, dynamics, and balance will be analyzed to highlight the aesthetic character of imperfection.

著者

周 正律

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

no.8, pp.451-475, 2015-03

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This paper discusses a tendency to diversify of abstractions of Long(龍)in the Han dynasty(漢代). Before that time, Long was considered to be a symbol of one village like a totem. By the unification of ancient China in Qin(秦)and Han dynasty, Long was elevated to be a god with sacred power and started to be diversified in its attributes according to the books of that time. It was believe to have a ability of making rain or control water, and because of that power, a soil image of Long(土龍)was used as a sacrifice to pray for rain when it was in a drought. And Long was also believed to have a function as to be a transportation between the human world and the immortal world. And it turned out that, in Han dynasty, all those abstractions of Long could once be seen in a representative sample called Qing Long(青龍), which is a constellation in ancientastronomy of China. Almost all of the attributes of Long have been passed to until now, but some of them also had been changed their appearances when new trends of thoughts such as buddy coming to be known in the land of ancient China.文部科学省グローバルCOEプログラム 関西大学文化交渉学教育研究拠点研究ノート

著者

修 斌 劉 嘯虎

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

vol.8, pp.359-373, 2015-03-31

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Narrative of the expedition of an American squadron to the Cina seas and Japan is an official report being submitted after the USS East lndia squadron (Perry,s squadron) returned back to America, which is a precious record in research Ryukyu Kingdom of the second half of the nineteenth Centuly. In Narrative of the expedition of an American squadron to the China seas and Japan records, Ryukyu Kingdom tried to keeping the identity of a vassal state of East Asian tributary system,keeping in touchwith China in terms of tribute trade and accepting canonization,and maintained the identity with the inheritance of Chinese culture. At the same time, Ryukyu Kingdom had to endure the press and control from Satsuma domain of Japan,while Ryukyu must maintain its image of "independent country" to foreign countries. Visibly, the Ryukyu was in an embarrassing state of foreign relations. The "sovereignty" of Ryukyu kingdom belongs to China, the "governance" of which belongs to Japan. However, this "sovereignty" of China is a unique right which is a symbol of a vassal state and suzerain in the East Asian tributary system. The "governance" of Japan was enfborced in Ryukyu through "consul" and "garrison" of direct controlled by Satsuma domain in Bakuhan Taisei. The national consciousness and the self localization of Ryukyu is that Ryukyu is a vassal state of China and Japan is a neighbor of Ryukyu. However,the former is a conscious identity to culture and value, and the latter is a helpless and false cognation. So, the embarrassing relationships between Ryukyu and China, Ryukyu and Japan were the legal position of Ryukyu, but the two relationships are widely different. Theconfusion and puzzle that Perry and his staff showed about the position of Ryukyu comes not only from the policy of control which had been subtle by Satsuma domain, but also from the lack of awareness of Westerners to the special tribute system of East Asia World.

著者

中谷 伸生

出版者

関西大学大学院東アジア文化研究科

雑誌

東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (ISSN:18827748)

巻号頁・発行日

vol.6, pp.27-41, 2013-03-27

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This paper discusses artistic modification and the cultural relationship of the traditional Japanese style of paintings compared with those of the East Asian world including China by presenting, as an example, some humorous pictures (called "Giga" in Japanese) drawn by Nicyosai, who was known as one of the leading caricature artists during the Edo period. China, however, has hardly any humorous paintings such as caricatures, and no comparison of Giga with Chinese paintings can be given here. In other words, this study sheds light on a new aspect of arts reflecting the characteristics of Japanese paintings within the framework of East Asian arts, and the author discusses some specific problems of art history entailing a two-way approach of works-oriented and method-oriented approaches. The author also reviews works by Nicyosai and evaluates such works to examine if the caricatures drawn by Nicyosai are truly the traditional Japanese style of paintings.